Gate City Journal

Swift Kicks

Greensboro steps up in the world of Irish dance

By Maria Johnson

You’ll hear the students of the Walsh Kelley School of Irish Dancing long before you see them.

You can’t miss the rhythmic hammering of their fiberglass heels and toes, especially as they pummel the hardwood on St. Patrick’s Day at M’Coul’s Public House downtown.

On that bonnie day, the local dancers make do, fencing their explosive steps into wee spaces. In competitions, however, with proper stages at their disposal, they cut loose in a blur of curls and Celtic finery punctuated by the firing-range report of feet.

Later this month, two of them — 19-year-old Kelly King, a freshman at UNCG, and 16-year-old Amanda Trolle, a student at Northern Guilford High School — will travel to Glasgow, Scotland, for the World Irish Dancing Championships.

An international tribe in practice if not in name, Irish dancers vie for global honors where lassies and laddies don the black shoes and white socks of the faithful. Also, they require a lot of ballroom space. Hence, Greensboro — emphasis on the green — will host the world championships of Irish dancing at the Koury Convention Center in April 2019.

Five thousand Irish dancers from all over the world are expected to thunder into the Gate City, drawing some 25,000 spectators.

Greensboro dancers will be hoofing heartily in the coming year, hoping to qualify for the championships in their own backyard.

History says they have a good chance.

The Greensboro branch of the Charlotte-based Walsh Kelley School has sent about 30 students to the world championships in the last 16 years.

Credit their teacher, 48-year-old Colleen Flanigan King, who moved to Greensboro with her husband Jim in 1998, and started taking classes at the school.

Twice a competitor at the world championships, she’d been Irish dancing since she was a kid in Seattle.

“It was just a fun sport to do. As I got more into it, my sister and I performed at nursing homes, and at local fairs, and when Irish bands came to town. We’d go to Canada and all over the West Coast to compete. Now, it’s a great activity for me and my daughters to do,” says Colleen, the mother of two girls and two boys.

Her boys chucked Irish dancing for soccer. Dancing took with the girls.

Kelly King — the regional champ in her age group and one of the two Greensboro dancers headed to worlds in Glasgow this month — is Colleen’s daughter.

So is 15-year-old McKenzie, who flew to Killarney, Ireland, last month to compete in the All Ireland Championships.

Two other Greensboro dancers joined McKenzie on the Emerald Isle: Trolle and 16-year-old Jillian Fulp, a student at Page High School.

All are Colleen’s pupils. Twice a week, they meet for a championship class at the Greensboro Cultural Center.

In the mirrored corral of Studio 317, Colleen circles them with the vigor of a border collie, eyes always on the feet. She is compact, athletic, quick to smile, urgent.

Fast, higher, clap-clap-clap, c’mon, toes out, knees up, travel farther. She pushes them, sometimes literally, her hand alighting briefly on their backs. Her own feet phrase what she wants to see.

The dancers take flight in sorties, sweeping across the black vinyl floor in lines that connect the invisible dots of choreography unique to each school of Irish dancing.

At times, their board-straight bodies appear to lean slightly backward and jet forward at the same time. How do they do that?

No time to figure it out. Things are moving too fast, prodded by the windy, rollicking music that warbles from an iPod tucked into a speaker at the front of the room.

Legs straighten and scissor. Calves cross. Feet slap, slide, stutter and stand on tiptoe, en block. Knees jut into peaks and descend with the power of pistons. Heels jab at glutes. Quads flush and crease where tectonic plates of muscle collide. Sweat beads. With arms glued fast to their sides, dancers land like human exclamation points.

BANG!

At the world championships, Kelly and Amanda will dance at least two rounds in solo competition. Each will do a hard-shoe number and a soft-shoe number.

Hard-shoe routines — the loud ones — go with peppy hornpipe music and treble jigs. They last a little more than a minute.

Soft-shoe pieces — easier on the ears and more about graceful leaping than emphatic stepping — pair with reels, slip jigs and light jigs. They take a little under a minute.

Finalists are called back for a third round.

Kelly King, who started Irish dancing at age 4, has been to Worlds five times. She has yet to make it to the third round.

“Hopefully, this year will be the year, but I try not to set my expectations too high. I just try to go out and have fun,” says Kelly. “Hopefully, my hard work shows up when I’m on stage.”

She practices at least an hour a day. Sometimes she drills for two- or three-hour stretches. That doesn’t include the time she spends looking at Irish dancing snippets on Instagram.

Video is hard to come by. There are no live broadcasts of championships and recording is not allowed except when winners parade a few prized steps at the end of contests.

One reason for the caution is to protect the privacy of the youthful dancers. Another is to guard the secrecy of the steps.

“Schools are sensitive about their steps, so they won’t be stolen,” says Kelly.

The latest in Irish dancing fashion is more accessible. Kelly and other students follow the makers of hand-embroidered costumes. Female dancers complete their outfits with corkscrew wigs — either shoulder-length or in buns piled atop their heads — to accentuate the springiness of their dances.

The fairy-tale look captivated Amanda Trolle, who started Irish dancing when she was 6 and lived in Germany.

“I saw the wigs and dresses, and I thought, ‘I want to do this. I want to be that person.’” she says.

Now she is. She plays lacrosse for her school team, but her heart beats to the up-tempo of Irish dancing.

“When I’m not in class, I’m either training at home or doing strength and conditioning work at the gym. It’s a seven-day thing.”

Amanda and her fellow dancers relish the travel, friendships, discipline and poise that their artistic sport has brought them. It’s unfortunate, they say, that the ability to shake a leg with a rigid upper body does not translate well to proms and other informal dances.

“I have no idea what to do with my arms when I dance other dances,” says Kelly.  OH

Students from the Walsh Kelley School of Irish Dancing will perform at M’Coul’s Public House on St. Patrick’s Day at 11 a.m., 4 p.m. and 7 p.m. For results of the March 24–April 1 world championships, go to clrg.ie. Maria Johnson can be reached at ohenrymaria@gmail.com.

Cougar Madness

The near-miss glory of the nation’s first regional sports franchise

By Bill Case

Unbeknownst to all but the closest insiders, professional basketball’s 2-year-old upstart, the American Basketball Association (ABA), was teetering on the verge of collapse in December, 1968, when its commissioner, George Mikan, called an emergency meeting of the league’s executive board in Minneapolis. Awash in a sea of red ink, the owner of the Houston Mavericks had advised Mikan that his team was about to shut down. Reading the tea leaves, the Denver Rockets’ owner indicated that if the Mavericks folded, the Rockets would follow suit. It was apparent to Mikan and the board that the demise of one, let alone two, of the ABA’s 11 teams could have a domino effect on the other franchises that would rapidly lead to the demise of the league and its signature red, white and blue basketball.

Given that the league was barely clinging to life, a second matter on the board’s Minneapolis agenda may have appeared as an afterthought. Several North Carolinian buddies hell-bent on acquiring an ABA expansion team for their home state had formed the Southern Sports Corporation (SSC) and requested that the ABA board grant them an audience. The SSC group, headed by 35-year-old Jim Gardner — an early investor in the Hardee’s hamburger chain and a U.S. Congressman — flew to Minneapolis to make their pitch. Prior to the group’s arrival, the ABA’s board members hatched a scheme calculated to use the SSC overture as a lifeline.

The first step of the plan was to betray nothing to the North Carolinian businessmen concerning the ABA’s existential crisis, which explains why the board listened with feigned disinterest to Gardner’s presentation. Referencing an October, 1968, Sports Illustrated article by Frank Deford touting the untried notion of a regional pro team playing in multiple arenas, Gardner proposed that the Cougars would play home games in Greensboro, Charlotte and Raleigh. Hoops-mad North Carolina, lacking a dominant major city (Charlotte was less than one-half its current size), would be the ideal locale for a far-flung basketball franchise, he argued, particularly since no major league team in any sport called the state home.

The Indiana Pacers’ first co-owner, Dick Tinkham, was among the owners listening to this presentation. “They were trying to sell us on North Carolina and were worried we wouldn’t take them,” Tinkham told Terry Pluto in that writer’s wonderful ABA history, Loose Balls. “Meanwhile we would have thought the North Pole was a great spot for an ABA franchise if there was an Eskimo who could buy one.”

Tinkham coolly replied to Gardner that, “the price for an expansion team is $500,000, but there is a way you can get into the league for less than that. You can buy the Houston franchise for $350,000 if you agree to finish out the season down there. Then you can move it to North Carolina.” It was a well-orchestrated bluff. Given the league’s predicament, SSC probably could have acquired the Mavericks for next to nothing. But SSC accepted the league’s offer. The cash infusion into league coffers coupled with the salvaging of the Houston franchise probably saved the ABA from extinction.

After the woeful Mavericks’ final home game in Houston, played before an unenthusiastic crowd of 89 spectators, the Cougars opened for business. The team located its primary office in Greensboro where it would play 25 games in the Coliseum. The balance of the home schedule would be contested at Raleigh’s much smaller Dorton Arena and Charlotte’s Coliseum. Virtually everyone associated with the Cougars opted to live in Greensboro.

Seeking a colorful personality to lead the team, Gardner tapped the legendary and peripatetic former Wake Forest coach Horace Albert “Bones” McKinney to be the Cougars’ first head coach. During his tenure at Wake, Bones had received so many technical fouls for charging referees that he
finally decided to limit his forays onto the court by seatbelting himself to the Wake Forest bench.

Once, Bones was tossed out of a contest after he was unable to decide whether the ref was a thief or incompetent. So he called him both. Taking umbrage at his ejection, Bones demanded an explanation for being given the heave-ho. “Because you called me a thief,” responded the referee.

“Oh my goodness, no indeed!” remonstrated Bones. “I gave you a choice.”

To maximize the Cougars’ local appeal, Gardner and then general manager, Don DeJardin jettisoned most of the Mavericks’ players and loaded the team with ex-college stars from the home state. Doug Moe, and Bill Bunting from UNC, high-scoring Bob Verga from Duke, George Lehman from Campbell College, and hustling Gene Littles from High Point College became Cougars. Clemson’s Randy Mahaffey was also added to the roster, providing a rooting interest for South Carolinians.

The Cougars relentlessly courted “Pistol Pete” Maravich, hoping to land the LSU All-American following the 1970 draft. But Maravich signed with the NBA’s Atlanta Hawks.

Gardner’s long-range business plan (and that of every ABA owner) was to force a merger with the NBA. The NBA possessed a national television contract and a well-established network of established teams and stars. Gardner reasoned that the only way to give the new league leverage in merger discussions was to punch its more established competitor in the face. He started by courting one of the NBA’s biggest stars, the Philadelphia 76ers’ Billy Cunningham. After six years in the NBA and a third-place finish in the league’s MVP balloting, “Billy C.” was earning a paltry $40,000 a year. Gardner offered Billy a 2-year deal for $200,000 annually — five times his 76ers’ salary. Billy accepted the Cougars’ offer in August, 1969. “I kept thinking about all that money,” recalls the UNC alum. “I knew I wasn’t going to play forever and it was time to make it while I could.”

But due to the terms of his contract with Philadelphia, Cunningham could not take the floor for the Cougars until the ’72–’73 season. Given the Cougars’ upcoming struggles during their first three seasons, the club’s interminable wait for the services of the “Kangaroo Kid” — subsequently named one of the top 50 pro basketball players of all time — must have seemed an eternity.

When George Mikan resigned as head of the ABA in 1969, Jim Gardner became interim commissioner even though he was a team owner. The feisty Gardner authorized aggressive combat against the NBA on all fronts, even luring away that league’s best referees. His aggressiveness set the stage for the Denver Rockets’ signing of University of Detroit underclassman Spencer Haywood as a “hardship case” in defiance of the NCAA’s “4-year rule.” This challenge to the status quo ignited a firestorm of criticism engulfing the entire ABA. But Gardner’s hardball maneuvers failed to lead to fruitful merger discussions. Instead, the angry NBA owners dug in their heels and, for the moment, spurned further negotiations. When NBA star Oscar Robertson filed a federal lawsuit seeking to prevent any prospective merger because it would unfairly eliminate competition for players’ services, hopes that the two leagues would come together drifted away.

The Cougars’ first year on the court proved to be moderately successful. Bones McKinney coached the team to a respectable 42–42 record in ’69–’70. The ABA was the first league to employ the 3-point shot — now a staple at all levels of basketball — and the Cougars’ sharpshooting guard, Bob Verga, took full advantage of the rule, averaging 27.5 points per game. Bruising forward Doug Moe took care of rebounding and provided relentless defense. The team squeaked into the playoffs, but their appearance was brief as the eventual champion, the Indiana Pacers, swept the Cougars in four straight.

The Cougars’ average attendance of 6,051 — better than many NBA franchises — placed it firmly in the ABA’s top tier. In his January, 1970, Sports Illustrated article entitled “My Baby is Called the Kahlahnah Koogahs,” writer Frank Deford expressed his delight with the progress of a team to which he had helped give birth. A jubilant Deford gloated that the Cougars, the first regional sports franchise in history, had “enjoyed such an auspicious debut that their example is bound to cause repercussions throughout the whole of professional sport. . . . Last year I blew all this smoke as a dreamy theorist. Now I am a hard headed advocate. I have seen Carolina, and it works.”

But notwithstanding Deford’s raves, a couple of cracks in the Carolina Cougars’ foundation were surfacing. Air travel to the other ABA cities had proven to be an ordeal. Bill Hass, who covered the Cougars for the Greensboro Record and the Greensboro Daily News, and continued as a sports writer for the merged News & Record until he retired in 2006, recollects that flying by Piedmont Airlines to an away game (teams flew commercially then) against the Kentucky Colonels in Louisville, less than 500 miles distance, called for three separate airport landings. The return flight to Greensboro required four. Logistics for flights to more distant cities normally necessitated at least two and often three layovers. With home games in three cities, the players often bussed from Greensboro to Raleigh and Charlotte. Play at the latter two venues felt like road games.

Moreover, the need to have office and marketing presences in all three cities hampered the team’s bottom line. And attendance in Greensboro far outstripped that of the other two cities, particularly Raleigh, where crowds averaged under 3,000 in Dorton Arena, a venue often employed for livestock shows.

With no end in sight to the costly conflict with the NBA, Gardner and SSC sold the team in October, 1970, after less than two years of ownership.

Carolina’s new owner was brusque New Yorker Tedd Munchak. His fortune was derived from the carpeting empire he built from scratch in Atlanta. After Don DeJardin left to work in the 76ers’ front office, Munchak hired
former NBA commissioner’s assistant Carl Scheer to be the Cougars’ new general manager. Scheer had a strong Greensboro connection, having graduated from Guilford College and practiced law in the city with his father.

Munchak was willing to spend money to improve the Cougars. Handsome former Tar Heel Larry Miller joined the team. The blue-eyed sharpshooter, given the sobriquet “Lochinvar in Lowcuts,” was a heartthrob among female rooters. And the Cougars enticed Atlanta’s all-pro forward “Jumping Joe” Caldwell to ink a contract, paying in excess of $1 million dollars over five years. Though Caldwell’s signing constituted a victory over the NBA, the heavy financial obligation coupled with the team’s commitment to Cunningham, could not be reconciled with the Cougars’ bottom line. But, as Carl Scheer observes, “If we were going to jump off the cliff, we were going to jump off the cliff together [with the NBA].”

Caldwell turned out to be a mixed blessing for the Cougars. While unquestionably a great defensive forward with scoring punch, his play suffered when he was upset — and he was upset during much of his time with the Cougars. Teammate Gene Littles recollected that Caldwell “complained that we didn’t stay in the top-of-the-line hotels like the Hyatts. I always thought the places we stayed in were fine, and no one else but Joe complained.” In fact, Littles told Pluto, “He didn’t like the airplanes, the arena — he didn’t like much of anything, because it wasn’t the NBA.”

Lenox Rawlings, then a reporter with the Greensboro Daily News, liked Caldwell well enough but considered him a complex character. “You thought you had him figured out,” muses Rawlings. “Then the next day you realized you didn’t.”

Caldwell’s presence on the ’70–’71 squad did not lead to more victories. Team MVP Moe had been traded to the Virginia Squires, and his tenacious presence was sorely missed. The Cougars finished at the bottom of their division. Bones McKinney resigned at midseason after compiling a 17–25 record. Bones’ assistant Jerry Steele assumed command and did no better, coaching the team to another 17–25 mark in the second half.

Though the Cougars’ play was forgettable, the season was not without its memorable, if bizarre moments. On November 6, the Cougars hosted the Pittsburgh Condors at Raleigh’s Dorton Arena. Late in the first half, Condor journeyman Charlie “The Helicopter” Hentz, a 6’ 5” forward, leaped high to unleash a powerful dunk. In so doing, The Helicopter tore the rim down. The glass backboard shattered, with shards flying everywhere, including into some of the players’ fashionable Afros. Referee John Vanak thought for a moment “the whole arena was coming down.” A lengthy delay to clean up the debris and find a replacement backboard ensued. The only one available was of the ancient hardwood variety. After it was mounted, the spectators seated behind the wooden backboard were moved elsewhere so they could see, and the game resumed. Late in the second half, Hentz astoundingly shattered the remaining glass backboard with another tomahawk slam. Reportedly, The Helicopter smiled broadly at his handiwork. Basketball’s only “double shatter” prematurely ended the game with the Cougars winning.

Then, eight days later following an earlier cattle show, a huge swarm of flies and other insects, greeted the Cougars and Indiana Pacers at Dorton. Most of the fans fled the arena, but the teams endured this “Lord of the Flies” nightmare till game’s end.

Hoping to galvanize the underperforming Cougars, Munchak and Scheer hired newly retired NBA veteran Tom Meschery to coach the ’71–’72 squad. Good enough for his number 14 to be retired by the Warriors franchise, Tom spent the bulk of his 10-year career playing alongside Wilt Chamberlain. A bit of a nonconformist with a literary bent, Meschery had written a book of poetry and intended pursuing an unconventional post-NBA path by joining the Peace Corps to coach basketball in Venezuela. But that plan fizzled so Meschery was receptive to giving professional coaching a try when Scheer called on him in August, 1971. He signed for $38,000. “It sounded like the Cougars were going to be a good team,” said Meschery in Pluto’s book, Loose Balls. He went on to say that he looked forward to the job because the team, “had Joe Caldwell and had just signed Jim McDaniels [who had just led Western Kentucky to the NCAA final four]. I’d played against Joe and had a lot of respect for him. McDaniels was considered a real promising rookie. And the following year, Billy Cunningham was coming over once his contract was up.” Meschery also looked forward to coaching hard-working Cougars Gene Littles, Wayne Hightower, Wendell Ladner, Ted McClain, Tom Owens, and Ed Manning (the son of a sharecropper and father of future star Danny Manning).

But Meschery’s hopes were quickly dashed. Joe Caldwell afforded the new coach little respect. Jumping Joe (also known as Pogo Joe) complained to Munchak that “we’ll never win a game with this guy [Meschery] on the bench.” Caldwell’s barrage of complaints, some racial in nature, were an ongoing source of dissension, and the team’s play reflected it. Relations with Joe became so toxic that Scheer considered peddling Caldwell back to the Hawks.

But the grief caused by Caldwell paled compared to the brouhaha generated by prized rookie McDaniels, a high scoring center who, Meschery discovered to his dismay, “couldn’t play a lick of defense.” To compound the situation, McDaniels decided he’d rather be playing for the NBA’s Seattle Supersonics and began claiming that the Cougars had breached his contract. Ultimately, he failed to show up for a February game in Louisville. “Here I am a first year coach,” reflected Meschery,” and my star rookie [averaging 26 points a game] is trying to get out of his contract after four months — and it’s a 25 year contract [for $1.5 million], mind you!”

Among the bizarre assertions McDaniels’ L.A. agent Al Ross made to justify his claim of a Cougar breach of contract was that the team had supplied a car with a standard steering wheel instead of one that tilted. To continue playing with the Cougars, Ross demanded that the Cougars spread McDaniels’ $1.5 million over 15 years instead of 25. Ross also asked for an immediate $50,000 bonus “for the aggravation of living in North Carolina.”

Beset by legal fees, Munchak came to terms with Seattle, letting his headache of a player go to the Sonics in exchange for $400,000. In the end, McDaniels never lived up to the potential he showed with the Cougars. Two years after his jump, he was playing ball in Italy. But the litigation had taken its toll. Prior to the settlement, the Cougars became entangled in five lawsuits involving McDaniels filed as far away as L.A. and Seattle. Indeed, the Cougars proved to be a trial lawyer’s dream during their short existence. Other litigation included included:

• A suit between the Cougars and 76ers related to their respective rights to the services of Billy Cunningham;

• A claim of breach by Cunningham against the Cougars;

• An attempt by the NBA’s Hawks to stop Joe Caldwell from playing with Carolina.

Long after the Cougars closed up shop, Caldwell would emerge victorious in a decade-long battle with Munchak over the player’s pension. Moreover, the Cougars had to ante their proportionate share of legal fees arising from the ABA’s antitrust case against the NBA and defending the league in the Oscar Robertson suit.

What’s more, the team continued to flounder. Team MVP Larry Miller was a bright spot, averaging 18.4 points — a solid season by a solid player. But in one memorable March game at the Greensboro Coliseum against the Memphis Pros, Miller elevated his game to the superstar level. He started the game on fire, canning shots from all over. Sensing something special was happening, his teammates, including Joe Caldwell, began looking for Miller on every offensive possession. Pogo Joe once recalled that, “when Larry got hot, I made sure the ball stayed in his hands. “Miller scored 67 points that night, the most ever in ABA history.

But triumph would turn to tragedy. Two days later, Miller’s lakeside house near Greensboro burned to the ground. A lightning strike apparently caused the fire. Miller barely escaped with his life, badly gashing his hand while fleeing the house in his underwear. His two dogs perished in the blaze. After receiving 11 stitches at the hospital, Larry still managed to catch a late plane to New York for the following night’s game with the Nets.

Tom Meschery left after the season (with a record of 35–49) and became immersed in the literary world. He’s still writing poetry and about to publish his first novel. Meschery confides that his year in Carolina made him realize he was not cut out for coaching. Might he have thought differently had he been around in ’72–’73 to coach Billy Cunningham whose play would help transform the Cougars into a winner? “Oh, I don’t know,” says the self-effacing poet. “Billy and I would probably have sat around drinking too much beer.”

Munchak took a more active role in hiring the next Cougars coach. At the recommendation of the legendary Dean Smith, he chose former ABA all-star guard, 32-year-old Larry Brown. This would be the first of 13 stops in the vagabond Brown’s Hall-of-Fame coaching career. Brown brought along sidekick and former Cougar Doug Moe as his assistant. Knee surgery had ended Moe’s playing career. General manager Scheer acquired two offensive-minded ABA all-star guards, Mack Calvin and Steve “Snapper” Jones. Combining their talents with those of the defensive-oriented Gene Littles and Ted McClain, the Cougars had overnight assembled an impressive group of guards.

And Billy Cunningham finally made the scene. Though he had earlier sought to get out of his contract with the team, he says he had “the time of my life playing for the Cougars.” But there was concern how Joe Caldwell would react to being paired with Billy C., a star whose gifts exceeded even those of the talented Jumping Joe. There were troubles early. On the first day of practice, Doug Moe observed that the sullen Caldwell, a notoriously lackadaisical practice player, was not giving his all. Moe rarely hid his feelings, and he promptly threw Joe out of the practice. “Get your ass outta here,” he ordered. “We only won 35 games last year with you here. We can win that many without you.”

In the aftermath, Carl Scheer tried to unload Caldwell, but the moody forward’s hefty salary rendered him unmarketable, so he remained with the team. Though there were worries that Joe’s difficulties could adversely affect the Cougars, his attitude improved once he noticed that his teammates’ hustling play and Larry Brown’s coaching were helping his own game. Brown had installed a jump-switch pressure defense relying heavily on full court harassment tenaciously applied by his four guards. This tactic resulted in numerous turnovers and easy baskets for Joe and his teammates. Surprisingly, Billy C.’s presence actually benefited Joe’s offense as Caldwell could no longer be double-teamed. And Cunningham was phenomenal, averaging over 24 points and 12 rebounds per game — leading the league in steals. The Kangaroo Kid would be named league MVP over the likes of Julius Erving, Dan Issel, and George McGinnis.

Larry Brown proved an ideal leader. Steve “Snapper” Jones later described what made the coach tick. “Larry’s real talent is his knack of walking into a disaster, bringing order and stability and making players happy,” said. Snapper who passed away recently. “I was traded by Dallas to Carolina, and it was a huge break for me to play with a really good team.” Similarly, Lenox Rawlings viewed Brown, “as the kind of person you wanted to do something for. He had great energy.”

Carolina was finally riding high and Cougar fever attained new heights as attendance at the Greensboro Coliseum approached, at times, its then capacity of 15,000. Among the team’s delighted onlookers was season ticket holder and Daily News managing editor Irwin Smallwood. Smallwood, whose seats were immediately behind the Cougars’ bench, reflects that every person in attendance almost seemed an integral member of the Cougars’ family. Smallwood admits he was not shy in voicing his displeasure with Larry Brown’s substitutions or referees’ bad calls. “Some night I helped Larry coach. Other nights I helped the referees,” chuckles the former editor.

The Cougars stormed to the eastern division title with an ABA best record of 57–27. Carolina mowed down the New York Nets in the first round of the division playoffs, and then squared off against the Kentucky Colonels in the division finals. The Colonels featured perhaps the most dynamic front line in all of basketball. Dan Issel, 6’ 9”, and 7’ 2”’ Artis Gilmore could both score at will and dominate the boards. Lithe Tom Owens was a serviceable center for the Cougars, but the going was tough when he faced the bulk and talent of Kentucky’s two all-pros.

Nevertheless, the Cougars, playing inspired basketball, forced a 3–3 split in games heading into the series finale to be played at home. But where was “home” to be? To the consternation of the entire team, the game was played in Charlotte rather than Greensboro. The Cougars had won all four of their previous playoff games held in the Gate City. Bill Hass recollects the Colonels’ Dan Issel expressed relief that the deciding contest would not be played in front of Greensboro’s boisterous rooters. The Colonels won the finale 107–96, and a disappointing end came to a near-miss dream season for the Cougars. Placating Charlotte and its fans may have come at the expense of the Cougars’ winning the division title. Another “what might have been!”

Despite having finally built a winning team, Munchak was frustrated. Regular season attendance had only slightly exceeded that of the first year, and the numbers in Charlotte had dwindled alarmingly as the season wound down. “I was told and told last year that if we ever had a winner the fans would be here,” the owner griped to Lenox Rawlings. “Where are they?” Increasingly, Munchak verbalized his dissatisfaction with the level of corporate support in Greensboro. Moreover, promoting and paying for club presences in three cities had proven to be an expensive albatross. “We wanted to be everything to everybody,” says Carl Scheer today. Munchak and Scheer toyed with abandoning the regional concept and locating the team full time in either Charlotte or Greensboro. But due to fears that casting any of the cities out in the cold would backfire on the team’s image and branding, the Cougars commenced the ’73–’74 basketball season with no alterations in the three
cities’ home game allocations.

Notwithstanding these business concerns, the Cougars approached the new season with high hopes. All of the team’s key players were returning, and there was optimism that Carolina could capture its first ABA title. But again, fate struck in an unmerciful fashion. Cunningham was sidelined with a serious kidney ailment and sat out most of the season. Though still a competitive team, the Cougars were missing their mojo. The team labored to a 47–37 finish, third place in the east — a full 10 games worse than ’72–’73. An ignominious conclusion to the season took place when the Cougars bowed out with four straight defeats against the Colonels.

Even before the conclusion of the playoffs, Scheer announced that the Cougars would be abandoning the regional concept and would be playing exclusively in Greensboro or Charlotte, “or elsewhere.” And then he added, “We’d like very much to stay in Greensboro.” But when the city rebuffed the Cougars’ request for leniency on lease arrangements at the Coliseum, the team’s days in Greensboro were numbered.

Electing to leave the basketball business, Tedd Munchak turned his attention to finding a buyer. None surfaced from either Charlotte or Greensboro. Disturbed that the Cougars appeared on the verge of vacating North Carolina, Billy C. decided to go back to the 76ers. “Here the Cougars were supposed to be one of the top four teams in terms of gate revenues, not just in the ABA, but all of basketball, and Munchak was getting out,” Cunningham told Pluto. “I decided it was best to go back to the Sixers.”

Munchak, ultimately sold the Cougars for $1 million dollars to two New York-based brothers, Ozzie and Daniel Silna. The brothers decided to move the team to St. Louis, renaming it the Spirits of St. Louis. As a result, there was wholesale turnover. The coaching tandem of Larry Brown and Doug Moe hightailed it to Denver for two years, with Moe returning as the Nuggets’ head coach in ’80–’81, after a 2-year stint with the Antonio Spurs. Carl Scheer, heartsick that the Cougars were leaving his hometown, rebounded to become Denver’s long time general manager. It was Scheer who first conceived of the first slam dunk contest, held in Denver at the 1976 ABA All-Star game. Of the players, only Caldwell, Owens, and Jones became Spirits.

Though the Silnases acquired several promising young players and gave young Bob Costas his first pro announcing job, the team’s performance deteriorated drastically in St. Louis. The Spirits plummeted to a 32–52 record in the 74’–’75 season, and a 35–49 ledger in the final ABA campaign of ’75–’76.

Then merger discussions heated up again. A primary motivation for the rekindling  was the NBA’s desire  to bring exciting ABA mega-stars like
“Dr. J”  Julius Erving, George “Iceman” Gervin and David Thompson into its fold. The two leagues were granted permission by the federal court in the Robertson case to merge provided that players would be permitted to negotiate with other teams once their contracts expired. But it transpired that the NBA would accept only four of the remaining six ABA franchises into its ranks. To the Silnases’ chagrin, St. Louis, along with John Y. Brown’s Kentucky franchise were the odd teams out. The San Antonio, Denver, Indiana and New York franchises were granted admission. However, the NBA expressed its willingness to pay the Silnases and Brown $3.3 million
apiece to fold their franchises, thereby allowing the league to disperse Spirits and Colonels players to the remaining teams.

John Y. Brown accepted that offer, but the Silnases had a different arrangement in mind. The brothers proposed that they receive instead $2.2 million cash plus payments going forward each year in the amount of 1/7th of that portion of NBA’s television rights fees being paid to the Rockets, Spurs, Pacers and Nets. The league agreed. At the time, the NBA’s network revenue was very modest and it appeared questionable whether the Silnases had made a smart deal. But with the advent of Larry Bird and Magic Johnson, NBA income from TV skyrocketed, and so did the payments to the Silnases. By 2014, the Silnases had received over $800 million just for agreeing to go out of business in 1976. This transaction was labeled by Forbes magazine as the greatest sports business deal of all time. It is ironic that the only investors to have made significant money out of the Carolina franchise were the ones that moved it, presided over its spiral downward into a losing team and then folded it.

Today, the Gate City is privileged to have the Greensboro Swarm, (affiliated with the Charlotte Hornets), a member of the NBA’s developmental G League, in its midst. But if events had unfolded slightly differently, if fortune had smiled rather than frowned on the ill-fated Carolina Cougars, a basketball team at the game’s highest level might still be playing games here in Greensboro.  OH

When he isn’t following the history of the ABA, Bill Case spends his time contributing to O.Henry’s sister magazine, PineStraw.

 

Photographs by News & Record Staff, © News & Record, All Rights Reserved

Wandering Billy

Family Fare, Boss Bikes and Movie Memories

(And a birthday surprise, to boot)

 

By Billy Eye

“We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.” — Tom Waits

I was lunching with brother Hank and sister Rives at Oakcrest Family Restaurant, where the food is excellent by the way; their prime rib sandwich and spaghetti come highly recommended. And so very inexpensive, especially when you consider my brother picked up the tab. (Someone had to!) Taking photos outside the entrance, everything has to be documented these days dontcha know, I glanced across the street where, to my surprise, I noticed Greensboro mainstay Higgins Cycle Shop had packed up and gone.

Glendi Higgins opened our city’s first bike store on Spring Garden in 1961, peddling the latest Schwinn models like Radiant Red Mark IV Jaguars equipped with chrome headlights and trim, two-tone saddles, and white wall tires. (See the 2014 O.Henry story: issuu.com/ohenrymag/docs/o.henry_december_2014/74.) In the ’60s, kids grooved down boulevards on Sting-Rays (Slik Chiks for the girls) sporting tufted Super Glow banana seats and elongated, upward pointing handlebars making them, “the bike with the sports car look.” Those boss Orange Krates, Lemon Peelers, Cotton Pickers and Grey Ghosts that came a few years later, with raised seats, smaller front tires and frame mounted Stik-Shift levers, are rare collectors items today.

In 1972, Glendi moved into his brand-new flagship Schwinn superstore on Battleground, back when 10-speed Paramount racing bikes were hot, featuring now-familiar lowered-below-the-frame, backward bending handlebars. In my adolescent imaginings, Higgins was one of two businesses, Carolina Camera being the other, where the cool kids worked.

***

A revered diner frequented by just about everybody over the last 45 years, Tex & Shirley’s, was an integral part of an expanding Friendly Shopping Center in the ’60s, originally as Uncle John’s Pancake House, a nationwide franchise. (issuu.com/ohenrymag/docs/o.henry_august_2012/29). In 1969, Slater “Tex” and Shirley Moore were transferred from Michigan to manage the Greensboro location, with its distinctive modern faux-colonial facade found at every other Uncle John’s. The chain began to collapse three years later so the couple bought the eatery and gave it a new name.

This casual corner on Pembroke, was for as long as anyone can remember, the kind of place you never needed an excuse to escape to, somehow thriving both as a wholesome family destination and a reliable hangover hangout.

The Moores sold the coffee shop to longtime associate Bart Ortiz in 1989. After his father retired, Bart Ortiz Jr. took over the operation; it was nice meeting him on one of Tex & Shirley’s last nights at Friendly Center. Weeks later the building was bulldozed away, with it a lifetime of memories. It seems rising rents, thanks to the success of The Cheesecake Factory, necessitated relocating to their new Plaza Shopping Center location. This split-level spot was Ivanhoe’s restaurant in the 1960s and, two decades later, a seminal live music venue, The Underground. I still miss that club!

***

That movie theater on Tate Street was one of my fave places back in the 1970s. I wasn’t around when it opened in the summer of ’42 as Victory Theatre but, since 1958 when it became Cinema Theatre, it was managed by Eugene Street, by all accounts a well-liked curmudgeon who always had a stogie hanging from his lips; the guy roasted the popcorn the old-fashioned way, up in his office. Peter Fonda attended a screening of Easy Rider here in 1968. It’s where this teenager caught offbeat films that other theaters passed on like The Man Who Fell to Earth, The Getaway, and A Boy and His Dog. In an era of diminishing screen sizes, it was a treat experiencing motion pictures the way they were intended to be viewed.

Cinema Theatre was sold in 1976 to the owner of the Janus and Terrace Theatres to become Janus Wings. Another relaunch in 1980 as College Hill Cinema was short-lived, followed quickly by House of Pizza-Cinema run by Odis Alexious, a fondly remembered joint where movie-goers consumed beer and pepperoni slices with the lights down low. In the afternoons, All My Children was projected on the big screen, according to one account. That venture lasted for about four years before the movie palace closed for good. The building had been abandoned and deteriorating since longtime tenant Addam’s University Bookstore vacated the premises years ago, that is until construction began on the property in January.

That fabled theater, along with the former pool hall next door, is once again buzzing with activity, newly refurbished and repurposed as rehearsal and performance spaces for UNCG’s music and drama majors. This outlier also offers an opportunity for students to become more integrated into Tate Street culture, which by my reckoning, comes about half a century too late.

***

What a remarkable night this was! Ever attend a surprise birthday party for a friend in a public place but, instead of yelling “Surprise!” when the man of the hour makes his entrance, everyone totally ignores him? A demented idea from provocateur Nathan Stringer led to a surreal moment for unsuspecting airplane builder Brian Burbach as he entered Rioja Wine Bar with girlfriend Colleen Fitzgerald, almost immediately noticing family and friends all around enjoying vino and finger food, yet no one was paying the least bit of attention to him. For a minute or so, Brian and Colleen (who that day graduated magna cum laude from UNCG), sat at the bar attempting to process the situation, a scene right out of The Outer Limits. Has anyone ever been more perplexed?  OH

Billy Eye can be reached at billy@tvparty.com.

True South

A Future in Funerals

One way or the other

 

By Susan S. Kelly

My sister and I are exchanging our funeral files. As one does.

We’ve always kept funeral files. That business about never being too rich or too thin pales in comparison with “you can never be too ready.” An addition here, a deletion there, most arising from being horrified, comforted, or awed at a funeral. Or not. One friend decides every thorny issue with a coin toss, including whether to attend a funeral four hours away. Another decides by asking herself, “Would I like (the dead person) to be at my funeral?” Remember that one does not want to be the topic of the post-funeral discussion about Who Had Not Made the Effort To Come.  Also in my file is a list of first names of people I’ve heard damned for Not Making the Effort to Come, consulted whenever I feel lazy or ambivalent about attending a funeral. I don’t want my name to appear on someone else’s you-know-what list.

The habit of funeral files began years ago, after I’d had some novels published and been involved in some civic stuff. My sister wailed, “Your obituary is going to be three columns and mine will have nothing in it.” To which I responded, “Yes, but your funeral will be standing room only, and I’ll have no friends at mine.” I’ve offended them all.

The sister has requested communion at her funeral. To which I said, “Then you’re not going to have any friends either.” Ain’t nobody got time for that.

My family finds nothing peculiar about firm, absolute, pre-burial dictates. Thirty years ago, when my father died, my mother told the funeral fellow in charge, “I don’t want any limousines. I don’t want a register in the vestibule. I don’t want any of your people inside the church.” The well-meaning director, who was also a longtime acquaintance, finally just gave up and said, “Can I at least come to the funeral?”

Dictates from my file: The minister shall not call out the page numbers. No homily whatsoever. Ministers with a captive audience are liable to go rogue, as once happened at a wedding I attended when the priest rhapsodized over the upcoming Olympic Games and how they compared to marriage. Just, no.

Related question: Do you pay the minister the same way you pay one to perform a wedding?

Preferred hymns, prayers, and scripture readings, even though on a day-to-day basis I don’t know a Revelation from a Lamentation. All are components of a proper funeral file. Plus, tips and notes-to-self such as what to bring to the family. I’ll share: Altoids. No brownies unless they’re stacked on a crystal cake stand with strawberries heaped over them. A not-floristy flower arrangement for the table in the kitchen where food will always be around. Any kind of edible green. Paper napkins, cups, and plates for pick-up family meals — you run out of linens. Wine, duh. As to the garden club friend who brought over a white bow for the front door, well . . . She meant well.

Related question. How do you know if you’re a good enough friend to go over and “be at the door”? 

The file is full of observations of every stripe, too. At a funeral for an elderly woman, her husband, dear and doing his best, and the somehow heartbreaking telltale smudges on his suit lapel, where women have hugged him, leaving their powdery traces. A funeral for the household help and a virtual member of your family for decades, where the congregation — including you — literally waved goodbye to the deceased. The internment at the columbarium, where, when the minister concluded with “God be with you,” the deceased’s daughter lurched through the crowd and corrected him. “Goddess!” And this from Betty, a Winston-Salem pal, remembering how, after her mother died, the grandchildren were entertaining themselves playing spoons in the den while Betty and her siblings received guests. Recalling that her older sister had always wanted their mother’s flat silver, Betty hollered, “Count the spoons!”

“Betty,” I laughed, “Y’all are awful.”

“Awful is the only way you can be,” she succinctly said, maybe capturing grief better than any file or preparation ever could.  OH

Susan Kelly is a blithe spirit, author of several novels, and proud new grandmother.

Life’s Funny

Mirror, Mirror on the Wall

Who the heck is that?

 

By Maria Johnson

The first time I saw a blow dry bar was last year, when we visited our son in Brooklyn.

We were walking through his neighborhood, on our way to breakfast, when I noticed this storefront that said, “Blow Dry Bar,” only somehow I missed the word “dry,” so there I was, reflecting on this “blow bar” I’d just seen, unable to stop myself from thinking, “Wow, that’s pretty brazen.”

By the time breakfast was over, I had managed to console myself by thinking,  “Well, this is New York City.”

On the way back from breakfast I inspected the shop’s façade more closely, and I caught the word “dry.”

I was relieved. Slightly.

I was pretty sure that a blow dry bar was a place for wash-and-dry hair styling. No cuts, no color. I resisted the urge to stick my own disheveled head in the door. Several months later, I heard about a new blow dry bar right here in Greensboro.

First a cat cafe. Now a blow dry bar.

How in the world did we fall off Amazon’s list for HQ2, its second North American headquarters?

I don’t get it either. But hair goes on, so I checked out the website of Blasted Blow Dry Bar, which bills itself as the first of its kind in Greensboro.

“From ordinary to extraordinary in 45 minutes,” the website  promises.

I perused the menu of $35 blow out options. Each bore a woman’s name and was accompanied by a picture of a model sporting that look.

I settled on The Grace (“Sleek, polished and groomed, for those who want their hair to scream A-list”). Believe it or not, I looked just like the woman modeling in The Grace.

If I were 30 years younger.

And had green eyes.

And full lips.

And parted my hair in the middle.

And wore a lot of make-up.

And could pull off a sultry come-hither look instead of my usual where-the-hell’s-my-cell-phone expression.

But hey, we both had brown hair. Close enough. Plus, I had a big date coming up: Taco Tuesday at a Mexican restaurant that my husband and I wanted to try. Having A-list hair wouldn’t hurt the ol’ how-about-some-free-guacamole cause, now would it?

I made an appointment.

Later that afternoon, I entered the salon to a warm welcome. The owner asked if I wanted a complimentary mimosa or glass of wine — don’t mind if I do – and she introduced me to my stylist, a sweet young woman named Ally. As I sat down for a shampoo, Ally asked which service I wanted.

“I want to look just like Grace,” I said. “Can you do that?”

Ally smiled and clasped her hands in front of her heart. Her eyes were still tabulating if I were serious.

“We can TRY!” she said.

I took the pressure off: “I bet some women think they’re gonna look just like the pictures, huh?”

Olive branch received.

“Yeah, sometimes, we say that we don’t do plastic surgery here, just hair,” she said as she lathered my locks. I liked this kid.

Most of her customers are women on the way to weddings, parties, proms and other special occasions. Some clients are businesswomen who want their hair to look spiffy for a couple of days.

Minutes later, Ally ushered me back up front to the “bar,” where she got to work with an assortment of “product”: leave-in conditioner, mousse, blow out spray, and the real key to success for this ’do: a healthy glass of chardonnay for me.

Spritz, spritz. Massage, massage. Foam, foam.

She dried my hair, combing it with fingers only, until it was barely damp. Then she picked up a small round brush and commenced sculpting the flips and twirls that would bring me close(r) to a state of Grace.

I sipped wine and slipped into a blissed-out trance that, as far as I can tell, is possible only when someone else is grooming you. I was feeling remarkably un-self-conscious.

Then I realized why. There were no mirrors placed so that anyone sitting in a chair could see herself.

Soooooo, I asked, what’s up with the mirrors?

“We want you to be surprised!” came the answer.

(Translation: We’re not plastic surgeons, but you don’t need to know that yet.)

Another question: Aren’t you limited by people’s haircuts?

Ally’s answer: “It depends on the layers. You have awesome layers.”

There was a time when I would have looked askance at such a compliment. No more.

Awesome layers, eh? I sat up a little straighter in my chair.

“I’ll be sure to tell my regular stylist,” I said.

“Yeah, you should,” said Ally.

(Shout out to Wendy at Thairapy, bestower of awesome layers).

Then it was done.

“Are you ready?” said Ally.

“Let’s do it,” I said.

She gave me a hand mirror and invited me to walk over to the mirror-mirror on the wall.

I’ll be damned. Free guacamole, here I come.

“Does she look like Grace?” called out someone from behind the bar.

“I think she looks better than Grace,” said Ally.

We all laughed. Their lines had the ring of a script, probably one calculated to end with a big tip.

It worked.  OH

Maria “Grace” Johnson did indeed get guacamole at no extra charge that night. It came with the tacos. Contact her at ohenrymaria@gmail.com.

Papadaddy

Roll, Honey, Roll . . .

If you’ve been there, you feel my pain

 

By Clyde Edgerton

If you’ve been “down in the back,” raise your hand.

If you didn’t raise your hand, you might find the following about as interesting as a pharmaceutical commercial.

But if you’ve been there, then as you read on you may nod your head in agreement here and there.

During our early January Arctic cold spell, I ventured under our house to turn off water to some outside pipes. At about six steps in through the low door that leads under the house — bending way over — I looked up and, whoops, felt a sharp pain in the middle of my lower back. A quiet voice said: “That was not good.” I finished with the pipes, got out from under the house and thought, Maybe it’s not too bad. I hauled in a load of wood for the fireplace, built a fire, messed around in the backyard, thinking: Something is wrong with my lower back. But it’ll be better in the morning.

Next morning, when I started to get out of bed, a sledgehammer hammered a spike into my lower back. A pain so severe that had it continued over a few seconds I’d been yelling constantly to the high heavens. “Stabbing pain” sort of gets at it, but I feel like I need a new word — not spasm, but: Stabazm!

I yelled, and fell back into bed. The universe had attacked. Oh my goodness.

Kristina, my wife, who’s had back problems off and on for a decade, said, “If you want to get up, you need to roll. Roll out of bed. Don’t just pull up. You’ve got to roll. And breathe.” After a long struggle and several more stabazms, each bringing a yell and sweat, I got up and slowly made my way — holding onto furniture — to the bathroom and then to the living room couch. Kristina helped me get propped up on my back with pillows under my knees, ice on my back and a laptop in lap for work. While helping me onto the couch, she said, “Roll. You’ve got to roll.” When I was later trying to get back up she again said, “Roll, honey, roll,” and the word roll got funny for some reason . . . to both of us. I started to laugh — but the laughing brought on — yikes! Stabazm!

“Please don’t make me laugh,” I whispered through clenched teeth.

Next I found that I could not cough without initiating a stabazm.

I remained inside the house, hobbling back and forth from bed to couch for one week. I would figure out yet another way to not move, and then: BAM, another you-know-what. After a week, I visited my doctor. She gave me a muscle-relaxer drug, an inflammation drug and said if it wasn’t better in another week to get an X-ray. It got a little better, but not much. I decided to wait two weeks to see if I really needed that X-ray. Inside the house I was using a cane that I was too proud to use outside the house. I finally started driving. A car entrance looked a little like . . . I don’t know — a turtle climbing onto a motorcycle?

At the beginning of the third week — two days ago as of this writing — I got that X-ray and then went to UNCW for a faculty meeting. I was somewhat better, no stabazms in three days. I was happy to be up and about — careful about every move. But I was five minutes late to the meeting, hobbling along carefully.

I met a student who said, “Hi.”

“Hi,” I said. I wondered if I was supposed to know him. He was smiling.

“Hi,” he said again.

I was a bit confused. I had pencil and pad in hand, ready to go into the meeting.

Then he pointed . . . and said what he’d been saying all along: “Fly!”

“Oh. Thanks,” I said, grabbed at my pants, dropped the pencil, zipped up and then bent down to pick up the pencil.

Stabazm! I was unable to muffle a yell.

If you’ve been there, you know how it feels.

If you haven’t been there, then when it happens, and you have to get out of bed: Roll.  OH

Clyde Edgerton is the author of 10 novels, a memoir and most recently,
Papadaddy’s Book for New Fathers. He is the Thomas S. Kenan III Distinguished Professor of Creative Writing at UNCW.

Simple Life

Walter’s Saw

Cutting through time

 

By Jim Dodson

Save for a handsaw, an old pocket wallet and quiet memories, they are all that I have left of him.

The wallet is a fine piece of work, a gentleman’s pebble grain leather breast wallet, beautifully stitched and bearing my grandfather’s initials in gilt lettering: W.W.D.

William Walter Dodson was a skilled carpenter and electrician who helped raise this region’s first electrical transmission towers and worked on the crew that wired Greensboro’s Jefferson Standard Building. During the Second World War, he also made cabinets for PT boats and built bookshelves for local public libraries.

The wallet is in mint condition, lined with fine silk, its state of preservation suggesting it was scarcely used. I think my dad brought it to my grandfather upon returning from military service in England and Normandy, in 1945. My guess is, Walter rarely used it because he was a workingman who rarely, if ever, dressed up. As I remember him, he was a preternaturally quiet but gentle man in rumpled cotton pants who was either fishing or in his woodshop or massive vegetable garden — the three places I spent most of my time with him. There was always the stump of a King Edward cigar in his mouth.

Walter’s handsaw, on the other hand, shows years of steady use, well worn and rusted in places near its simple wooden handle. I suppose it must be 80 years old if a day.

Both wallet and saw came my way decades ago and traveled with me to Georgia and Maine and back to Carolina in order to complete the sacred circle old elephants and most Southerners observe before they translate to a gentler, kinder place.

I inherited the items from my father, who never used the wallet either — too nice, he claimed — but did use that old handsaw for years until power saws showed up in his own woodworking workshop. He made bookshelves and tables for friends and family.

Not surprisingly, I picked up the woodworking bug too, clearly something in the bloodline.  We hail, after all, from a long line of Carolina woodworkers, at least one of whom was a celebrated cabinetmaker.

Walter’s grandfather — my great-great-granddad — was one George Washington Tate, a prominent citizen of Alamance County who helped survey the boundaries of the state’s central counties following the Civil War, but was best known for his grist mill on the Haw River and his skill at crafting fine furniture.

Last summer, while attending a seminar at the Museum of Early Decorative Art (commonly known as MESDA) on the Scots-Irish furniture makers who filtered into the Carolina back country during the 18th century, I heard G.W. Tate’s name mentioned in a tone of near reverence by an expert on Piedmont furniture making, who noted that one of his most notable surviving pieces is a handmade wardrobe displayed in a Williamburg museum of early American furniture. Tate Street in Greensboro is named for this man.

She was delighted when I informed her afterwards that I knew of a second splendid handwork of Tate’s. My second cousin Roger Dodson and his wife, Polly, had recently had us to supper and showed us a handsome old walnut corner cupboard that bore his distinctive mark “G.W. Tate.”

It was his grandson Walter, however, for whom I’m partially named, who first placed a saw in my hand. One Christmas when I was about 6 or 7 years of age, visiting my grandparents in Florida, he gave me a miniature tool box with a small hammer, screw drivers and handsaw.

In his modest workshop, he also showed me how to saw a straight line and hammer a nail — small tasks that seemed almost magical at the time.

Somehow that kid’s toolbox disappeared over the years, probably because I used its tools constantly to build forts in the woods around our house. I recall using them to build my entry for the annual Cub Scout Pinewood Derby. My car got eliminated early, which was perfectly fine with me. I much preferred building forts and crude furniture.

It wasn’t until I was over 30 and living on the coast of Maine that two abiding passions hit me with a vengeance, both of which I trace to a quiet carpenter and gardener in rumpled pants.

The first struck when my wife and I built a post and beam house on a forested hill in Maine. I helped the housewrights place the structural beams, but did most of the interior finish work myself, learning as I went.

Not only did I lay and peg the 16-inch ancient pine flooring boards salvaged from a 19th-century barn in New Hampshire, I also designed and built the kitchen’s counter and cabinetry from scratch. Ditto the adjoining walls of pine bookshelves in the living room. My distinctly Southern mama, when she first walked into our home, smiled and remarked, “Honey, all this wood is very pretty. But when are you going to finish this house?”

The Canadian hemlock beams and pine floors and cabinets cast a golden glow over everything, especially as the sun shone through our tall south-facing windows. Over nearly two decades that followed, I loved the subtle creaks and moans the beams and floors made as the house settled and the wood aged, especially in the dead of winter when the sun struck the beams and the house emitted out a lovely scent of the forest. I thought of this as the house exhaling in a contented way that my late grandfather would likely have approved.

Walter probably would have liked the rustic farm table and occasional table I made for the living room, too. The table we gave away when my second wife and I moved home to North Carolina. The occasional table went to my first wife’s house, where it’s still in use and quite loved today.

Walter Dodson passed on when he was 64. I was 11, my first funeral, and it was really sad to see him go. He looked remarkably peaceful in his big wooden coffin, dressed in the only suit I ever saw him wear. My grandmother was a serious Southern Baptist, though Walter rarely darkened the doorway of any church. Time on the water or in his workshop or garden were his idea of worship, his way of celebrating the gift of life.  Anyone who works intimately with wood or tends a garden through the seasons would completely understand.

As I write, this Walter is also 64 years old and preparing to build a set of ambitious bookshelves for the cozy room my wife and I have decided would make a splendid library in the old house we’ve been slowly redoing over the past 20 or so months.

I have my eye on a fancy new power saw that will do just about anything from the finest trim work to cutting a rough plank flooring. It costs more than my gifted, gentle grandfather probably made in a year.

Proof that you can take the boy out of the woodshop but not the other way around, however, resides in the fact that Walter’s handsaw will be hung somewhere in my new woodshop where those bookshelves will be born, a sweet reminder that the hand that shapes the cut was created long before the saw ever touched wood.   OH

Contact Editor Jim Dodson at jim@thepilot.com.

O.Henry Ending

How Green Is Her Valley

A writer’s paean to the Greenway

 

By Carol Lucas

The word ìhomelandî is not one I typically use, but it sprang to mind on the morning I woke up in my own bed after a weeklong trip to Berlin. The first thing I did was to lace up my sneakers and head to Greensboro’s Greenway.

For some 12 years, I have run or simply wandered on the Greenway’s paths — the Nat Greene, Owl’s Roost, Military Park. And its beauty never fails to soothe my soul. Each season is the best one ever .  .   . until the next rolls in. What could be more rejuvenating than spring’s bright green leaves filling out the trees and the soundtrack of birdsong to sunlight’s playful dance upon the water? In summer, the same trees provide the perfect shade from the sun turned dancer-to-nemesis, making it bearable to be outside. Fall is pure poetry, with the burnt color of the leaves, no longer green but golden yellow, orange, red and brown — all blown to the sides of the path. In winter, the Greenway, in spite of its name, becomes an other-worldly wonderland of icicles formed in mid-drip from the bare branches, slick spots of ice and steam rising off the lake.

As one settles into the Greenway, the wildlife that was once camouflaged slowly comes to view: deer, squirrels, chipmunks and even turkey. On some paths, copperheads and black snakes, blue herons, ducks, geese, fish and frogs share the space. Each creature is a mini marvel.

Memories float in and out as my feet cover the ground. I think of all of the people I have shared this place with. The many miles I have logged with various running groups talking about upcoming races, recent injuries and post-run food. And some of my best trail hikes are with my husband — and our dogs, off leash, frolicking, swimming and covering three times the distance we do. Then there are the walks with a good friend, sharing all of life’s trials and celebrations. And of course, the out and back runs of all distances with my daughters, who are sometimes silent and sometimes share confidences in a way that happens only when people run side-by-side. A trove of visits and conversations, plus happened here; layer upon layer of memories come back and are revisited.

There is something about nature that is both simplifying and purifying. I open my mind and thoughts drift in and out. A troubling notion gnawing on my subconscious has space to sit awhile and gently turn over and over until my mind is ready to let it go. It is a spiritual practice, a returning to roots and waxing of wings.

However much I love churches, with their stained glass windows and ornamentation of the altars, I am closest to the Divine on this lush and wondrous running path. Someday, I will have my ashes scattered here in the proverbial cycle of returning to dust and becoming a part of the Greenway.  OH

Carol Lucas is the owner of Balance and Thrive Coaching and Consulting. Running, yoga and writing help keep her sane — especially as she plans weddings for two of her four daughters this year! This is her first submission.