Wandering Billy

Saved by the Newman and the Bell

Remembering teachers who inspire

 

By Billy Eye

“If everything seems under control, you’re not going fast enough.” — Mario Andretti

I feel lucky to have attended public school here in the 1960s and 1970s. We had some great teachers and amazing administrators.

While researching something totally unrelated, I wandered across a 1988 interview with longtime Page High principal Robert Clendenin, who passed away just last year. “Mr. C” transferred from Aycock to Page High in 1970 during a period he described as, “Total racial unrest. I call it DMZ sometimes. We had a 10-minute break in the morning between second and third period, which was total hell. As soon as I could, I eliminated that. We had open campus for lunch, which means all could leave campus if you wanted to. I added the 10 minutes on for lunch, which gave [students] 40, 45 minutes. And we had absolutely not any problems.”

I was attending Mendenhall at that time and can recall several instances where our campus was on lockdown between 1968 and 1970 because of riots at the nearby high-school. By the time I arrived at Page in 1971 those problems had been largely solved, although Clendenin recalled an incident that year: “I had a confrontation between blacks and whites out in front of the auditorium, and I found myself in the middle, the DMZ zone, along with one of my assistants. And interesting enough, nothing really happened but the bell rung to go to homeroom, and everybody left.” That was the unique thing, he remembered, “The bell said, ‘Go to homeroom,’ and they did. So nothing went wrong.”

Two career educators in particular at Page made a huge difference in my life.

Jean Davis Newman sparked my lifelong interest in Shakespeare and creative writing. In fact, she’s the only reason you’re reading this now. For that I’ll be eternally grateful. In her 50s in the early 1970s, back when that was considered old, she was a diminutive fireball energetically darting from one side of the classroom to the other. She was that excited about teaching. Sporting horn-rimmed glasses, smart suits and a wide smile, she had previously taught at Grimsley and was awarded Teacher of the Year honors both there and at Page. One afternoon in English class she veered from her lesson plan to regale us with stories about being a part-time stenographer while she was in college near Virginia Beach. She had worked for Edgar Cayce, who has been called the Sleeping Prophet. Cayce would enter a trance state to offer diagnoses and cures for people in far-away places. She witnessed this (what some folks call) miraculous process firsthand and became convinced this otherworldly phenomenon was genuine. Mrs. Newman joined Cayce in the afterworld in 1990.

Ms. Elizabeth Bell’s classroom was and is the only formal art training I’ve ever had. Yet, preposterously, her tutorage prepared me for a career in Hollywood as a movie poster designer, where I worked elbow-to-elbow with cutting-edge graduates from Pratt Institute, Parsons School of Design and CalArts on blockbuster films for Paramount, Warner Bros., 20th Century Fox and other major studios.

Ms. Bell (I always called her that because she dressed so hip) insisted that those of us who were serious about art be as adept in as many disciplines as possible — markers, painting, printing, rapidograph pens, collage, sculpting, etching, silk screening, enameling, photography. She also instilled in us a sense of art history so that when an art director years later would ask me to render something in the style of Georgia O’Keeffe or Cézanne, I knew what the heck they were talking about.

By far, I wasn’t the best artist in her class. Brian O’Kenka and Suzanne Hughes (whom I ran into last Christmas) were much better than I was, across the spectrum. Still, a decade after leaving Ms. Bell’s classroom, finding myself in that artistic pressure cooker, I retained a certain amount of confidence that I could operate in whatever medium was thrown at me. Before computers became practical for daily graphics, we’d spend all day air brushing, drawing, Xeroxing, rubbing down type, cutting out pretty pictures of movie stars and pasting them together — all the while dealing with a room full of petulant brats fighting over the glue and pictures. Come to think of it, working in that Hollywood bullpen was a lot like art class at Page. Thank you for that very rewarding career, Ms. Bell!

***

Perhaps you’re from out of town reading this magazine around the holidays, wondering where you can go to escape the hubbub and get liquored up on Christmas night. Besides booze, College Hill offers a great selection of craft beers, as will nearby New York Pizza. Westerwood has a comfortable vibe, Wahoo’s is pretty divey, both attract an interesting clientele. Boo Radley’s Tavern in the Lawndale Shopping Center is cozy cool, and a holiday tradition for many in the surrounding neighborhoods. Jake’s Billiards, with its early bird opening at 3:00 p.m. has 69 brews on tap and delish bar food if somehow you’re not already satiated. Your Uber driver will know where these places are. I don’t get paid by the word.  OH

Billy Eye will be celebrating Christmas with a Kentucky Gentleman unless Colonel E.H. Taylor bivouacs under his tree.

Birdwatch

Northern Bobwhite

Diminished in number, the bird with the distinctive call is making a comeback

 

By Susan Campbell

For those fortunate enough to live in open piney woods or adjacent to large farm fields, the whistled call of the bobwhite quail may be a familiar sound. But, as with so many of our bird species, this once prolific songster has diminished in the Piedmont. And anyone in search of winter partridge for the table is increasingly likely to be disappointed.

Bobwhite quail measure between 8 to 11 inches beak-to-tail and have very cryptic brown, black and white markings that make them all but impossible to see in the grassy habitats they call home. The male has a bright, white eye-stripe and throat marking, and is the one who announces his territory through a repeated “bob-white” call. The female is not only smaller but drabber, with an eye-stripe and throat that are a buffy color. This stout bird’s short sharp bill, strong legs and feet with sharp claws, make it well adapted to foraging at ground level for insects, berries and soft vegetation.

Northern bobwhite males attract a mate using their loud repetitive calls in the spring. The female will reply with a four-syllable whistle of her own. Following breeding, the pair creates a domed nest concealed in tall grasses, and the hen lays up to 20 pure white eggs. It takes about 25 days of incubation for the young to hatch. Hens will renest if the eggs are eaten or destroyed. Upon hatching, the chicks will immediately follow their parents, learning how to hunt bugs and which shoots are the most nutritious.  As a group they are referred to as a covey.  They will stay together through the winter and may join other families to form coveys of thirty or more birds. When alarmed at an early age, the young will scatter and freeze to avoid predators. Once they can fly, they will take to the air in a loud blur of wings if they are startled by a potential predator.

Quail were a very popular game bird throughout North Carolina until not that long ago. Since the 1980s, when their numbers began to decline, they’ve been much harder to find. A combination of factors is believed to be responsible. Not only have open woodlands and agricultural fields with hedgerows become more scarce but ground predators such as foxes, coyotes, raccoons and free roaming cats have increased. Also, the timing of rainfall can significantly affect breeding productivity. Too much rain too early may inundate nests and dry conditions when chicks hatch may result in insufficient food.

These days, hunters search for coveys in the forests and fields that comprise the patchwork of Game Lands in our portion of the state or they go to private game reserves. Their pursuit requires a well-trained bird dog and a good deal of patience. However, active quail management is occurring locally. Two strategies are at work: opening up forested habitat using prescribed burning and replanting undesirable vegetation with quality cover.  Recent efforts by biologists with the N.C. Wildlife Resources Commission and at Fort Bragg (along with assistance from local Quail Unlimited chapters) are resulting in gradual increases in northern bobwhite. We certainly hope this trend continues so that in the not too distant future, sightings of winter coveys will be once again commonplace throughout central North Carolina and the song of the bobwhite will return to the South.  OH

Susan would love to receive your wildlife observations and photographs at susan@ncaves.com.

Life of Jane

What Not to Wear

Dressing up usually requires a committee

 

By Jane Borden

The long arc of life bends toward self-sufficiency. In this arc, one gains the right to dress oneself relatively early. Sometime after holding your own spoon but before blowing your own nose, you receive the liberty of choosing your clothing. Unless you join the military or a cult, this right is inalienable. My case, however, is a little muddier, somewhere in between. To use another metaphor: I may be the editor of the fashion magazine of my life, but my mother is the publisher, and the holidays are a special annual issue.

I was in high school when I first lost the responsibility to pick out my clothes. I won’t say the privilege was taken from me. I’m pretty sure I surrendered it. Because I went to boarding school, whatever I packed in my suitcase would constitute my entire closet for the Thanksgiving or Christmas break and Mom didn’t trust me to choose wisely. I’d given her reason not to.

My sense of style in high school is best described as technical. For example, if a plaid skirt contains a bright orange stripe, and you pair it with a hideous, bright orange turtleneck, you technically match. Similarly, if one succeeds in her goal of collecting jeans in every color of the basic ROY-G-BIV rainbow, it is technically accurate to describe her wardrobe as complete. Whether Mom anticipated my inability to pack appropriately or simply discovered it the first time I traveled home from school, I don’t remember. All I know is that some time around the age of 15, I started receiving phone calls in advance.

She asked what was in my closet, I told her, and then she said either yes or no. Repeat per every dressy item in my closet. Meanwhile, I jotted notes on a list, attaching outfits to events, as we went. Because our family is both social and large, there were always several holiday events to consider, and each required a different level of formality. I should have appreciated the outsourcing of such a huge undertaking. But I was 15. Gratitude conceded to adolescence. I groaned and sighed. I took great offense. What was wrong with yellow jeans? The proletariat will rise! She started requesting that certain items of clothing simply remain on hand in my closet at home.

Somehow we got through high school. When I went to college at Chapel Hill, however, the suitcase-packing phone calls followed me. I’m sure I rolled my eyes, but by then we were following routine. Besides, the cold war of our fashion stalemate produced spoils in the form of free dresses. To be clear, I’m sure mom took me shopping in order to be generous, and to spend time with me doing something feminine, frivolous and fun. If I also walked away with something appropriate for the Christmas Eve cocktail party, then bonus for her. Bonus for me too, of course. Although these were items I never would have bought for myself, don’t get me wrong, I liked the non-Jane dresses very much. In fact, I still do — fancy clothes hold up well when worn only a few times per decade.

After college, when the annual accounting continued, I began to feel uneasy with our routine. According to my diploma, my rent receipts and Uncle Sam, I was an adult. Adults dress themselves. Then again, Uncle Sam is also grown up, and he could use a stylist. Still, I was finally developing a fashion sense of my own. And I wanted to show it off. I was a New Yorker. New Yorkers have style! But invariably, my choices were deemed too casual. Of course they were, I walked everywhere. The proletariat does not take taxis!

It only took a couple of nights of my sisters helping me build Frankenstein ensembles from unworn pieces in their own suitcases — more of a calculus problem than you’d think — for my mother and me to slip back into our routine. Bonus: this time when she took me shopping for things I would never buy myself, the stores were in New York. Sometimes, we even took taxis. Did I ever intentionally bring home ugly clothes, just so she would see a need to buy me more? No, but only because I never needed to, on account of doing it naturally.

In my 30s, I finally gained a sense of the kind of garments appropriate for my family’s holiday parties. I could be trusted to bring home what was needed for specific events. Occasionally I even took risks that paid off. Mostly, though, I recycled items she had purchased in the past. Either way, I stopped needing her advice as much. But habits have inertia and we mostly continued per usual.

The day before my engagement party in New York, however, when I reached for my phone to call her, I stopped short. In a moment of self-awareness, I finally said to myself, “I am a 33-year-old woman. I’m getting married. I can pick out my own damn clothes.” The proletariat needs no ruler! This stops now, I thought. Then I called her anyway.  OH

Jane Borden grew up in Greensboro and lives in Los Angeles, where she occasionally attends a fancy brunch in a classic cocktail dress from the early aughts, and always stuns.

In The Spirit

A Bitter Little Christmas

Treat your cocktail enthusiast to the perfect stocking stuffer

 

By Tony Cross

I first met Craig
Rudewicz two years ago at Fair Game Beverage Company’s spirit release party. Craig and I (along with two other bartenders from Raleigh) were asked to create cocktails with FG’s Apple Brandy and Sorghum Rum. Craig was in his third year running Crude Bitters, North Carolina’s first cocktail bitters company. We briefly chatted, and he sent me off with his staple bitters to see what I thought. Since then, we’ve both been busy boys, but finally reconnected at this year’s Pepperfest in Chapel Hill. A few weeks later, I was able to drive up to Raleigh, and check out his new facility, as well as his new cocktail supply shop and classroom, The Bittery.

Craig and his wife moved to Raleigh six years ago from Cambridge, Massachusetts. He spent the next few years slinging behind a few restaurant bars, while managing as well. “It was a wonderful way to associate cocktails with food and the relationships with the kitchen,” Craig says about how he gained inspiration for coming up with his first bitters recipes. You see, bitters is usually an enigma to those that aren’t into cocktails, or are just learning. It’s pretty simple, actually. Bitters is to a cocktail like salt and pepper are to food. Bitters can also bring cocktail ingredients together that, without it, wouldn’t be a perfect fit. Bitters is used in food too, but I’ll save that for when I start a food column. In addition to creating bitters at the restaurant bar he managed, Craig and his wife started making their own syrups and extracts at home. “To get away from using products with high fructose corn syrup, chemicals and preservatives,” he says. “We appreciate a good cocktail, and wanted our drinks to be just as great as our meals . . . so Crude grew from that. I wanted bitters to be appreciated as a craft product just as much as spirits and beer.”

Crude Bitters was launched in 2012 while Craig was still working his restaurant gig; he started selling his homemade bitters at local farmer’s markets. If you head over to their website, www.crudebitters.com, you’ll see that Craig takes every step to make sure his bitters are as authentic as possible. “Our bitters are crafted in small batches from 100 percent maceration in organic, non-GMO alcohol, with no glycerin, chemicals or dyes,” he says. “Glass pots or wood barrels are used exclusively in the storage and aging of our products.” His attention to detail on all fronts hasn’t gone unnoticed. He’s won many awards, including the Good Food Award (twice) and the Southern Living Food Award. His bitters also found its way into Mark Bitterman’s Field Guide to Bitters and Amari that came out in 2015. In it, Craig explains the origin of his company’s name. “The name is in reference to the rudimentary origins of bitters. Exotic (and undocumented) roots, herbs, and spices were aged in various liquids and beneficial (and unverified) claims attached to them. Hence, crude,” he says.

When Craig is coming up with a new elixir, he focuses more on what blend of flavors will work with a certain spirit or cocktail than narrowing in on a single flavor of bitters. “It can be difficult putting the right blend of flavor and aroma together,” he says, “but I always start with what spirit I would like the bitters to be used in.” This shows in his Rizzo bitters, with flavors of citrus, pepper, and rosemary — perfect for a gin and tonic, or even someone who is cutting calories with a vodka soda. Personally, I love adding his Sycophant Orange & Fig bitters to my Old-Fashioned. It pairs well with an aromatic bitter, giving the cocktail a slight candied orange and vanilla undertone.

Crude is the first North Carolina bitters company, but Craig foresees growth from other businesses with bitters and mixers on the horizon. “There is not much competition (at the moment). There are a couple of small companies around the state, and bars/restaurants always have great bar programs that produce their own house bitters,” he says. “I expect there to be a boom of cocktail bitters and mixers soon.”

It’s amazing what bitters can do for a cocktail, and the more you understand this, the better you’ll appreciate Craig’s passion. Don’t take my word for it, stop into his new space and take a cocktail class. In addition to being educated on bitters, and doing tastings, Craig will guide you on how to use his bitters in cocktails, and why different ones work better with different spirits. You can go online and subscribe to his mailing list, where you’ll be privy to Crude’s up and coming classes. OH

Tony Cross is a bartender who runs cocktail catering company Reverie Cocktails in Southern Pines.

The Hungry Traveler

Tipples and Take-Out

Barbecue, Old Fashioneds and Ice Cream in Wilkes Country

 

By D.G. Martin

Last month, on U.S. Highway 421 between Winston-Salem and Boone, I invited readers to sit down at five eateries in Yadkin County where they can meet with local people and eat the same vittles they do.

But the culinary tour doesn’t end there. In Wilkes County there are four more places along the way where a stop for a meal is could prove that the Hungry Traveler’s journey can be just as rewarding an experience as the activities planned for trip’s final destination.

Brushy Mountain Smokehouse and Creamery

When I walked in the door of the clean and full dining room at Brushy Mountain, I learned two things. There is a warm welcome for visitors, and there are a lot of options to satisfy any hungry visitor. As for me, I will never leave without a good helping of their pulled pork barbecue cooked slowly over wood coals and a large cone of their luscious ice cream from the separate dairy section in the front.

One of Brushy Mountain’s cheerful servers introduced me to Jim and Jodi Swofford, who were eating at a nearby table. Jim and his brother Carl founded Brushy Mountain after they sold their Hardee’s franchises. Carl’s son, Jeff, had been an enthusiastic barbecue cooker, and he took the lead when Brushy Mountain opened. Jim and Carl have another brother, John, who is too busy as commissioner of the Atlantic Coast Conference to be a part of the barbecue business.

I enjoyed the museum-like displays of Wilkes County history including a moonshine still, mementos from Brushy Mountain apple orchards and photos from stock car racing days at the North Wilkesboro Speedway. Just outside is a great stone arrowhead that marks the Daniel Boone Trail.

Open for lunch and dinner 11 a.m. to 9 p.m. Monday through Saturday, and on Sunday. 201 Wilkesboro Blvd., North Wilkesboro; (336) 667-9464; brushymtnsmokehouse.com

Dooley’s Grill & Tavern

Dooley’s is a local gathering place in the middle of downtown Wilkesboro. But even though Dooley’s is located in the historic Smithey’s Hotel, there is nothing old-fashioned about it, except for the Old Fashioned mixed drink you can order at the bar. Founder and owner Seth Cohen is very proud that his menu contains locally sourced natural meat. He says everything is gluten-free except for the hoagie roll. A big attraction is the wide variety of sandwiches and salads that make for a perfect lunch or light supper.

Seth is active in local preservation efforts in the downtown.

Next-door is the old courthouse. Now converted into The Wilkes Heritage Museum, it is one of the most popular places to visit in the county. The $6 admission fee includes guided tour through the old jail and a historical home. In that jail Tom Dula, a Wilkes County Confederate veteran, was imprisoned in 1866, charged with the murder of Laura Foster. Dula was convicted and hanged. The song, “Tom Dooley,” made famous in the 1950s by the Kingston Trio, is based on the Dula story. In Wilkes County, Dula is pronounced Dooley. All that just in case you were wondering how Jeff Cohen’s grill and tavern got its name.

Open for lunch and dinner every day; 102 E. Main St., Wilkesboro; (336) 667-0800; www.facebook.com/DooleysWilkesboro/

Glenn’s Restaurant

Glenn’s has been a fixture in downtown Wilkesboro for more than 50 years. Its founder, Glenn Johnson, was also a fixture until his death in 2011. He was active in politics, serving as a county commissioner, operating his ice cream store and restaurant, and collecting Western-themed memorabilia.  His widow, Marilyn, is the current owner and operator.

From the outside the business looks like a drive-in operation, but there’s a very warm setting inside. Under the glass tops on the tables, there is an assortment of historic clippings and background information about Glenn himself. The walls are covered with pictures of restaurant patrons and western theme posters because of Glenn’s longtime interest in cowboys and the American West. Observant visitors will find memorabilia of Dolly Parton’s visit to the restaurant. If they look up, they might even get a glimpse of actor Zach Galifianakis, who sometimes drops by when he is visiting his hometown.

Locals gather for breakfast until 11 and come back for lunch and dinner. The meals, especially the “Big Glenn Burger” and breakfast ham biscuits, get a very good grade. But the highest praise goes for their ice cream. The restaurant started as a Tastee-Freez franchise operation. It is now completely independent, but ice cream is still a big drawing card.

Cash only (there is an ATM machine); Closed on Sundays; 800 River St.; Wilkesboro; (336) 838-2541; glennsrestaurantwilkesboronc.com/

Tipton’s Bar-B-Que

The sign above Tipton’s Bar-B-Que says it all. “We do it Lexington style!” The modern building that houses the comfortable restaurant did not remind me of an old-time barbecue, but Tipton’s owner, Richard Grissom, is an adherent of the Lexington barbecue religion and a student of how to get the best results from a pork shoulder. He can tell you about the cooking time, the management of the wood coals and the best temperatures at each stage of the process.

Richard grew up in Elkin where his dad was a legendary football coach. After playing some college football himself and working in other businesses, Richard opened Tipton’s about 10 years ago and named it after a friend who backed the then-new restaurant.

Tipton’s is located where the Interstate-style U.S. Highway 421 merges with the old road to Boone. That makes for a good stopping off point for travelers who want to take a meal on the road. Tipton’s will sell a take-out meal for four with barbecue, chicken, fixings and iced tea for about $25.

Open daily for lunch and dinner; 1840 Winkler St.; Wilkesboro, (336) 667-0669; www.facebook.com/tiptonsbbq/

Sometime soon I will take you on another trip along another section of U.S. Highway 421. I am looking at some local eateries in Chatham County. If you have suggestions, write me at nceateries@yahoo.com.  OH

D.G. Martin is the host of UNC-TV’s Bookwatch, a contributor to The Omnivorous Reader column in this magazine and author of North Carolina’s Roadside Eateries: A Traveler’s Guide to Local Restaurants, Diners, and Barbecue Joints (UNC Press).

A Christmas Short Story

Jake’s Mountain

 

By Brian Faulkner

It was one of those nights. The wind was prowling around outside, and Jack’s father wasn’t home yet. A storm was coming, and he would be on his way from work. As soon as the dark crept up the mountain and chased the last pale shards of December sunlight from their tin roof, Jack began listening for the beat up Ford to come chugging up the hill, the truck they used for everything from hard work to Sunday-best. But tonight, its familiar note would be drowned by the wind. So Jack sat with his back to the sparse rooms of their cabin, looking out the window and down the road as the first heavy raindrops hammered the roof like impatient fingers tapping on a steel drum.

Jake guided his old pickup along the familiar — but tricky — dirt road. He had to be careful not to let his mind wander. The storm’s tempo was increasing, and the road had a washboard surface and deep, muddy ditches rimmed with early flecks of ice on both sides. Either one could rear up and bite him. Even so, the man couldn’t help but think about his boy as the truck slowly clawed its way toward home. Jack was an only child and becoming more of a handful at 14 than Jake had anticipated. Since his mother’s death two years ago on the cusp of Christmas, it was about all Jake could do to keep up with him. There were impulses driving Jack that Jake didn’t understand. The son was a dreamer, at least that’s what other folks said, and Jake was anything but. Life was simple: You either were or you weren’t, you did or you didn’t. Jack, however, seemed to slip from one dream to another, held captive by the next possibility. Anything could happen, to Jack’s way of reasoning; all you had to do was think it, and it was likely to come about.

With every pass of the wipers across the Ford’s chilled windshield, Jake saw his son’s image in the glass. Now that Jack was a teenager, he thought, maybe it was time . . . a thunder crash to his right, surprising for the time of year, jarred Jake rudely from his reverie, and he reflexively twisted the steering wheel to the left. The truck’s worn tires, the ones he had been saving to replace for several months now, tried their best to grip the slick surface, but the road easily won out, sliding the battered pickup into the ditch. The engine quit, and the dark fury of the growing storm embraced the truck like a ravenous lover.

There were only two things that truly interested Jack, and they were connected at the heart: dogs and motorcycles. Both had possibilities.

Jake, however, didn’t have much regard for either one. His interest was keeping food on the table — and keeping his son from sliding into the side ditches. Dogs and motorcycles were somewhere “out there,” in a world he didn’t have time for. His pronouncement on the subject was that anything that takes too much work for too little return when every nickel counts, isn’t worth a passing thought.

Jack had seen what might be described as a real motorcycle only once. It wasn’t one of those dirt bikes some of the locals rode crashing through the woods, but a new Harley-Davidson. It had been parked outside Scooter’s Garage one day, as unlikely an apparition to appear in front of that decrepit establishment as could be imagined. The Harley was all muscle and chrome and looked like it was going a hundred miles an hour standing still. Jack promised himself that if he could get up the courage, he’d walk over there to Scooter’s just as cool as could be and “check it out” when they were done shopping, but by then it was gone. So he just stood there, milk jug in one hand, bag of potatoes hanging from the other, staring at the empty spot, a vision of himself and that magnificent machine hurtling through his mind, hunkered down against the slipstream, the song of the road and the lure of endless opportunity playing in his head.

His father knew all about that. There had been a time for dreams — once, before the realities of family life had enveloped him like a cloud and corralled his thinking. Life was like this old truck, he mused with a long sigh, releasing his seatbelt; it couldn’t help but be what it was. Things just happened, and you got on with what came next. Jake reflected briefly on that private wisdom, then thrust the door open and climbed out into the cold rain, determined to face the mean edge of the storm the same way he faced everything else.

Jack was thinking about “his” motorcycle as the weather marched around the cabin. He imagined himself riding it to distant places — like the scenes he had seen in expensive color magazines at the doctor’s office, his faithful dog running beside him in his mind’s eye, conveniently neglecting the fact that no dog God ever made could keep up with a Harley. To him, the dog and the bike were one, fast and powerful and slightly out of control, throbbing with energy, heavy with potential. The wind charged up the road, slinging rain and wrath against the window, returning Jack’s attention to concern for his father.

The old Ford’s headlights cast ghostly images in the frigid water that sloshed around its front end, which was wedged hat-tight in the ditch, and the regular swish-swash of the wiper blades receded into the distance as Jake trudged up the road. The storm seemed to sense the strength of his will, responding with an impressive slash of lightning and a formidable peal of thunder that rolled through the valley in ever diminishing protest as it moved away from their mountain to seek, perhaps, another more easily intimidated audience. Nothing — no storm, nobody, no situation — not even God himself, Jake declared with grim satisfaction, could faze a man who had looked every storm life could throw at him in the eye and stood his ground. As the rain began to slack and water continued running in small waves down the road to meet him, Jake increased his stride toward the cabin.

Jack had become slightly fearful of his father in recent years. There was a raw intensity under Daddy Jake’s surface, something rough and unfinished that seemed like it could break loose at any minute. But love was there, too, deep and central. He felt it most during the quiet times, when each alone with his thoughts required that no talk pass between them. Some nights Jack had seen Jake on his knees, in the darkened room that still held his mother’s things, head bowed toward the dressing table where she used to sit in front of the mirror, hands on the back of his neck, fingers entwined, twisting strands of thinning hair, as if sifting through his concerns one by one.

The rain was about played out as Jake came within sight of the cabin; staccato drops falling from the trees added to the undercurrent of sound that can enliven Piedmont nights, even in December.

Jack, too, realized that the life had been beat from the storm. The house seemed to settle and breathe again.

Something stirred in Jake, and he was momentarily overwhelmed with a realization that the night was about to take a different turn. He had known such a feeling only once before. It had been early on an October morning when the old truck had refused to start, and the only solution, he knew, was to wait ’til it had a mind to, giving Jake the unexpected gift of five minutes without a task. The dawning sky, which he ordinarily would not have noticed, seemed painted with the Creator’s very hand as the sun burst forth in glory, drenching the mountain in liquid light and torching the trees with orange gold, as a red-tail circled overhead, its piercing cry heralding the coming day. That was as close to a religious experience as he had ever come. God words had never worked for Jake — he never got farther than the part about still waters and green pastures. Then they would fall to the floor like ice shards and shatter into a million pieces.

A noise stopped Jake short. A whimper. Two glowing eyes reflected in the weakening flashlight beam. Just a varmint, Jake thought, and almost went on, but a strange impulse compelled him toward the roadside, where the noise became the sometimes off, sometimes on thump of a tail beating against icy leaves. A pup, small and bedraggled and half frozen, had taken refuge in the undergrowth. Her ears were warm to Jake’s touch, however, and generously populated with burrs, but she gave up her guard as if waiting for this man and this moment. Thin and not much promise, he thought — and two collars, noticed Jake, as he scooped up the tiny wayfarer, turned, and walked back toward the Ford. If somebody who knew what they were doing tried real hard to fix up this little pup, he reflected, snuggling her securely in a pile of worn blankets in back of the front seat, you’d just about have half a dog.

Jack bolted toward the door, snapped to attention by boot steps on the step, knowing with absolute certainty that he had not missed the approaching sound of his father’s truck.

“Time to get the tractor,” Jake said, nodding at his son and already moving toward the shed across the yard.

The Ford gave up its peril slowly, and as Jake worked the tractor’s clutch and gas to gradually increase tension on the chain between them, it yielded to the insistent old Farmall. With a loud sigh and a sudden release of water from its innards, the truck was freed from the ditch. “Let’s go,” said Jake, and father and son ferried their convoy of ancient vehicles up the road toward the beckoning light of the cabin.

Possibility, they say, creeps up on you slowly. But sometimes it just knocks unannounced on your door and, as if in answer to some prayer you’ve all but forgotten, invites itself in and makes itself at home. That’s the way it was with Harley. “It’s got to be Harley,” said Jake, after presenting the pup to his son. “It says so right here on one of these collars: ‘Harley-Davidson,’ so it looks like Mr. Davidson might be missing one of his dogs,” he added, a slight smile playing on his lips. “Somebody cared enough for this little one for it to have two collars,” Jake declared. “Been out in the woods for a while though, so that means fair game for us.”

Jack’s mind turned with confusion. A dog! And a little one at that. “Harley.” He said the name aloud just to test it. All at once, something seemed to click and fall into place, something that felt good and right, as if in an instant the glue had set on that particular bond between boy and dog, man and boy, that rarely happens more than once in a lifetime.

Harley seemed to sense it, too, the tension of not quite belonging yielding to the ease that comes with finding out who you are and where you ought to be.

“She’s a girl dog, Son,” Jake announced.

“Yeah Dad, thanks — thanks a lot . . . Jake,” Jack said in a voice that barely could be heard, stroking the pup’s fur and feeling somehow different.

Jake settled back into the old chair that had stood in that room for what seemed like a century. It’ll be nice to have a lady around the mountain again, he thought — especially here at Christmas.  OH

Among other things, Brian Faulkner is a five-time Emmy award–winning writer of magazine-style programming on UNC-TV. 

Gate City Journal

The Little Church That Could

The D.I.Y. restoration of a historic local parish

 

By Annie Ferguson

The story of Saint Benedict Catholic Church is certainly worth a feature-length film. For one thing, it’s the type of small, tight-knit parish lovingly depicted in classic Christmas movies such as The Bells of St. Mary’s and The Bishop’s Wife, which yearn for simpler times. Plus, Saint Benedict’s has an added ingredient — a storybook origin.

The first Greensboro Mass was celebrated sometime around 1870. In those days, Catholic services were offered in the homes of practicing families who had moved to Greensboro. Seven of the families banded together to raise funds for a church. In 1877, Bishop James Gibbons of Richmond, Virginia — later Cardinal Gibbons — laid the cornerstone of Saint Agnes. The parish was under the care of traveling Benedictine monks from Belmont Abbey for 10 years until a resident pastor was assigned.

Then, in 1898 as they worked to gather funds for a new church building, an heiress-turned-nun-turned-saint came to the rescue with a key donation. She also imbued the parish with a spirit of inclusiveness.

Saint Katharine Drexel, a Pennsylvania heiress who had taken her vows, gave away millions to philanthropic causes, including her work in education and championing the rights of Native American and African American people.

She donated $1,500 to Saint Benedict — enough to build the church. However, she included an important stipulation: Pew space must be reserved for black Catholics, and so it was. With this declaration — more than 60 years before the famous sit-in at the Woolworth lunch counter just down the road — a glimmer of an integrated Greensboro could be found at the city’s first Catholic parish in a part of the nation locked in segregation.

That same year, the parish had bought a piece of land on the southwest corner of North Elm and Smith streets and started construction of the church that stands today, naming it Saint Benedict after the order of the faithful monks who had been serving the spiritual needs of the city’s first Catholics. (In 1899 the parish sold the original church building to the city, and it was turned into the city’s first high school — Greensboro Senior High School, later renamed Grimsley.)

Soon other Catholic ministries started to form. A parish school opened in 1926, merging 30 years later with the new St. Pius X Catholic School. Father Vincent Taylor, the fifth pastor of Saint Benedict, was instrumental in bringing to the city one of the directors of the Sisters of Charity, which eventually led to the opening of St. Leo’s Hospital in 1906. It served the Greensboro community for nearly 50 years, ran a top-rated nursing school, and was the first hospital in North Carolina to have telephones and steam heat in every room.

Along the way, around 1930, an unknown parishioner photographed the sanctuary of St. Benedict, which would prove to be a blessing 87 years later, as parish families once again banded together — this time to restore the church to its original splendor.   “The objective was to bring Saint Benedict back to its original look from 1898. In the 1960s, the altar was removed and the sanctuary transformed to a much simpler look. Now we’re going back,” says Father James Duc Duong, pastor of Saint Benedict since 2004. “We’re restoring sacredness and reverence. Often, people go to Mass for one hour, and they don’t feel anything. I wanted to change that.”

Starting on June 5 and completed in time for the Saturday Vigil Mass on September 16 and later, a rededication of the altar by Bishop Peter Joseph Jugis of the Roman Catholic Diocese of Charlotte, the $200,000 restoration of the church featured a renovated sanctuary, installation of tile floors, painting, new lighting and statues, including a refurbished 1921 Pietà sculpture found in the church basement. After the Vigil Mass, like any other evening, the church lights were left on a timer from sunset to 10 p.m., illuminating the striking beauty of the Gothic church through its large stained-glass windows. Yet unknown to the casual passerby, there was a difference that night. For the first time since the 1960s, the church’s interior once again paralleled its exterior splendor.

Just ask Bill McCutcheon. Upon entering the downtown church, he could hardly believe his eyes. “I purposely stayed away and didn’t look at it [the restoration] at all,” says McCutcheon. “I wanted to be surprised.” Reflecting on the project, the decades-long parishioner says, “It’s enough to reduce you to tears.”

He wasn’t the only one welling up at the sight of the restored sanctuary in the 1898 church.

Lynne McGrath, a parishioner of 18 years, recalls seeing multiple parishioners with tears of joy in their eyes. “It’s breathtaking and truly elevates what we’re doing,” she says. “The atmosphere now matches who we’re worshipping.”

Perhaps because something much deeper than a little movie magic was at work: The parishioners had restored the interior almost by themselves.

Using funds from a monthly collection for monthly church maintenance along with accumulated savings, the parish raised an additional $90,000. Because the pastor, church members and area contractors pitched in and helped with the restoration, they saved $100,000 based on the quotes for contracting out the entire project.

“To me, it’s special because we did it internally,” says parishioner and restoration project manager Tom Garcia, a custom homebuilder who appears regularly on WFMY News 2’s “Good Morning Show.” “We managed it ourselves. We didn’t just write a check,” says Garcia, also the CEO of Southern Evergreen. A true Renaissance man, Garcia has a degree in engineering and is a regular cantor at the church. Using those old photos from 1930, he and the rest of the restoration team achieved a remarkable re-creation of the church’s first sanctuary. He used his computer to get a better look at the details in the photos.

The zoom feature was particularly helpful in recreating the Miraculous Medal of the Immaculate Heart of Mary. Once again, it adorns the top of the niche to the left of the altar. The medal has a special meaning to the parish. For as long as anyone can remember, Saint Benedict churchgoers have prayed the Perpetual Novena in Honor of Our Lady of the Miraculous Medal.

Parishioner and graphic artist Bob Nutt painted the corpus of the large crucifix that hangs above the altar as well as the Pietà sculpture, the Virgin Mary holding the crucified Christ. Carpenter and parishioner Don Tredinnick crafted the base of the statue.

The Communion rail is the original, and the palms that sit in front of the altar are a nod to the ones in the 1930s photograph. Flanking the Italian-made tabernacle are sculptures of two cherubs, an idea of Father Duong’s.

Garcia and his team developed the overall look and design of the altarpieces in Greensboro with High Point’s Church Interiors. A millwork firm in Nebraska transformed them into shop drawings for the build-out. Once completed, all the parts were put on a moving truck and transported to Saint Benedict. The carpentry crew at the church did the final install of all the pieces, and local artist Gwen Ware touched up the wood that’s painted to look like marble and gold.

Ware and her husband, Dave, also painted stenciling in 3-foot increments around the church’s stained-glass windows — by hand. They carefully matched the paint with the colors in the windows using multiple layers and shades of blue and burgundy. “That’s why it really pops,” Garcia says. The extensive stenciling even encircles two stained glass, rose windows in the uppermost part of each transept. These windows were brought to the United States from Munich for exposition at the 1892 World’s Fair in Chicago and later given to the church.

The sanctuary also includes 100-year-old recovered chairs, plus a wooden lectern and cantor stand with intricate carvings of liturgical symbols such as the crown of thorns. The lectern was originally crafted in the shape of a hexagon with one side that opened. For a more modern walk-up design, the back was removed and fashioned into the cantor stand.

Bob Hunt, a parishioner who owns Illuminating Technologies, created a new lighting design, which includes energy-efficient LED lights. These lights are now in the pendant lamps and those on the refurbished ceiling, which was lightly sanded and returned to its original color and sheen.

To the right of the sanctuary stands the statue of Saint Benedict, the founder of Western Monasticism and patron saint of the church. In his research, Garcia found out the mold for the statue in the 1930s photo still exists, so the current one is nearly the same as the original.

“The new sanctuary brings such joy,”says parishioner Leslie Ann Brown. “The statue of Saint Benedict blows me away. It’s just so meaningful.”

On the other side of the sanctuary is a statue of Saint Katharine Drexel, who would no doubt be pleased to see how the diversity of the church’s congregation has grown over the course of 120 years. Today, the people of Saint Benedict hail from countries all over the world such as Nigeria, Togo, Croatia and the pastor’s native Vietnam — about 270 parish families in total. “We are small but tight!” Father Duong likes to point out. The church also serves parishioners from churches throughout the city by offering daily Mass at the lunch hour — which is well attended by Catholics who work downtown.

Though the major restoration work is complete, maintenance such as the repointing of bricks and electrical work continues. “Saint Benedict is a special parish, going all the way back to a nun who made it so all Catholics no matter their color could come to Mass. We have a beautiful history, and we wanted to have the altar and the rest of the church match that history,” Garcia says, getting a tad misty eyed. “We want to make sure Saint Benedict is here for another 120 years.”  OH

Annie Ferguson loves resplendent churches, most notably her own Our Lady of Grace Church, part of Greensboro’s vibrant Catholic community started by the pioneering parishioners of Saint Benedict and the faithful monks who served them.

True South

Did She Say That Out Loud?

Favorite utterances I have known and used

 

By Susan S. Kelly

Southerners are big on sayings that are peculiar, well-worn, and whose origins — never mind meanings — are vague. “Bless her heart” comes to mind. We also love our book-or-movie lines that translate well to reality: “Frankly, my dear, I don’t give a damn.”

For my money though, nothing beats the casual comments friends and family have unwittingly uttered in the presence of a writer — me — who keeps entire notebooks of minor observations such as new wallpaper smells like Band-Aids, and what people have in their Costco cart. Herewith, a few of my everlasting favorites.

Scene: Driving my 87-year-old mother on the Interstate.

Mother: “Do you ever use the left lane?”

Me: “When I need to pass a car, but otherwise, you’re supposed to stay in the right lane. The left lane is for speed, and for passing.”

Mother: “I drive in the left lane all the time.” Pause. “I consider it my privilege.”

Ensuing jaw drop.

Scene: Discussing acquaintance X with my friend Trish.

Trish: “Anyone with hair that long at her age is bound to be tough.”

Ensuing fall off the chair laughing before wryly agreeing.

Scene: Charlestonian pal Ginny visiting Greensboro, wandering through the rooms of my house: Ginny: “I forget how much stuff y’all have up here.”

Interpretation: It’s so tropical in Charleston that rugs and objets are superfluous and just make you feel even sweatier.

Ensuing anxious reassessment of household décor previously considered cozy and now viewed as cluttered.

Scene: Someone my friend Sarah and I slightly knew in college moves to town.

Me to Sarah: “You and I should probably have some kind of welcome get-together for her.

Sarah, with slow blink: “I have all the friends I need.”

Ensuing appreciation of Sarah’s chop-chop ‘tude freeing me from entertaining responsibility.

Scene: Dressing room of bathing suit marathon try-on with sister Janie.

Janie: Big sigh, followed by: “I just look better with a few clothes on.”

No interpretation needed.

Scene: Discussion with friend Marsha about recent debatable behavior of hers, mine, and others’.

Marsha: “Well, who cares? I’d rather be controversial than boring.”

Ensuing decision to be controversial rather than boring.

Scene: My great-aunt comes to pick up my grandmother for a luncheon in early April. My grandmother is dressed in a lavender crepe suit and, as frequently happens in April, it’s 48 degrees outside.

Great-aunt: “Jewel, aren’t you freezing?”

My grandmother Jewel: “Sure, but I look good, don’t I?”

Ensuing decision upon being told this story: Never to name anyone Jewel.

Scene: My mother-in-law telling her friends that her son is getting married to “just the nicest girl.”

Friends: murmurs of assent and congratulations.

Mother-in-law: “And the best part of it is, she’s already Episcopalian!”

Ensuing gratitude for whatever makes my mother-in-law happy that I didn’t have to work at.

Scene: Famous writer turns to me at a dinner party, and out of the blue asks, “Have you ever had a serious operation?”

Scene: Friend Anna’s withering riposte to being wronged by others: “I have a big mouth and a wide acquaintance and intend to use both to your detriment.”

Ensuing decision to: 1. Stay on Anna’s good side, and 2. Adopt this adage myself.

And, in the spirit of the season, a couple of Christmas-themed favorites.

My older son to his sister: “I’m outsourcing my Christmas thank-you notes this year. Interested?”

His sister: Withering look.

My sister to me: “I’m giving my children electric blankets for Christmas this year. Do you think it will give them cancer?”

Me: Withering eye-roll.

Morals:  1. You can’t make this stuff up, and 2. Sooner or later, a writer is going to bite the hand that feeds it, and use your unforgettable utterances.  OH

Susan Kelly is a blithe spirit, author of several novels, and proud new grandmother.

A Writer’s Life

Have Yourselfie a Merry Little Christmas

In search of a family tradition

 

By Wiley Cash

Our oldest daughter was only 2 months old the first time we made her cry while showing her the importance of family traditions. It was a chilly late afternoon on the day after Thanksgiving in 2014, and my wife and I had already unloaded all the Christmas decorations from the attic while our daughter napped. Now we sat on the living room sofa in nervous silence, watching the daylight slip away and wondering if we should dare commit the cardinal sin of waking a sleeping baby. After all, we were going to get our first Christmas tree as a family, and we needed high-quality photos to prove that a tradition had been forged.

I cannot quite remember what my wife or I were wearing, but in my memory it seems that we were decked out in our winter, Christmas tree-searching finery. I picture myself in a red flannel shirt with one of those leather hats with the flaps folded down over my ears, and I imagine my wife was wearing a cream-colored sweater with a beret that matched, but these are just bits of speculation. I do, however, remember our daughter’s outfit, can still picture it where it was laid out on the coffee table: a white onesie with a Cubist-inspired Christmas tree on it and, of course, a tiny red Santa hat that we planned to perch perfectly atop her bald baby head.

At the first sound of her stirring, we flew upstairs. We slipped her out of her non-holiday clothes and into the Christmas tree onesie with ease, but we hit a serious speed bump once the Santa hat was installed on her head. She shook it loose, and when we put it back on she actually reached for it and removed it. My wife did her best to distract our daughter while I fumbled with the tripod so we could snap a few casual photos in front of our garlanded, lit fireplace before setting out in search of a tree. By the time the camera was ready, our daughter was in tears. The photos show our strained faces, her tear-stained cheeks and a tiny Santa hat that is alternately atop her head, in midair as it falls toward the floor, then absent altogether. 

With dusk coming on and our normally relaxed newborn newly fitful, we made a dash for the closest Christmas tree lot we could find, which, unfortunately, sat on a narrow strip of grass between the fire department and a busy road.

The sun had sunk below the tree line and an icy chill had settled over the late afternoon by the time we arrived at the lot. We immediately set about the task of having and photographing our tree-hunting experience instead of actually hunting for a tree. Our daughter showed no more interest in wearing her Santa hat than she had shown at home, and the cars and trucks that sped past us only a few feet away did not assist us in our attempts to keep the hat on her head. However, what the speeding automobiles did do well was force the cold air deep into our eyes so that tears streamed down all our faces.

After we had taken all the pictures the three of us could stand — none of which actually featured the three of us together — we realized that we had not yet spent a moment considering any trees on the lot. We made a hasty selection, tied a tree to the top of the car and headed home.

We got the tree inside and set it up in its stand, but we did not decorate it that evening. We did not decorate it the next day either. Perhaps we were not yet in the Christmas spirit. Perhaps we were busy decorating other parts of the house. But what is most likely is that we were silently pouting due to the fact that the experience of getting the tree had not been captured in a way that felt sufficient to memorialize it as a family tradition.

A few nights later, after an early dinner, I found my wife going through a box of ornaments. Many of them had been given to us while we were dating or during the first year of our marriage. We considered each ornament, talked about the people who had given it to us, recalled the first Christmas tree we decorated as a couple when we were living in the northern panhandle of West Virginia in 2009.

That year, my wife had come home late from work, and snow had begun to fall. It was early December, and there was already a thin layer of snow on the ground. Both of us being Southerners, we were excited by the idea of getting a Christmas tree in the falling snow. Although we had not yet unpacked ornaments or even considered decorating our tiny apartment, we set out on the dark, snow-covered roads that wound through our mountain village and headed for the small town of Wellsburg, where it sits on the banks of the Ohio River.

The only Christmas trees we could find were in the parking lot of a Rite-Aid, and there were only a few trees available. But we took our time, imagining each one crammed inside our living room in front of the window that looked out on the main street of the village. We talked about how high our ceiling was, what kind of tree topper we would buy, which ornaments would hang where. The snow kept falling, and I have vivid memories of seeing flakes caught in my wife’s dark hair. I can remember reaching out and touching the pine boughs on the various trees where the soft snow had settled.

We finally agreed on a short, fat tree, and as we paid for it and loaded it onto the roof of our car we discovered that the owner of the tree lot knew some friends of ours. We had only recently moved to West Virginia, and we were thrilled by the knowledge that we had just met someone who was friends with our friends. We felt like we belonged in this distant place that was so far from our lives back home in North Carolina. We were forging a life together.

Five years later we stood in a new house with a new baby and looked through old ornaments. I opened a few boxes of lights and began snaking them through the tree. We made a fire and hung our old ornaments one by one. We were so caught up in our decorating that we did not notice that our daughter had fallen asleep on the little pillow where she often rested, the light from the fire and the light from the tree causing her soft baby face to glow. I looked at my wife. She reached for her cellphone, and I reached for our daughter’s tiny Santa hat and, as carefully as I could, placed it on her head. We knelt behind her, gazed down upon her with all the love one could ever feel for such a sweet, innocent thing. And then we looked up at my wife’s cellphone and snapped a selfie.

That night, I knew that we were a family with a Christmas tradition. But I also knew something else: We always had been.  OH

Wiley Cash lives in Wilmington with his wife and their two daughters. His new novel The Last Ballad is available wherever books are sold.

Scuppernong Bookshelf

Top Ten for 2017

Some of our favorite books that make you think

 

We read a lot of books here at Scuppernong. Our health probably suffers because of it. But a sedentary life also has its rewards. For instance, with a modicum of credibility, we can offer a top-10 list you can believe in. We’ve queried the staff, and here are our compiled favorites — without any further hierarchy — but largely created to start a good argument. We expect to hear about what we overlooked and why we’re wrong. So have at it, O.Henry readers, let the holiday disagreements begin here!

The Blood of Emmett Till, by Timothy Tyson (Simon & Schuster, 2017, $27)

Initially mischaracterized as an apologia for the woman who falsely accused Emmett Till in 1955, this National Book Award longlister is more an ode to the strength and conviction of Till’s mother, and of an entire movement in Mississippi facing down the psychopathology of Jim Crow. (BL)

Pachinko, by Min Jin Lee (Grand Central Publishing, 2017, $27)

Pachinko is a stunning generational saga whose immigrant characters will sweep you into their lives with ease. It is a story of hardship that never feels downtrodden, of searching without feeling lost. Lee’s intimate prose flows like breath in this deeply human tale.  (SJ)

We Were Eight Years in Power: An American Tragedy, by Ta-Nehisi Coates (One World Publishing, 2017, $28)

The eight years of the Obama Administration are denoted by single extended essays in Ta-Nehisi Coates’s We Were Eight Years in Power: An American Tragedy. These essays don’t always directly address the President and his two terms; they move over a number of nominal subjects, but the essential concern throughout is race in America. The essays are held together both by subject matter and by interstitials on Coates’s life in each year: we watch him in the first as a struggling, directionless writer searching for his voice, supported by his wife, then follow year after year as he finds that voice and rises to prominence. You won’t find a more topical, compelling, and provocative collection of essays this year. (SM)

The Wrong Way to Save Your Life, by Megan Stielstra (Harper Perennial, 2017, $15)

Reading Megan Stielstra is like drinking wine with that one insightful friend who is honest about all the things we’re not supposed to talk about, the one with whom you can laugh and sob at your corner table. Like all the best books, these essays hold a nugget of something true. (SJ)

The Bright Hour, by Nina Riggs (Simon & Schuster, 2017, $25)

There are many people around Greensboro who will hand you this book with haunted delight and tell you how much you will laugh as the author steadily (or unsteadily) approaches her own death from cancer. Nina’s grace in the face of pain and loss becomes a guide for how to live. And you’ll cry, of course, you’ll cry, because it all matters so much. (BL)

Stephen Florida, by Gabe Habash (Coffee House, 2017, $25)

There won’t be another novel from 2017 that’ll make you as uncomfortable, but that’s OK. Habash doesn’t want you to feel good, he just wants you to feel something, and this debut novel of obsession, mania and Midwest wrestling will have you feeling paranoid, contemplative, skeeved, spooked, smart and grateful to have read it. (BE)

Theft By Finding, by David Sedaris (Little Brown, 2017, $28)

A collection of diary entries, this book inspired me to tune into the strange and funny moments of my own life that I might have otherwise missed because I was staring into my phone all day. Try the audio for Sedaris’s classic delivery. (MT)

A Simple Story, by Leila Guerriero (New Directions, 2017, $14.95)

Nothing explains fully, or in any kind of satisfying way, why we become obsessed, engaged, enthralled, with the things we do. Attempting to construct a foundation, we create stories, but beauty, like love, is contradictory, mysterious, impenetrable. Our only role is submission. Only, it’s not submission to the lover, the one obsessed. It’s only submission to the outsider. To the lover, it is complete engagement, an immersion. It’s a form of bliss. A Simple Story by Leila Guerriero, translated by Frances Riddle, really is simply a book about a man who dances the malambo. (SM)

Why Poetry, by Matthew Zapruder (Ecco, 2017, $24.99)

Zapruder was recently the poetry editor at The New York Times, which placed him, somewhat uncomfortably, in the center of the poetry mainstream. This book embraces his position in the eye of the maelstrom (there are actual anti-Zapruder books of poetry being written), and tries to make the case that the perceived elitism of poetry is wrong-headed. Poetry might still matter to all of us. And in case you’re wondering, he’s the grandson of Abraham Zapruder of JFK assassination film fame. (BL)

Basketball (and Other Things), by Shea Serrano (Abrams, 2017, $19.99)

Really? Yes, this book is a gem. With illustrations by Arturo Torres, it’s beautiful to look at, and Serrano’s strange devotion to the arcana of NBA life is endlessly interesting. These folks brought us The Rap Year Book: The Most Important Rap Song from Every Year Since 1979, Discussed, Debated, and Deconstructed in 2015, and the charm is in the obsession. My favorite chapter: “What’s the Order of the Fictional Basketball Player Draft.” Jesus Shuttlesworth is No.10. (BL).  OH

This month’s column was compiled by Brian Lampkin, Shannon Jones, Steve Mitchell, Michael Thomas and Brian Etling.