The Pleasures of Life Dept.

Lifting up Voices — and Lives

The Burlington Boys Choir celebrates its 60th anniversary

 

By Grant Britt

They have the voices of angels, regaling listeners with heavenly treatments of classical compositions. But this celestial choir is earthbound, with the will and attention span of little boys. For 60 years, the Burlington Boys Choir has been making vocal angels out of young males under the age of 9, “the magic age,” says Director Bill Allred, “because they’re really starting to think independently, and those are the boys who are ready to begin reading music off a page.” 

It takes a certain type of boy, he says, to go the distance. Michael Stone is the choir’s  newest member. At the age of 9, he’s prepared to take on the challenges of the choir’s activities, which include hours of rehearsal, learning to sing in foreign languages as well as traveling to perform. 

Michael says he was recommended by his school’s elementary music and choir teacher Mrs. Schmidt to try out for the boys choir. He rates his favorite activities as singing in school, boys choir, art, and Pokémon.

Former choirboy Chauncey Patterson, a Burlington resident whose viola skills have taken him all over the world, says the choir changed his life. “The Boy’s choir was such a huge part of my early life, I still think about it to this day even though I’ve had so many other things to do, but it really was life-shaping for me, and career shaping, ultimately for me.”

It’s difficult to accomplish in this overscheduled day and age, with its myriad electronic distractions, but Allred says once he does get new musical recruits, retaining them “is not a problem.” For a stint in the Burlington Boys Choir is nothing short of a transforming experience. “It was easy to focus — we rehearsed Monday, Wednesday and Friday, as I recall, and I think on Saturday mornings, four rehearsals a week,  so  we  were pretty  focused. That was what we did, that was our life, really,” Patterson says. “We went to school. I took viola lessons, and later on I started playing tennis and that sort of thing. But the Boy’s Choir, while I was in it . . . it was my life.”

The choir is a vision realized by founder and director Eva Wiseman, a dynamo from Spencer, N.C., who, with a degree in music education from Spartanburg, S.C., and a master’s in voice from Columbia University in New York City, landed in Alamance County in the late 1930s as the Burlington City Schools’ director of music. After attending a concert of the renowned Vienna Boys Choir at Elon College, she was inspired to channel her boundless energy toward a new mission and founded the Burlington Boys’ Choir in 1959, now the oldest one of its kind in North Carolina. (The contenders, Durham Boys’ Choir is 30, and the Raleigh Boys’ Choir is 51 years old.)

Over a period of 35 years, Wiseman trained some 500 young voices, teaching them, not only the intricacies of choral music, but also discipline and life lessons, while establishing a respected national and international reputation for the group. Under her guidance, the choir performed 400 concerts throughout the United States and Europe, some for statesmen and presidents, as Patterson recalls: “We went to Europe in the Boy’s Choir; that was my first time,” he says. “I was in the first choir that went to the White House to sing for Nixon in the early ’70s. We sang for the lighting of the Christmas tree.”

Patterson was that “magic age,” 8 years old, when he was accepted into the Boys Choir. “I was at Sellars Gunn Elementary school there back before the school system had been desegregated, and the music teacher called me out of my class to come in and see a woman and sing for her, “She asked me to match notes on the piano,” he remembers. “I didn’t know anything about it, not even sure my parents knew anything about it at this point. And I sang for this woman, and that’s how it all started.”

Wiseman — and early on in his tenure as director, Allred, too — had the advantage of recruiting boys through the Alamance public schools. Allred used to visit five or six schools in a week and see 100 to 150 kids, in good times culling as many as 20 from the bunch for the three-month choir-training process. But nowadays, very few recommendations are made, and from that, few people actually come to the choir. “It’s very tough,” Allred says. “Thank goodness for the Internet, if a boy has an interest in singing, their parents get online and they go, ‘Oh look, there’s this choir!’ So we’re still there, but we’re much smaller than we used to be. That kind of recruiting just isn’t working anymore, although I still try to do it,” he says.

  Michael Stone didn’t take much recruiting. “He always loved and has been interested in music, his mom Stephanie says. “Everybody in the family loves to sing, and the family has always been sort of involved in music. He’s always liked performing and just music in general and all of art, painting and drawing and anything musical.”

Chauncey Patterson was another who benefited from exposure to music during his formative years. “My mom told me much later in my musical career that my dad played Beethoven’s 5th in my nursery for the first two weeks of my life. So I don’t know whether it sank in, or it was something I heard, but I always loved it,” he chuckles.

And, as Allred notes, there are other reasons for sparking a boy’s interest early, if not in the nursery then by Kindergarten or first or second grade, “before they start doing soccer or whatever else their interest might be.” The director has had an idea for some time to start a young choir at a younger age because by the third grade, where he’s recruiting, a lot of them are already into sports or Boy Scouts.”

Despite the difficulty, the current choir that Allred has assembled and directs with the aid of vocal coach/accompanist Woody (Woodson) Faulkner is impressive. At their 60th Anniversary Concert in May at Burlington’s Macedonia Lutheran Church, the 11-member Choir dazzled with an eclectic array of classical and folk music during the hour-long presentation. “I don’t do anything I don’t like,” Allred says. “I don’t like pop music, and some people have said over the years, ‘You can probably get more boys if you did stuff from the radio. It’s more fun.’ But I think they get exposed to that stuff plenty; I want to teach stuff they’re not going to hear and develop a taste for that kind of music and an appreciation for it.”

But Allred’s disdain for pop doesn’t rule out some Old Broadway tunes: “Never new, ’cause I don’t like that,” he chuckles. “And always a selection of sacred classical as well as secular classical. That was the pattern Miss Wiseman set up for her concerts, sacred and secular, but it also followed a pattern that the Vienna Boys choir and others types of boys choirs in Europe do when they have a concert.”

And just because it’s classical doesn’t mean it can’t inspire some laughter. The Bach piece the Choir performed, “Ich jauchze, Ich lache mit Schall,” which translates as Laughing and Shouting for Joy, sounds like a bit like a carousel, an old-time merry-go-round. “As I pointed out in the concert, that’s about laughing, so it should have a joyful quality and that laughing motive maybe comes out as a little jumpy and maybe that’s where that carousel image comes from,” Allred says. Whatever the motive, it still invokes smiles on audience members’ faces. “That’s exactly what Bach would have wanted, I think,” Allred says.

Bach and his buddies would have also been proud of the influence that singing their music has had on the boys over the years. After the 11-member choir had made its presentations, Allred polled the audience for past members in attendance, starting with original 1959 members. By the time he finished the roll call, half the church was standing, and the Alumni choir — summoned up front to perform a couple of Irish Folk songs and an African Prayer with the Boys Choir — flooded the front of the church.

“The distance in years is so great for us, our alumni, it was in their childhood, so the fact that there are some boys who consider it an important part of their life, even though it was way back, is very gratifying.”

Patterson would be among the first to agree. “If you put it in a historical perspective, the late ’60s, early ’70s in Burlington, North Carolina, totally different racial atmosphere, social atmosphere.” His neighborhood was very segregated, and his life was very much centered around the African-American community. “It was a bit taboo among my friends to have white friends, which I looked at a little weird. So being in the boys choir, I was exposed to that at a very early age.” He credits Eva Wiseman, whom he describes as “this incredible force,” with imparting life lessons — “ how to tie a tie, how to dress, we learned to keep your shoes shined, it was really great molding, she taught us to be gentlemen.” He says that stayed with him for a long time. “To this day, certain things: manners, table etiquette – there’s a whole book we had with this stuff. When you got in the choir you got the handbook, it told you how to act, how to dress, when you traveled — how to address people, how to dress yourself, how to act in a restaurant, how to act in a person’s house — all sorts of things, it was terrific.”

Concurrent with his entry into the Boys Choir, Patterson developed another musical interest — the viola — which he ultimately parlayed into performing at the Eastern Music Festival. The experience would launch his career, starting as the principal viola slot in the Denver Symphony and then the Buffalo Philharmonic Orchestra. Patterson’s viola skills earned him a 15-year stint with the globetrotting Miami String Quartet. Currently residing in Miami, the Burlington native now holds down the solo viola slot with the Florida Grand Opera, is the principal viola with the Palm Beach Symphony, is a member of the Nu Deco Ensemble in Miami, as well as an associate professor of chamber music at Lynn University Conservatory of Music in Boca Raton.

As for Allred, he keeps battling to sustain the tradition that Wiseman started 60 years ago, though finances are tight. In years past, the Choir would perform 25 to 30 Sundays a year in church. Now people have other things to do on Sundays, and the Choir only sings in churches on Sunday once or twice a year. To counteract that, two years ago Allred started an annual Love Feast, a traditional Moravian service of readings and carols, with the Choir held on the 13th and 21st of December at Old Brick Church, 3699 Brick Church Road in Burlington.“It’s gotten to be very popular,” Allred says of the free event. “People are returning to it; it continues to grow as another way to keep the Boys Choir in front of the public and raise money for us.” He’s also been in talks with the Raleigh Boys Choir and Durham Boys Choir about holding a joint performance or starting a festival (no mean feat, considering that past directors of all three choirs once refused to have anything to do with one another).

Keeping the choir in the public eye is not only about preserving musical tradition and an appreciation for the fine arts, but also as a living testimony to what a positive influence it has on young lives and keeps on giving — for a lifetime.

“I like that he has an interest and he enjoys doing this- he’s mentioned how much he likes to sing and wants to continue to sing in the future,” Stephanie Stone says of son Michael’s involvement. “Any exposure to music, learning to read music, learning about pitch and control is obviously very valuable in that regard. And also working and performing in a group, you learn a lot of lessons working with others. I think that the camaraderie of that and the experience, getting on stage you learn a lot of lessons in performing together, learning  music, and the experience as a whole.”

Patterson still considers it the experience of a lifetime. “If it had not been for the  Boys Choir, I might have played the viola but my life. . . I had such a head start with other kids because of the ear training and all the training and all the music I was exposed to at such an early age, it really gave me an advantage,” Patterson says. “It was wonderful. It changed my life.”  OH

Grant Britt is a Greensboro-based writer. He’s no choirboy.

An Ordinary American Boy

The extraordinary life of WWII flying ace George E. Preddy Jr.

Maj. George E. Preddy Jr.

By Ross Howell Jr.

Let’s start with darkness. Then we’ll look for light.

On Christmas Day, 1944 — 75 years ago — our city’s most famous aviator, George Earl Preddy Jr., was killed. He was 25 years old. Just months later, on April 17, 1945, his baby brother, William Rhodes Preddy, was also killed. Bill was 20.

The two men rest side-by-side — not in Greensboro, where they attended Sunday services as boys at West Market Street United Methodist Church, but in Lorraine American Military Cemetery, Saint-Avold, France.

Both men piloted the P-51 Mustang, perhaps the most famous U.S. fighter of World War II. George was flying in support of the Battle of the Bulge, an enormous German counterattack launched in Belgium after the Allied invasion at Normandy on D-Day. Bill was strafing an enemy airfield near Prague, Czechoslovakia (now the Czech Republic), just days before V-E Day, when Germany unconditionally surrendered to the Allies.

Preddy House, 605 Park Avenue.

George and Bill grew up in a modest, brown-shingled house their father, George Earl Sr. (whom the family called Earl), had built in 1921 at 605 Park Avenue in Aycock (now Dunleath). The household included their mother, Clara Noah Preddy, and sisters, Jonnice (oldest child) and Rachel (born between the boys).

George was small — he stood 5 feet 9 inches tall and weighed 125 pounds as a grown man. And he had big ears. The neighborhood boys nicknamed him “Mouse,” a moniker that stuck till his WWII days, when he was renamed “Ratsy.”

Since the Preddy house was near War Memorial Stadium, George frequently played on the tennis courts there. He was tremendously competitive, and enterprising enough to make money on a soft drink concession he dubbed, “The Mouse Hole.”

George attended Aycock School (now Melvin C. Swann Jr. Middle School) and Greensboro High School (now Grimsley High School). Not big enough to make the high school basketball team, he played hoops at the YMCA, set up a horizontal bar in his backyard to practice gymnastics, and even tried to bulk up his muscles with the popular Charles Atlas bodybuilding method.

He was a serious enough student to double up on courses, graduating from GHS at age 16. While he’s remembered as being cerebral and quiet, he could cut up with the best of them, once convincing his buddies to dangle him by the ankles from a second-story school window in order to prank a teacher on the floor below.

Following graduation, he worked at a cotton mill and attended Guilford College for two years. Then came the experience of a lifetime.

On November 13, 1938, George wrote in his diary: “Had my first real airplane ride today. Hal Foster took me to Danville with him in his little ’33 Aeronca. It took us 30 minutes to make the trip. I see now how great the airplane is. That trip was the most wonderful experience I ever had. I must become an aviator.”

Just months later, after learning his flying skills from Bill Teague, an A&P grocery store manager, George soloed from a grass airfield near Vandalia, six miles south of Greensboro, in Teague’s Waco biplane — named Wanda C, after Bill’s wife.

Teague and George hit it off. After George’s solo, Teague suggested that they each chip in $75 to buy a second Waco. Together, they’d set out barnstorming.

“George was absolutely crazy about an airplane,” his father Earl said in a 1966 interview recorded by then-director of the Greensboro Historical Museum, Bill Moore. “He wanted to fly all the time.” With “headquarters” at a grass airstrip just outside Vandalia, George and Teague would fly to Liberty on Sundays and take passengers up in the plane for “hops.”

“They had this little two-seater,” Earl continued. “I believe they charged a dollar for a five-minute ride.” Earl, who was employed by the railroad “for 49 years and 7 months,” usually worked a freight run to Sanford on Sundays. The tracks ran right alongside the airfield near Liberty.

“I noticed a little gum tree there,” Earl said. “And if George wasn’t up in the air, he’d be standing under that tree in the shade and wave at me. I named the tree, ‘George’s tree.’”

While barnstorming with Teague in 1939, George’s cowling flew up in front of the cockpit, completely blocking his view. Looking from the side of the aircraft, he was able to land in a cornfield with no damage. The cowling latches had not been properly fastened, and the incident underscored for him the importance of a pilot’s thorough walk-around of an aircraft before flight, a lesson that would remain with him through his military service.

On September 1, 1939, Adolph Hitler’s armies raged into Poland, employing a furious tactic called blitzkrieg — “lightning war.”

That fall George boarded a train bound for Pensacola, Florida, and the Naval Air Training Center. He passed all application tests except the physical — the Navy said he had high blood pressure and curvature of the spine.

Back home he did stretching exercises to improve his back. After applying twice more and being rejected, he decided to spend another summer barnstorming with Teague.

The first performance of the 1940 season was at Walnut Cove. With few customers at the airfield, they made three low passes over Main Street and turned out a real crowd.

George and Teague were vagabonds with wings, flying from town to town, sleeping under their aircraft, staying at a YMCA every third night so they could get a shower.

Adventures followed.

There was the time George noticed a police car’s flashing lights out on the field as he landed near Valle Crucis. The officers were carrying the state representative for the district who wanted to get to Asheville in a hurry, rather than take the slow way on curvy mountain roads. George obliged, and was paid handsomely.

And there was the time a mother asked him to fly her 10-year-old daughter to Winston-Salem because the medical help the girl needed wasn’t available in nearby Mount Airy. He refused payment of any kind. At the end of the barnstorming season, he received a letter from the mother, telling him her daughter had successfully recovered from pneumonia.

News of the war in Europe grew more ominous by the day. Holland, Belgium and France were under Nazi control, and the aerial Battle of Britain had begun.

George gave up on the Navy and applied to the U.S. Army Air Corps. He was accepted, and his name added to a long list for cadet class. Then, on September 7, Hermann Goering ordered his Luftwaffe to launch the London Blitz, an all-out bombing campaign to destroy the city. Streams of German aircraft flew missions by day and by night, wreaking havoc below.

Anxious to get in on the fighting, George enlisted with the National Guard at the advice of recruiters. He did his basic training in Fort Moultrie, South Carolina, then was sent to Fort Screven, Georgia. Next he was ordered to Darr Aero Tech, a flying school southwest of Albany, Georgia. By October 1941 he had reported for advanced flying school at Craig Field, Alabama.

The clouds of war were rapidly darkening.

On December 7, the Imperial Japanese Navy struck Pearl Harbor. Five days later, George graduated with his class from flying school at Craig Field. His mother, Clara, rode the train to Alabama and proudly pinned pilot’s wings on her son’s blouse at the ceremony.

Commissioned as second lieutenant, George used a short leave to come home to Greensboro before reporting to West Palm Beach, Florida, to join the 49th Pursuit Group, 9th Pursuit Squadron. Once he checked out in the P-39 Airacobra fighter, he was ordered to ship by train to San Francisco, where he boarded the U.S. Army Transport Mariposa on January 11, 1942, destination unknown.

In February the transport docked near Melbourne, Australia. George’s unit was moved by train from Melbourne to Sydney. It had been six weeks since he’d flown an airplane.

He received scant training in his new aircraft, the P-40 Kittyhawk. George’s unit ferried their fighters north to Brisbane, then set off northwest to a primitive base near Darwin, where he slept on the wing of his aircraft. He was now in a battle zone.

In honor of the Old North State, George dubbed his P-40 Tarheel.

Soon his unit was scrambling to intercept Japanese bombers and fighters. But George was still new to the game. On March 30, 1942, he wrote in his diary: “I had a perfect shot at a Zero [Japanese fighter], but missed by not turning one gun switch on.”

By April, George could lay claim to having damaged two enemy aircraft but still had recorded no aerial victories. Then in July, he nearly lost his life.

On an evening training mission with three other pilots, George and a wingman were flying level, simulating enemy bombers, while two other pilots “bounced” them from above, diving from an altitude of 20,000 feet. On one pass a pilot misjudged and crashed into George’s plane just behind the cockpit.

The first pilot was killed instantly. Badly injured, George was able to bail out before his airplane went down. A tree limb pierced his leg as he parachuted into heavy brush. Fortunately, he was rescued — bleeding badly, but still conscious — before night set in.

What followed was a long, painful transfer by air to the new U.S. Army hospital in Melbourne. He would spend weeks bedridden — and three months in recovery.

But fortune smiled. A young Australian woman named Joan Jackson often visited soldiers at the hospital to cheer them up. Joan made quite an impression on George. When he was finally up on crutches, he’d go on outings with her. Although he saw other women at the time, it seemed that he was smitten.

On September 9, 1942, George wrote in his diary: “Had dinner at Joan’s house this evening. . . . Her Dad is a famous golfer and a very nice fellow. Also her sister is a clever girl and very attractive. I think I could love Joan.”

Joan Jackson, George Preddy’s fiancée

There’s a portrait photograph of Joan wearing George’s wings. But the record about her goes silent for a while.

At the end of September, George was ready to report back to Darwin. He made it as far as Brisbane, where he received two sets of orders: one directing him to return to the States, and the other promoting him to first lieutenant.

By way of Fiji, New Caledonia, Canton Island, Honolulu, California, by military transport to Salt Lake City, and then by rail, George journeyed home to North Carolina. He was surprised and happy to see his father Earl board his train in Reidsville. Together, father and son rode south to Greensboro.

George’s nine-day leave was a whirlwind of family and friends. His brother Bill and childhood chum “Bozo” Boaz drove him to Winston-Salem to see Bill and Wanda Teague. During the visit, his old instructor and barnstorming pal flew Bill, Bozo, and George to Charlotte and back in his new Stinson Reliant.

On November 10, George boarded a train for Oakland, California. He had been a combat pilot for nearly two years, and had yet to score an aerial victory.

In Oakland he was introduced to the P-38 Lightning, an elegantly designed, twin-engine fighter. November 19 he wrote in his diary: “Spent the day at the field and checked out in the P-38. Flew it 45 minutes of the most enjoyable flying I ever did. That is a wonderful flying ship and fast as its name. . . .”

Next stops: Orlando, Florida, then back to California, then First Fighter Command in New York. He wrote in his diary on December 31: “Well, here it is the last day of 1942. . . . I am on a train setting out on my sixth crossing of the country since this time a year ago. . . Hope by the end of next year I can have done much more for my country than I have last year.”

From New York George was assigned to the 320th Squadron at Westover Field, Massachusetts, where he checked out in the P-47 Thunderbolt, a thick-fuselage, powerful fighter nicknamed the “Jug.” In January he was transferred to the 34th Squadron of the 352nd Fighter Group in New Haven, Connecticut, a tactical unit training to go overseas.

George was finally preparing to enter battle in one of the most dangerous places on earth — the skies over Europe.

On June 30, George boarded the Queen Elizabeth, bound for England. He had been promoted to captain. Six days later he disembarked at the Firth of Clyde, taking a train to a deserted Royal Air Force airfield in Bodney, 90 miles north of London.

At Bodney George named his P-47, Cripes A’Mighty, a phrase he used for luck when shooting craps. On December 1, he scored his first aerial victory — a German Me 109.

George’s P-47 was hit by enemy antiaircraft fire in January 1944. He was forced to ditch in the icy waters of the English Channel. With rough seas and poor visibility, the amphibious aircraft sent to rescue him ran over him three times before they could fish him out.

“They damn near killed me!” he complained.

Piloting his replacement P-47, Cripes A’Mighty 2nd, George continued to pursue enemy aircraft, both on the ground and in the air. On March 22, 1944, he was promoted to major and named operations officer of the 487th Fighter Squadron. December 22, he achieved a second aerial victory, shooting down a Me 210.

By letter he learned that his brother Bill was making good progress in his military training back in the States.

“You should take advantage of all the instrument time you can get,” George wrote Bill on April 17, “because when you get to our theater of operations you will fly in weather you wouldn’t walk outdoors in at home. . . .”

That same month, George’s outfit, the 352nd Fighter Group, transitioned from the P-47 to the P-51 Mustang. George named his new airplane Cripes A’Mighty 3rd. A nimble, fast fighter, the P-51 with drop tanks had the range to escort U.S. heavy bombers on raids deep into Germany, protecting them from enemy fighters.

George Preddy with Asst. Chief McVay.”

Flying just such a mission on August 6, 1944, George became a legend.

For two weeks his squadron had seen fierce action, and he personally had accounted for more than six enemy aircraft destroyed. But poor weather was predicted for August 6, so no mission was planned.

George celebrated at the craps table in the officers’ club. Exclaiming “Cripes a’mighty!” with each roll of the dice, he won an astounding $1,200.

Ever the dutiful son, he used his winnings to purchase a war bond and mailed it home to Clara. Greater merriment ensued.

But a mission was called the next morning, and it was George’s turn to lead. Others offered to fill in, but he insisted, still tipsy enough to fall off the table he was standing on to brief the men. Their mission was to escort U.S. bombers to a target east of Berlin.

Breathing pure oxygen got George on the mend, but when he buckled into the cockpit of his P-51, he had a brutal hangover.

That day he shot down six enemy aircraft.

It was a feat unprecedented in the course of the air war in Europe, and though his exploit later was equaled, it was never surpassed.

Photographers, reporters, and correspondents arrived at Bodney to get George’s story.

Three days later, he was interviewed about his exploit for a CBS radio broadcast. The program announcer was the famed head of the CBS European Bureau, Greensboro’s Edward R. Murrow.

As was his wont, George closed the session by acknowledging others: “You just can’t watch your tail and concentrate on your shooting, too. That’s why my wingmen are due as much credit as I am.”

George Preddy and parents

In September George was granted a 30-day leave. It was a glorious homecoming. Clara and Earl met him in Washington, D.C., where he was scheduled for a couple days of publicity interviews, standard fare for an American ace.

Then it was on to Greensboro. George addressed a crowd at a ceremony in War Memorial Stadium, just blocks from where he’d once sold soft drinks from “the Mouse Hole.” He gave speeches to the Boy Scouts, to high school students, to the Chamber of Commerce.

And George announced his engagement to Joan Jackson, the Australian he’d continued to romance by mail. They planned to wed at war’s end.

George then traveled with his family to visit Bill in Venice, Florida, where his brother was in the final phases of air combat training. The two even engaged in a mock dogfight in P-40s, with Bill giving George as good as he got.

Lt. William R. Preddy, 339th Fighter Group, 503rd Fighter Squadron

“Don’t get cocky!” George told his little brother.

Back in Greensboro, he agreed to do a local broadcast radio address. When he was introduced and asked to tell the audience about himself, he spoke instead about Edward R. Murrow.

George spoke about how he and the other officers gathered in the lounge of the Queen Elizabeth — the troop vessel that first carried him to England — listening on the radio to Murrow’s 15-minute news broadcasts, “when he gave the straight dope on the war news of the day.” He spoke about how kind Murrow was to him when he was interviewed for CBS, how they talked about the people they knew back home in Greensboro.

“Ed Murrow knows what he speaks about because he has spent every available moment getting a better insight into the feelings of the war-stricken peoples of Europe,” he said. “Greensboro should be proud of him.”

By the end of September, George was anxious to get back in the fight. His father Earl tried to convince him to stay stateside, since he had flown many more combat missions than were required.

But George was adamant about returning. He felt he had a job to do.

When he returned to the 352nd Fighter Group at Bodney, George was assigned to lead the 328th Fighter Squadron, the group’s goat, with the lowest number of enemy aircraft destroyed. His commanding officer felt that with his leadership and reputation, George could get the squadron on track.

He took over on October 28, 1944, christening his new P-51 simply, Cripes A’Mighty, no number.

George took up where he had left off, destroying enemy aircraft as squadron leader. The overall aggressiveness and effectiveness of his squadron considerably improved.

That fall, Giles “Runt” Teague, Bill Teague’s younger brother, paid George a visit. Runt asked if George could help him transfer from piloting heavy bombers to fighters. George agreed to have his commanding officer write a letter requesting the transfer.

On December 10, 1944, George answered a letter from the Teagues, thanking Wanda for the fruitcake she had sent him. “I have some fine pilots and am proud of the job they are doing,” he added, “particularly on one mission, when we knocked down 24 Jerries to set a new record.”

A week later he posted his final letter home to his parents. He complained about the slow mail service, described the awful weather in London, where he’d been on a 48-hour pass.

“I sure hope Uncle Laurie [his mother Clara’s brother, who’d been badly injured in a rail accident] is better now,” he wrote. “Mail [delivery] from Joan [his fiancée in Australia] is even worse than from you. I don’t expect to hear from her until way after the first of the year. . . Best love always, George.”

In horrendous weather conditions the morning of December 23, Preddy flew with his squadron to Y-29, a primitive air base near Asch, Belgium. Their job was to provide air support for the Battle of the Bulge.

On Christmas Day, George briefed his squadron on their mission, hiked up a pants leg to show the men his bright red “fighting socks,” and said, “Let’s go get ’em!”

And that was it.

After the fighters in his squadron became scattered in a dogfight, George spotted an FW 190 flying at treetop level, and dropped to the deck to pursue the German plane. Cripes A’Mighty was brought down by friendly antiaircraft fire.

Runt Teague’s transfer never came through. He was killed when the B-17 Flying Fortress he was piloting went down over the English Channel on December 30, 1944.

Bill Preddy was killed four months later when his P-51 was destroyed by enemy antiaircraft fire as he and a wingman strafed a flak tower in Czechoslovakia.

George died as the highest-scoring Mustang ace of World War II.

Joseph J. “Red” McVay, the assistant crew chief for whom George always had nothing but praise, commented about his death in a letter to the Greensboro Daily News.

McVay explained that a keg of beer had been purchased to help the enlisted men celebrate the holiday, but when word “came that the Major, our Major, had been killed . . . we emptied our glasses on the ground.

“Christmas will never be the same for me again,” McVay concluded.

Earl Preddy in an interview described George as “just an ordinary American boy.” He described his son Bill the same way. Certainly Earl and Clara’s boys were like many of their buddies. But their love of flying, their love of country, their skill, their determination and the dark realities of war made them heroes.

Their lights burned brief and bright, much like the star that guided searchers to a stable in Bethlehem so long ago. Surely the firmament holds stars for the brothers, and for all their like.

Merry Christmas.  OH

To learn more about the Preddys, Ross Howell Jr. recommends Wings God Gave My Soul — the Factual Story of One of America’s Greatest Fighter Pilots of World War II, George E. Preddy Jr. by Joseph W. Noah (1974), George Preddy: Top Mustang Ace, by Joe Noah and Samuel L. Sox Jr. (1991), Carolina Ace, a documentary film, by Shawn Lovette, and the Preddy Memorial Foundation, preddy-foundation.org, and the Preddy exhibit at Piedmont Triad International Airport.

 

 

 

Photographs courtesy of Greensboro History Museum

Life’s Funny

Saving Some Dough

The Life and Times of UNCG’s Bindery Doughnut

 

By Maria Johnson

As everyone knows, 2020 promises to be a big year in Greensboro, owing to celebrations of the cultural touchstone that has finally put our city on the map.

I speak, of course, of the Bindery Doughnut, which marks its 40th anniversary in November.

The doughnut, a icon of durability, resides in the basement bindery of UNCG’s Jackson Library, which I visited recently.

I was greeted warmly by preservation specialist Audrey Sage, who  explained just what the heck they do in a bindery, namely fix broken book spines, install new covers, and mend brittle pages with delicate Japanese paper and rice-based paste.

I found the last part interesting because it involved carbohydrates and allowed me to say, “Soooo, about the doughnut . . .”

Audrey pointed behind me and said, “It’s right there.”

I whirled around, and sure enough, there it was, resting on a bed of black velvet, inside a glass box on a wooden table.

Oh.

I’d walked right past it, probably because I was expecting a regulation size doughnut. This thing looked like an overgrown Cheerio. It was dry and stoney, with little flakes of doughnut dandruff at its shoulders, and a few visible dings.

In other words, the Bindery Doughnut looked very middle-aged.

Naturally, it wasn’t always so.

Audrey recalled that in 1980, it was a plump young cake doughnut, one of a couple of dozen brought in from Dunkin’ Donuts for a staff orientation.

At the end of the session, a lone doughnut remained. Apparently, no one wanted to be a hog and eat the last one. I was astounded at this detail because I hang out with writers, and we don’t have that problem.

Anyway, Audrey explained that the bindery workers — who were clearly more starved for entertainment than food — hung the surviving doughnut on wires that formed a makeshift antenna for an old radio.

Presto! Reception of the college radio station improved immediately.

Mystical powers were attributed to the doughnut.

Even when the old radio was replaced, the doughnut was kept as a talisman and conversation piece.

If you’ve ever worked in a windowless office, you understand.

For five years, the doughnut dangled above the fray, a crystallized symbol of wholeness (holeness?) above the broken spines, and delaminated covers and silverfish damage below.

Then, one day, a student accidentally bumped into it, and the doughnut plunged to the linoleum floor.

“Everyone was astonished when it clinked on the floor like a piece of stoneware,” according to a doughnut history penned by former library employee Jack Stratton.  “It remained intact except for one small sliver that chipped off.”

Word of the doughnut’s invincibility spread.

Supporters founded a club, Friends of the Doughnut, with a membership card and a secret handshake. Bindery staffers started throwing a party for the doughnut every five years. Haiku and limerick contests were held in its honor.

There once was a doughnut uneaten,

Dunkin, a round and quite sweet ’un.

Avoiding the teeth,
The tongue and beneath,

It never became an excretin.

That jewel was penned by Jim Thompson, who for years shared doughnut duty with his colleague Stratton. Audrey joined the bindery guard in 1991. She helped throw a blowout party (by library standards) in the year 2000, when the doughnut had survived two decades. Newspapers wrote about the hullabaloo, and wire services picked up the stories. Radio interviews ensued. A syndicated cartoon feature, Ripley’s Believe It or Not, hailed the 20-year-old doughnut in a vignette that appeared above a drawing of Pope John Paul II, who had been named an honorary member of the Harlem Globetrotters.
THE DOUGHNUT WAS BILLED ABOVE THE POPE!

Also, The Chronicle of Higher Education did a story on the doughnut. Some said it was the most ink the journal had spilled on UNCG up to that point.

“I’m sure that made some people mad,” said Audrey.

Bow to the pastry, killjoys.

After the accident with student, the doughnut was enshrined on a velvet throne. Later, Audrey went to a hobby store and bought a glass case suitable for displaying basketballs and petrified snacks.

That’s where the doughnut rests today, in a temperature- and humidity-controlled room, which may explain how it has lasted all these years. That, and whatever preservatives were mixed into the dough 40 years ago.

Occasionally, when students venture into the bindery on tours or scavenger hunts, Audrey and her coworkers show them the doughnut and point out that, nutritionally speaking, it might not be a great idea to eat sweets with a half-life similar to that of uranium.

I take their point. On the other hand, if you want to last another four decades, with the main side effect being shrinkage . . .   OH

Follow the 40th anniversary of the Bindery Doughnut on its Instagram account, binderydoughnut. Maria Johnson can be reached at almost any Dunkin’ Donuts outlet or ohenrymaria@gmail.com.

Poem December 2019

The Aurora

 

Life in the

South suits me

just fine —

warm winters,

slow speech,

kudzu, and

iced tea.

But just once

I want to

stand in the

frigid dark,

wrapped in

a fur-lined

parka,

mukluks

on my feet,

scanning the

horizon for

a snow drift

that might morph

into a polar bear

and watch

the aurora borealis

explode across

the night sky —

green and red

lights

circling and waving,

twisting and weaving,

in a shimmering

dance.

— Karen Filipski

Featured Artist

Richard Fennell: Capturing Life

The sky is so blue,” says Richard Fennell of his Ashe County mountain retreat that inspired a series of oil paintings, House at Flat Ridge (left), House Mid-Day and House Afternoon (above), on view, along with their pastel studies at GreenHill’s 40th exhibition of 100-some North Carolina artists, Winter Show 2019, (December 8 through January 17, 2020).

From his student days at ECU through postgraduate work at UNCG to his studio in Whitsett, painting has been an endless quest to capture “life” through brilliant color. “I’m using color as a tool to reconstruct the topography,” he says.

Fennell, who started out as a sculptor, adopted abstract techniques — here the frothy brushstrokes recreating the grass and trees in the foreground — combined with the clearly defined lines of the houses. “I’m still, after all these years, interested in the reality of the thing. I can’t completely divorce myself from it,” the artist says.

Nor can viewers completely divorce themselves from looking upon his canvases, practically feeling the tall grass brush against their legs, as it sways gently in a cool autumn breeze — in a word, life. But Fennell admits, “You never really get it completely. You get close to it, you keep trying.” — Nancy Oakley

Info: greenhillnc.org

Doodad

Regal Reveille

Awake the White and Wint’ry Queen awakens after seven-year sleep

 

From 2007 to 2012, Scott Fray and Madelyn Greco produced an original multimedia play, Awake the White and Wint’ry Queen. Now, after a seven-year hiatus, the couple, known collectively as Livingbrush Bodypainting, is remounting the play at the Van Dyke Performance Space December 20 and 21, which — not coincidentally — is the weekend of the Winter Solstice.

In a nutshell, the play is a celebration of the longest night of the year and the return of the light. The thread woven through the story is the passing of the seasonal torch in search of the Wint’ry Queen. It is elaborately told through music, dance, costumes, bodypainting and an ever-changing video backdrop.

Fray, who wrote the script and composed all the music, had intended for the play to go dark in 2012, the year the Mayan calendar ended. But last year, after several cast members performed some of the musical numbers in the show, he realized that a revamping was in order.

“People who are familiar with the storyline will recognize it,” he says, “but we’ve streamlined it and pared it down from around 40 people to 20.” Technology and a new orchestral backdrop provide more with less: “The idea was to create more richness and depth while retaining the essence of the story.”

Otherwise, you can expect to see Fray and Greco, multiple-time, international champions in bodypainting, playing another role as roving goodwill ambassadors for their chosen art form. Since bringing the Livingart North American Bodypainting Championship  from Atlanta to Greensboro and winning the Betty Cone Medal of the Arts two years ago, they’ve been quite busy as advocates for art and cosmetic products.

Greco, in fact, organized a bodypainting component for the Arnold Schwarzenegger Sports Festival, held at various sites around the world. The result is the Jan Tana Bodypainting Revolution, which has taken the pair to various points on the globe in conjunction with “The Arnold.”

The addition of locations as far away as Norway and Australia warms the heart of this wint’ry queen of bodypainting.

“I’m enormously grateful,” Greco says with a smile. “But mostly I’m incredulous.”— Ogi Overman

Tickets to Awake the White and Wint’ry Queen are available through etix.com

Birdwatch

Berry Christmas!

For the cedar waxwing, holiday indulgence means feasting on holly berries, and other native fruits

 

By Susan Campbell

The cold weather is here and just in time for the holidays, with red berries everywhere. The abundant moisture last spring has spurred our local trees and shrubs to produce a bumper crop of fruit. Hollies in particular are covered with plump, ripe morsels. Any time now large flocks of cedar waxwings will be appearing to take advantage of nature’s bounty. 

Waxwings are sleek, brown birds that sport a black mask, yellowish belly and distinctive tail with a splash of yellow on its tip. Although both males and females have a crest of tan feathers, it is rarely raised during the nonbreeding season. These birds get their name from the bright red, waxy spots on their wing feathers. The waxwing’s high-pitched whistle is also singular. The Bohemian waxwing, a close relative, is a larger, grayer bird much farther to the north and west in North America. So far, no individual of this species has been documented in our state.

During the warmer months, cedar waxwings can be found in northerly latitudes during breeding season throughout a variety of moist habitats. A pair will seek out a sizeable conifer and the female will build a nest of soft material in which to lay her eggs. Three to five young are normal and, not long after they fledge, the family will join with other waxwings even before fall migration begins. The species is very social most of the year and in winter it is not unusual for flocks to number in the hundreds.

Cedar waxwings are unusual in that they can subsist for months at a time on berries. Although they do feed on insects in the summertime, they have no trouble consuming only fruit when the weather gets cold. They swallow whatever small berries they can find: seeds and all. This can be problematic in late winter when the sweet morsels ferment to the point that they intoxicate birds. Bingeing waxwings are at risk of being picked off by predators or being injured if they hit a window.

These handsome birds surprise people when they show up at birdbaths. If you are fortunate enough to experience cedar waxwings descending en masse, it is quite a spectacle.  Of course, they can drain a water source in no time if they have been feeding heavily nearby. Also, it is important to be aware that when waxwings come close to buildings to eat or drink, they may make a fatal error by flying into the reflection of the sky on windows. To prevent this, break up window reflection with sun catchers, stickers, hanging plants and the like. The best approach is to hang things on the outside of the window — but this is not always practical.

If you want to attract cedar waxwings to your yard, add more native fruiting trees and shrubs for them and an abundant source of water. You could consider any one of a variety of hollies, or try adding cedar, juniper, serviceberry or wax myrtle. Do not forget that, like all of our wintering birds, waxwings need thick cover while they are here. Many of the berry-producing species are valuable for cover as well while Southern magnolia (many in the bay family in fact), Leyland cypress or even red tips may prove beneficial.

Important note: To those who have nandina bushes in your yards: Remove the berries immediately — or better yet, replace the plants entirely. Nandina is now recognized as being highly toxic (containing significant amounts of cyanide) and is responsible for killing dozens of waxwings at a time in recent years here in the southeastern United States.  OH

Susan would love to receive your wildlife sightings and photos at susan@ncaves.com.

The Accidental Astrologer

More Changes Afoot

Hold your sigh of relief that 2019 is almost over because the stars predict a ride of a lifetime in 2020

 

By Astrid Stellanova

Humankind dances to the tune of celestial music, the sky full of stars seemingly winking at us to its beat. But there is more to know, Star Children. The universe is shifting, and its secrets will soon be revealed. We are on the verge of astrological history ahead, when Ceres, Mercury, Pluto, and Saturn line up at 22 degrees Capricorn.  As we conclude a year with more drama and ruckus than anybody, even me, could have predicted, with more change coming. You ain’t seen nothing yet.

The December-born, whether Sagittarius or Capricorn, make a mark so big they only need one name to remember: Beethoven, Sinatra, Disney, Matisse, Bogart. What future greats will be born this month?

 

Sagittarius (November 22–December 21)

Honey, when you look back, you’ll realize this year has been one of transformative changes. Just as Dorothy opened up the farmhouse door (’cause it’s the 80th anniversary of The Wizard of Oz this year) to a vivid, colorful reality so different from the black-and-white one she knew in Kansas, you, too will enter a new world. Technicolor was a miracle then, and it is going to be a miracle that your own black-and-white life is drab no more!

Capricorn (December 22–January 19)

Sometimes you may feel like you’re in a bewildering, upside-down and bass-ackwards family. But like a redneck marriage, even if you got a divorce, well, Sugar, you still are connected.

Aquarius (January 20–February 18)

Would you be willing to go all in for your dreams to come true? What would you eliminate? Strip away? Like a lady of the night promised for the right price, “Everthang but my earrings.”

Pisces (February 19–March 20)

A reckoning is ahead. Might as well be rolled in meal and fried in lard if you don’t face facts. It’s sometimes more important to be honest than to be right. Darlin’, here comes your truth test.

Aries (March 21–April 19)

You found yourself after a lot of searching, Sweet Pea, like finding a car when they mowed the yard. Treasure found! Keep the grass cut and enjoy the wheels of discovery.

Taurus (April 20–May 20)

Holy shiplap! Here is you, your fine self, doing honest work and feeling good about yourself. How’s it feel, Honey Bun? Can you admit that it wasn’t so hard after all to be a team player?

Gemini (May 21–June 20)

It don’t require a trip up the hog’s rear end to know where there’s bacon. Despite everything, you seem to want to do things the hard way. Maybe this is a time to reconnoiter.

Cancer (June 21–July 22)

Sugar, it’s like buying a camouflage toilet seat: You will still get busted when you miss. If you spend too much time on covering up the possibility of error, you don’t gain a dang thing.

Leo (July 23–August 22)

Like being too drunk to fish, your life has been a contradiction in terms. Seems like you want two entirely different paths, but can’t see they eventually converge in the — say whaaaat? — parking lot.

Virgo (August 23–September 22)

Mind your own biscuits, and life will be milk gravy. You got so close to the dream, then you changed your order when you heard somebody else talking to the waitress.  Find your truest ground.

Libra (September 23–October 22)

Saw the T-shirt that says, “You ain’t Baroque. You’re just out of Monet.” Like the person who printed it, you have a sense of humor and it must be used. In the toughest of times, it will save you, Funny Bunny.

Scorpio (October 23–November 21)

You keep wondering why folks don’t get you. You love the South, a good story, and home for the holidays. Truthfully, you ain’t as mysterious as people think. You’re just better-dressed.  OH

For years, Astrid Stellanova owned and operated Curl Up and Dye Beauty Salon in the boondocks of North Carolina until arthritic fingers and her popular astrological readings provoked a new career path.

Crystal Clear

Celtic Pottery’s painstaking art of crystalline pottery

By Maria Johnson     Photographs by Sam Froelich

Mixing everyday elements to create something new and beautiful — that’s the juice that keeps artists going.

It also could be the theme of Janet Gaddy and Tim Moran’s life together.

In pottery circles, the Browns Summit couple are known as accomplished “crystaleers,” people who finish their pieces with crystalline glazes, shimmering topcoats that blossom with frosty crystals after being fired in super hot kilns.

“This isn’t for the faint of heart,” says Tim, explaining that only one in three pieces survives the process. “There are very few potters who do crystalline — and very few who do it well.”

The couple’s skill with the painstaking craft — and the vividness of their crystals — have landed their pieces in galleries in Raleigh, Wilmington and Black Mountain. More than a third of their business comes from custom orders.

They also pack a trailer and roll off to more than a dozen shows every year.

They’re regulars at the Carolina Pottery Festival, which happens every November in Shelby, N.C., and at the selective Catawba Valley Pottery & Antique Festival in Hickory in March.

“To be in that show is an absolute honor,” Tim says of the Catawba event. “It’s one of those shows you dream about.”

Locally, the pair can be found hovering around their booth at Potters of the Piedmont, a spring and fall show at the Leonard Recreation Center in Greensboro. They keep a few pieces in the gift shop at the Greensboro History Museum downtown.

The rest of their time is spent making the earthen pieces that are literally — because of the capricious nature of crystals — one-of-a-kind works.

“Mother Nature has a lot to do with it,” Tim explains. “When she smiles on you, it’ll send a chill up your spine.”

That’s how he and Janet felt when they met. Tim, who’d just sold a chain of small radio stations, was in the throes of a divorce, the final act of a 28-year union.

Janet, a potter and high school art teacher, was stinging from the dissolution of her 20-year marriage.

Both were wounded and wary when they crossed paths in a weeklong life-coaching workshop in Chapel Hill in 2001. They got to know each other during sessions that required them to divulge their histories and feelings. They had dinner together. At the urging of her counselor, Janet made an announcement to the class at the end of the week.

Tim was the one she’d spend the rest of her life with, she said.

For once, he was speechless.

They hugged.

“I whispered ‘Thank God’ in her ear. I’d prayed about it,” he remembers.

They forged a life together. At first, that involved him driving from Roanoke Rapids, N.C., to Danville, Virginia, Janet’s hometown, to take a pottery class with her. It was a blatant excuse to be together.

“I told him I’d seen kindergarteners who made better pottery,” she says.

Tim cups his hands around an imaginary vessel then splays his fingers wide to mimic throwing a piece of pottery hastily.

“I’d be like, ‘OK — let’s go to dinner,’ “ he says.

Pottery assumed a bigger role after Tim had triple-bypass heart surgery, the byproduct of years of stressful living, he believes.

“He traded a three-piece suit for a potter’s wheel,” Janet says.

“Pottery became my therapy, my obsession,” adds Tim, who now favors denim and flannel. “Anything I do, I do 110 percent.”

For years, Tim had collected art glass, a passion that sent him on frequent trips to glass-blowing centers of the Czech Republic, Austria, Hungary and Poland.

He bought hundreds of museum-quality pieces from the Art Nouveau period of the late 1800s and early 1900s.

As much as he appreciated art, he found there was a difference between collecting and creating.

“I enjoyed taking a lump of dirt and making something beautiful,” he says.

Janet, who’d inherited a hobby kiln from her father, had long known the satisfaction of creating.  She studied pottery and sculpture in Cortona, Italy, in 2006, the same year she started teaching art at Greensboro College.

“She’s truly the artist,” says Tim.

Pottery became their thing, a common pursuit and a way to learn and grow together.

In 2004, they took a master potter’s class at Rockingham Community College in Wentworth. The class took a stab at crystalline glazes, a finish that had been around since the ninth century, when it appeared as a mistake in Chinese pottery.

The glaze was revived and refined by a 20th-century English potter named Peter Ilsley.

In North Carolina, which is recognized internationally as a pottery hub, only a few people had reputations for crystalline glazes, among them Phil Morgan and Al McCanless in Seagrove and Sid Oakley in Creedmoor.

The class members in Wentworth didn’t have much luck with the finicky glaze.

Tim, who holds a degree in geochemistry from the University of Georgia, was upset at the group’s failure. He was determined to make the glaze work.

He noodled with the formula — zinc and titanium form the crystals while cobalt, copper, iron and manganese provide the colors — until he fired a few successes. His mentor at RCC, Sally Hayes, encouraged him.

“She said, ‘You need to be showing,’” he says, pausing to wipe away tears. Hayes recently died, and Tim has just returned from the Carolina Pottery Festival, which was the first festival he attended with Hayes. She invited him to tag along and bring a few pieces to sell.

“I sold everything,” he says. “I said, ‘This is pretty cool.’”

He and Janet have concentrated on crystalline glazes ever since.

Their studio is a former three-car garage behind their home in the woods.

No longer an art teacher, Janet works daily with Tim on the couple’s business, Celtic Pottery, a name that reflects her Scottish heritage and his Irish roots.

Each of them makes their own pottery — his are more functional pieces such as platters, vases and bowls, and hers are more figurative, incorporating animal and human forms. Currently, she’s selling the heck out of sea turtles that gleam with mottled crystalline glazes.

Often, she mounts them on pieces of driftwood that washed ashore at Kerr Lake or the Outer Banks.

“We like to use things from North Carolina and Virginia, since that’s where most of our shows are,” says Tim.

They mold their works from clay that’s custom made for them by STARworks Center in Star, N.C. The blend combines porcelain and stoneware clays. The soft porcelain clay, used to make fine china, is hard to handle, but it’s extremely durable when fired. It also makes a smooth surface required for the formation of crystals.

“It’s like throwing cream cheese,” Tim says.

After the first firing, their pieces come out of the kiln as bisque, ready to receive the liquid glazes that distinguish the couple’s work. They use a kitchen blender to whirl cocktails of water, powdered chemicals and additives that affect the hardness and shine.

“We’ve gone through several blenders,” Tim says.

Some recipes yield large fan-shaped crystals that resemble the leaves of gingko trees.

Some produce small crystals that interlock like frost on a windshield.

Others crystals arrange themselves in a lattice of shamrocks.

“Our stuff is functional, but there’s a sort of elegance, and people are attracted to that,” Tim says.

Like chefs perfecting new dishes, the duo make detailed notes on every glaze and its complex firing schedule, which can start at between 2,300 and 2,400 degrees Fahrenheit, then dip and rise, at various temperatures, for more than 16 hours.

They use four electric kilns with computerized controls. Because of the energy demand, Duke Power installed a transformer outside the studio just for them.

“They knew they were gonna get their money back,” says Tim.

Once out of the kiln, the pieces must cool under controlled conditions for another 15 hours. Cracks and blowouts are common. Tim lifts a large vase to reveal a jagged hole in the bottom.

“You can’t guarantee anything,” he says.

Their misses are many, but their hits are spectacular.

Multicolored award ribbons cover the bulletin boards in their studio.

A show poster on the wall features several of their red pieces. Red is a difficult color for potters to attain. The pigment burns out easily at high temperatures, and the glaze contains cadmium, which is lead and must be applied in an encapsulated stain before bisque firing.

The two enjoy pushing themselves to learn new formulas and techniques.

They recently returned from a class in Dunedin, Florida, with renowned crystalline potter Ginny Conrow.

“I’m 72, but I’m going to be a student for the rest of my life,” says Tim.

“We work on glazes every day,” says Janet.  OH

Celtic Pottery will display work at the Appalachian Potters Market in Marion on December 7. Their work also is part of a crystalline pottery exhibit and sale at the North Carolina Pottery Center in Seagrove until December 14.