From the Editor

From The Editor

It is the first mild day of March:

Each minute sweeter than before …

There is a blessing in the air

— William Wordsworth

March can be a fickle month, but having grown up in the 1960s and 1970s in rural Guilford County, March brought the promise of hope to my family.

While snow and ice still were probabilities, something about my father shifted during the year’s third month. Subtle, nevertheless unmistakable.

He began making lists and outlines of the vegetables he planned to plant in our garden. Even though the temperature often was chilly, he spent time surveying his plot.

It wasn’t a huge spot behind our house, but it was large enough to be bountiful. My four siblings and I spent time tilling, fertilizing, planting, caring for, harvesting and, finally, consuming or canning — and had a grand time. Under my father’s guidance, we shared with our neighbors the vegetables we grew — string beans, crowder peas, cucumbers, peppers, squash, tomatoes and more.

As my father’s garden flourished, so did our understanding of him.

Born in a tiny community along the Pamlico Sound in the 1920s, my dad developed an appreciation for and the importance of satisfying one of the most basic needs of survival — nourishment.

The youngest of nine children, my father spent his early years close to my grandmother while my grandfather and four older uncles fished. In that remote, windswept coastal fishing village — and under my grandmother’s gentle yet watchful eye — he learned to cook, care for relatives and friends, develop a love of poetry, and cultivate a garden. The Great Depression brought hardship, and what once had been the family’s successful, statewide seafood business languished.

And then, in 1943, the U.S. Army “invited” my father to serve. In 1944, he marched from France to Berlin. When he wasn’t in combat, he cooked, preparing meals for hungry, scared and often wounded young soldiers.

My father returned home in 1946, and after a difficult time adjusting to peacetime America, in 1947, he entered college, earned a bachelor’s degree, moved to Stokesdale, met my mother and became a beloved school principal — while raising five children.

Heroes define and shape our lives. He was — and always will be — my mentor, best friend, shelter, protector. And, yes, my hero.  OH   

Mary Best

Editor

mary@ohenrymag.com

Life’s Funny

What a Gas

A lesson on finding what you need

By Maria Johnson

A dark green cylinder.

About the size of a football.

Says “Coleman” on the side.

White label.

Red-and-black print.

I know exactly what I’m looking for — a propane tank for a camp stove — and why.

The ice is coming.

Or so the forecast says.

My memory jumps to a little more than a year ago, when a weekend ice storm left us in the dark and the cold.

We didn’t have it as bad as many others did — our electricity went out Saturday morning and came back on Sunday afternoon. We were pure-T lucky that some parts of the city still had power and that we had enough gas in the cars to go and get McDonald’s coffee and takeout meals.

We brought them home — instead of eating across town — because the pandemic raged on.

Our wings were clipped. Twice. But we had a gas fireplace. And water. And batteries for our flashlights. And quilts and afghans stitched by long-gone grannies who lived when these conditions were closer to the norm — when winter nightfall meant kindling a fire.

We did as they would have done. We turned the sofa to face the fireplace and literally huddled with our hound and our loved ones. Our older son and his girlfriend were still here, stretching their Christmas visit because they were working from home, and they allowed “home” to be with us for a while.

We warmed Thai takeout — not very well — in a Dutch oven over the fire, under an open flue.

We read Sherlock Holmes stories aloud, by flashlight.

We went to bed early and rose with the sun.

In daylight, we drove — carefully, around downed trees and through intersections with stoplights gone dark — to a park. We stayed long enough to be dazzled by the sunlight dancing in the diamond woods — and to be scared into retreat by the gunshot pops and muffled whooshes of trees breaking and falling under the weight of their jewelry.

On the way home, I saw a friend striding, as she usually does, for exercise and joy, down an empty Lawndale Drive in a neon parka, her New England hardiness in full view.

We, however, were reduced to basics.

A walk.

A fire.

Some food.

And water.

Good health.

Good humor.

Each other.

When everything else fell away, it was easy to see what we had.

And be grateful.

It’s hard to talk about this — gratitude in the face of hardship — even with the pandemic waning somewhat. So many people in this country have died of COVID in last two years: 886,000 at this writing.

Eight. Hundred. Eighty-six. Thousand.

So many people have suffered and are still suffering with empty chairs and guilt and long COVID.

But I hear timid thanks leaking out in people’s stories these days.

Timid thanks for the hard stops that enable us to see that simple is OK.

Small is OK.

Dare we say it: better, even.

Maybe giving thanks is where this gets sticky. Thanks implies a giver with an intention. A purpose. A reason for the rattiness. We love a reason, don’t we?

But sometimes, I think, there is no reason. Bad stuff happens because it can. And will, inevitably, in this God-filled universe.

Sometimes we get caught in the jaws of life and don’t survive.

Sometimes, we do survive — for a while longer.

Whether we can scrape up any wisdom afterward is up to us.

Whether we can look around and see the doors that have been, many times, open all along — that’s up to us.

Take, for instance, the opportunity to buy a gas camp stove after last year’s power outage.

I saw it. And took it.

Bought a gas cylinder, too.

And stored it in the garage, separate from the stove.

But where, oh where, I wonder now, a year later.

We comb the shelves and crannies.

Then we look in insane places — as people who have lost things often do.

Could it be in the laundry room?

The pantry?

Your sock drawer?

Jeff searches the attic — the attic! — as I stand before the garage shelves that seem to mock me.

“OK, I know you’re here,” I finally surrender. “Just show me where.”

I take a breath and soften my gaze.

And there it is.

In a cardboard box, on edge, that I had clearly labeled like the spine of a book: “PROPANE GAS FOR CAMP STOVE.”

Ohhh yeahhh.

I had put the tank there, after several months of watching it get knocked over and roll around on the shelf, because it seemed safer that way.

I laugh out loud.

Because what I wanted wasn’t in the form I was looking for — and by my own hand, to boot.

     But it was there all the time.  OH

Maria Johnson is a contributing editor of O.Henry magazine. You can reach her at ohenrymaria@gmail.com.

Birdwatch

Cleanup on Aisle 2

The vulture’s role in the ecosystem

By Susan Campbell

Vultures: All of us have seen them. Maybe it’s been passing a group feasting on a recently killed animal by the side of the road. Or, more likely, you have spotted an individual soaring overhead on long, outstretched wings. These odd looking birds are too often misunderstood and even disliked — for nothing more than their appearance. In actuality, they are fascinating creatures that perform a vital role in the ecosystem: They are Mother Nature’s cleanup crew.

Often referred to generically as “buzzards,” vultures are part of a family of birds found worldwide with dozens of species, including South American condors. Here in North Carolina, we have both turkey and black vultures year-round. Individuals from farther north significantly boost flock numbers in the cooler months. These large black scavengers lack feathers on their heads: likely an adaptation to feeding almost exclusively on carcasses. Turkey vultures are the more common species from the mountains to the coast. Soaring in a dihedral (v-shaped profile) on long wings with silver linings, they have red heads and long tails for steering.

Black vultures, however, have gray heads and white patches on the under-wing as well as somewhat shorter wings and tails. As a result, they soar with a flatter profile and fly with snappier wing beats. This species has really expanded across the Piedmont in recent years, perhaps due to development, increased road building and the inevitable roadkill that results.

The winter brings vultures together in what can be impressive roosting aggregations that are known as “wakes.” These groups can build to 100 or more individuals of both species that will roost close together in a particular spot: night after night during the season. Late in the day, they will gather in mature trees with larger branches capable of holding significant weight. It is easy to spot them on tall snags or sitting side by side on communication towers. Given the human tendency toward neatness, there are fewer and fewer dead trees for the birds to utilize — so they have been forced to use manmade perches. They may choose rooftops and this can, believe it or not, include people’s houses.

It is not obvious as to why they choose the locations that they do each winter. Given the ease at which they roam in search of food, proximity of their next meal seems rarely a concern. They are capable of gliding and soaring many miles each day. No doubt they require a location with a substrate that warms readily in the morning sun to provide the updrafts they require to reach cruising altitude. Vultures do need a perch that is open enough to allow them to spread their wings on takeoff. This is likely why they are found roosting in more open environments.

For those living near a vulture roost site, be aware that the birds seldom use the same location for more than one season. This could be for reasons of cleanliness or to perhaps reduce the chances of predation — but we really do not know. Also, do not expect that the wake will persist beyond early spring. The group will break up and head off to their breeding grounds by late February or early March. Using prevailing southerly breezes, they will be carried back north in short order.

Although we do have small numbers of breeding vultures in the Piedmont and Sandhills of North Carolina, they are widely dispersed and are quite secretive during the nesting season. Unless they are on the wing, sniffing out (yes, they use their noses more than their eyes) their next meal, they may go completely overlooked.  OH

Susan Campbell would love to receive your wildlife sightings and photos. She can be contacted at susan@ncaves.com.

The Pleasures of Life

Ode to a Daffodil

Acres of yellow blooms beckon the splendor of spring

By Lindsay Morris

In the evening Alice sat on her grandfather’s knee and listened to his stories of faraway places. When he had finished, Alice would say, “When I grow up, I, too, will go to faraway places, and when I grow old, I, too, will live beside the sea.”

That is all very well, little Alice,” said her grandfather, “but there is a third thing you must do.”

“What is that?” asked Alice.

“You must do something to make the world more beautiful,” said her grandfather.

“All right,” said Alice. But she did not know what that could be.

— Miss Rumphius by Barbara Cooney

 

I remember the morning as if it were yesterday. It was early, oh so very early. Much too early for my 8-year-old, growing body. With every ounce of my being, I silently commanded my spirit to ignore the telltale signs of the low beams of light seeping through my blinds. I ordered the gentle tugging on my shoulder to relegate its dictates to the deep recesses of my dreams. Within moments, the strong hands that tugged also separated me from the comfy sanctuary of flannel sheets that enveloped me and jarringly forced me to welcome the earliest moments of dawn.

And then the magic words were spoken: “It’s time.” Just as a hypnotist awakens his client from the edge of consciousness, I was completely awake and reminded of our task at hand. In a trance, I methodically enumerated my to-do list, putting on work boots, donning gardening gloves and grabbing whatever was accessible on the kitchen counter to fuel what I knew would be a long day ahead.

Opening the back door of my childhood home has always brought about visions of Wonderland or Terabithia, and that morning was no different, other than the sun shining much lower and more intensely through the dense trees that hedged our little world of Avalon Loop. You see, Avalon was a world my sisters and I firmly believed God created for our imaginations. The animals of the realm, while not visible, could certainly be heard talking among one another. From the swans’ snorts and the ducks’ cackles on the pond to the neighing of our horse, Ike, son of Tina, and the low whimpers and barks of our dogs, all were offering their morning greetings. But time with furry and feather friends would have to wait. It was as if they, too, had heard the summons, “It’s time,” as my father walked by with tools and bags in hand.

I followed his lead with confidence, knowing that he always had a plan prepared with precision and efficiency. I also knew there would be rules that I must follow, but that is how order thrives in the kingdom of Avalon. My father was a Renaissance Man, one who could dream, create and implement with scientific acumen — a rare man of beauty and science. As much as my young mind could conceive, I knew his goal was never to disrupt nature, but instead to curate it and if possible, unveil and highlight its beauty.  

But that warm October morning, I feared our task that day may not reach completion as I observed the mound of bulbs at our feet. My father, a patient and determined man, seemed nonplussed and content to get started. According to my father, we had around one thousand bulbs to plant alongside the driveway and the north end of the pond. Listening closely, I absorbed with great care his meticulous instructions. He demonstrated how to push the spade into the soil just enough so that the bulb was covered but would still have room to adequately grow and absorb the earth’s nutrients. I worked alongside him, mirroring as closely as possible how he broke the earth. With his small spade, he calculated the distance, spaced and designated a home for each bulb. His plan was masterful, and it played out like a lyrical dance as we glided down the hillside.

The minutes quickly turned into hours. Only when the sun began to dim over the pond did it call out to the swans, ducks and geese, who echoed in unison to the fading sunlight. As I surveyed our work, a sense of pride filled my entire being. With a reassuring smile, my father glanced over at me, tired, but expectant. While my arms and limbs were heavy with fatigue, it could not rival the growing anticipation of what I knew the spring would reveal.

And spring could not come soon enough for my impatient spirit. I remember assessing the soil on a daily basis, practically pleading with it to offer any sign of life. 

The winter of 1990 was a particularly cold one, and those first shoots of bright spring green seemed as though they would never appear. I imagined myself to be an evangelist, praying and wooing those tiny bulbs that we had so carefully sown to rise from the earth. I wasn’t even particularly sure what variety of flower they were because I had never asked my father. Instead, I hoped to be surprised by what would spring forth from the work of our hands. I wanted their beauty to be unveiled in their own timing. And it wasn’t long after their green shoots greeted the sun that I noticed a yellow tint to a few of them. However, as quickly as my synapses fired this message to my brain, my heart sank with great dismay. 

Yellow: The color of sickness, the color of school buses and pencils. For me, it was more than just a color that clashed with my golden blond hair, impeding me from wearing anything in its hue, but it also made me anxious and uneasy about everything when it surrounded me. For some reason, yellow fully dilated my senses. You see, colors have always had a way with me. I have synesthesia, in which colors dictate my mood, my taste and my sense of well-being about the world. After all these months of anticipatory excitement, I was now utterly uncertain what this initial indication of yellow would reveal. However, just a few mornings later in February, I was awakened to an unseasonably warm and sunny day. Rushing outside, I expected to be greeted with sickness at the sight of so much yellow. 

However, nothing could have prepared me for what my eyes encountered and the response that followed. If heaven could be so adorned with rays of golden and lemony yellows, and even yellows marked with golden orange halos, I would have thought that I was in the realms of glory. I willingly abdicated my senses and gazed upward to the sun and offered it gratitude for the beauty that it had nurtured and now reflected. Yellow no longer triggered painful anxieties to rush through my veins, but instead lovingly beckoned me to sit among it to just soak in its splendor.

And the splendor of our daffodils has grown exponentially over the years. More than 30 years later, their yellow blooms have become an intrinsic part of our family’s life, just as they have become the centerpiece around many occasions with family and friends. Not only are they the foremost indicator of spring’s arrival, but each year, without fail, they celebrate my March 1st birthday with grandeur. They have marked with great intentionality baptisms and homecomings. 

Now, more than three decades later, not only has my memory of that day remained vividly intact, but with each passing year numerous events and moments with the daffodils have been added to the storehouse of my memories. You see, over the course of three decades, the daffodils have been divided and spread over and under and around our property.  Easily covering five or more acres, adorning both entrances and even abounding in great numbers around the loop road surrounding our pond, their numbers now add up to more than 25,000 flowering blooms. The magic of that day has turned into a proliferation of beauty that not only welcomes but befriends all who enter the realm of Avalon each spring. Their beauty, and the work of our hands, has been a reminder of what planting and nurturing can create. 

This is how Miss Alice Rumphius from Barbara Cooney’s beloved children’s book learned to make the world more beautiful by spreading her lupine seeds across her home and down by the sea. Similarly, my father, on that unseasonably warm October day, showed me with love and patience how beauty can be elicited and magnified in unexpected ways through the vision of a daffodil bloom.  OH

Though living alongside the Mayo River in Rockingham County, Lindsay Morris is connected to Greensboro through the spirit of Howard Coble and her love of the local arts scene. 

Bookshelf

March Books

Compiled by Shannon Purdy Jones

After an entire winter spent indoors (and especially this COVID winter) spring feels like I’m shedding a winter cocoon and stepping back out into the world.

It’s no surprise that at Scuppernong one of our favorite ways to connect with our community is over a good book. We have four book clubs that meet on a monthly basis at Scup, including a brand-new Romance Book Club launching this month. If you’re feeling the urge to shake off the winter cobwebs and reconnect, then find below our next few month’s book club picks to see which conversations fit you. Or, head over to our events calendar at scuppernongbooks.com. (Book clubs meet on Zoom, though we hope to move back to in-person this year as COVID precautions allow. Login info for each book club Zoom is available on our events calendar.)

White Shadow by Roy Jacobsen (Biblioasis, $16.95).  March Reading the World Book Club pick

No one can be alone on an island . . . but Ingrid is alone on Barrøy, the island that bears her name. The war of her childhood has been replaced by a new, more terrible present — the Nazi occupation of Norway. When bodies from a bombed vessel carrying Soviet prisoners of war begin to wash up on the shore, Ingrid can’t know that one will not only be alive but could be the answer to a lifetime of loneliness — nor can she imagine what suffering she will endure in hiding her lover from Nazi authorities, or the journey she will face, after being wrenched from her island as a consequence for protecting him, to return home.

This highly anticipated follow-up to Roy Jacobsen’s International Booker and Dublin Impac Award-shortlisted The Unseen, a New York Times New and Noteworthy book, White Shadow is a vividly observed exploration of conflict, love and human endurance.

Velocity Weapon by Megan E. O’Keefe (Orbit, $17.99) 

March Sci-Fi Book Club pick

Nominated for the Philip K. Dick Award for Best Novel

Sanda and Biran Greeve were siblings destined for greatness. A high-flying sergeant, Sanda has the skills to take down any enemy combatant. Biran is a savvy politician who aims to use his new political position to prevent conflict from escalating to total destruction.

However, on a routine maneuver, Sanda loses consciousness when her gunship is blown out of the sky. Instead of finding herself in friendly hands, she awakens 230 years later on a deserted enemy warship controlled by an A-I who calls himself Bero.

The Love Hypothesis by Ali Hazelwood (Berkley, $16.00) March Romance Book Club pick

As a third-year Ph.D. candidate, Olive Smith doesn’t believe in lasting romantic relationships. So, like any self-respecting biologist, Olive kisses the first man she sees.

That man is none other than Adam Carlsen, a young hotshot professor — and well-known ass. Which is why Olive is positively floored when Stanford’s reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend.

Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

Dead on Arrival by Jaki Shelton Green (Blair, $10.95)

March Poetry Book Club Pick

This is a welcome reissue of Jaki Shelton Green’s acclaimed premier collection of poetry. Green’s earlier works pulse with the intoxicating rhythms and fierce clarity of image that made her one of North Carolina’s most popular poets. Here is an artist, at turns, angry and wickedly funny, demanding justice yet possessed of a refined grace.  OH

Shannon Purdy Jones is store manager and children’s book buyer for Scuppernong Books.

Short Stories

Lovin’ Some Lyle

Singer-songwriter-actor Lyle Lovett brings his witty lyrics and distinctive spin on country music to the Steven Tanger Center for the Performing Arts on Tuesday, March 8 at 7:30 p.m. Accompanied by an acoustic band, the four-time Grammy-Award winner hit the road at the beginning of March — the first time in two years. The show will feature acoustic arrangements of Lovett standards, as well as a preview of songs from his upcoming album, scheduled for release in May. The smaller ensemble and Lovett’s informal, conversational onstage style will provide the audience with an up-close, “living-room” listening experience. Rumor has it that the Texan lives near Houston in a house built by his grandfather in 1911. Explains a bit about the diversity of his music. Info: TangerCenter.com

Fun and Names

The Greensboro Children’s Museum is upping its game for kids of all ages. In January, it received its largest donation in its 23-year history. The $1.25 million donation from Frank and Nancy Brenner will be used to advance the museum’s mission to inspire hands-on learning through play, as well as fund building repairs and upgrades to more than 20 indoor and outdoor exhibits. The gift officially launched the museum’s capital campaign, “Building for Tomorrow,” to raise $2 million for infrastructure improvements to the facility. In honor of the gift and recognition of the museum’s expanded presence throughout North Carolina and Virginia, in July the museum will be renamed the Miriam P. Brenner Children’s Museum. Miriam Brenner is the late mother of Frank Brenner. Info: GCMuseum.com

As Seen in O.Hey

Don’t throw away your shot to hear a phenomenal entertainer speak and perform as part of UNCG’s Concert & Lecture Series. Daveed Diggs is an actor, rapper, singer-songwriter, screenwriter and producer known for his work in Hamilton, Black-ish, Snowpiercer and Disney’s forthcoming The Little Mermaid — we hear he’s a little crabby about that. Catch Diggs at 8 p.m. on March 5. Info: VPA.UNCG.edu/ucls-2; to subscribe to O.Hey, visit oheygreensboro.com

A Fairy Tale Come True

Cinderella — the time-honored, beloved story of a dreamer — shunned by her step-monsters and saved by a fairy godmother, glass slippers, industrious mice and a charming prince — comes to life at the Carolina Theatre, 5 p.m., Saturday, March 26 and, 3 p.m., Sunday, March 27. The classical ballet version of the Brothers Grimm fairy tale brings drama, romance and humor to the stage — not to mention outstanding performances by the Greensboro Ballet. Set to the music of Sergei Prokofiev, the ballet will remind you that dreams can come true. And sometimes losing a shoe isn’t a bad thing. Young Cinderellas in training can dress in their favorite princess costume and enjoy a tea party with Cinderella and her friends. Included will be a goody bag and a princess craft project. Meet many of the characters from the ballet and, of course, the Cinderella herself will pose for photos and give autographs. Definitely a sugary sweet event for sugary sweet sweeties. Info: CarolinaTheatre.com/Events

Dynamic Duo

While we’re on the subject of 24-carat entertainment, chanteuse extraordinaire Jessica Mashburn, along with world-renowned singer/songwriter /devoted husband (because why wouldn’t you be?!?) Evan Olson, are once again performing as AM rOdeO. They will bring their merry melodies to Grandover Resort’s 1808 Lobby Bar from 7–10 p.m. on Friday, March 11. Two of the most talented performers you’ve ever heard of, AM rOdeO reminds O.Henry’s me of big city lounge entertainment. Practically a lost art, Jessica and Evan bring with them a wide repertoire of tunes from The American Songbook classics to the present. Evan Olson’s musical compositions recently have been featured on network shows such as The Young and the Restless, America’s Funniest Home Videos and Dexter: New Blood on Showtime. This promises to be a sophisticated, enormously entertaining kick-off to your weekend. Info: GrandoverResort.com — Billy Eye

Ogi Sez

by Ogi Overman

Let’s pause for a moment and reflect on the past two years — how we handled the horrors, the isolation, the fear of the unknown, the suffering that began not one but two Marches ago. Many of us were on the brink of losing all hope, and, maybe, some of us did. But then came that sliver of light at the end of the long, dark tunnel, and now we hope that we will find ourselves at the dawn of a new day, a new season, a new and vastly different March.

Let the music play.

• March 19, Greensboro Coliseum: Women’s basketball takes center stage at the Coliseum this month, but nestled between the ACC tourney and the Regionals, the Avett Brothers managed to sneak in their rescheduled New Year’s Eve show. They promised they’d be back and they didn’t disappoint. But then, they never do.

• March 25, High Point Theatre: The mid-’90s were marked by a resurgence of swing music, led on the East Coast by the Squirrel Nut Zippers and the West Coast by Big Voodoo Daddy. But the phenomenon also was going on in Great Britain, with the Jive Aces leading the charge. They’re bringing their “Jump, Jive & Wail” tour stateside this spring, and I think I’ll Zoot up and flip, flop & fly over to High Point.

• March 26, Ramkat: It seems almost cliché to call Donna the Buffalo a cult band. Granted, a quarter century ago they amassed an immediate cult following that has only multiplied today. But by taking a leap of faith and forming the Shakori Hills GrassRoots Festival down the road in Pittsboro, they took on an aura all their own. So, if you can’t wait until May to see them, head over to Winston.

• April 1, Ziggy’s: I know, I know, I’m breaking the rules by hyping a date in April, but, as Barney said when the gold truck came through Mayberry, “Ange, this is big. This is big — big!” Indeed it is. When a legendary music venue reopens in a new town and is again run by a venerated impresario, Jay Stephens, it deserves a month’s notice. Ever-popular newgrass act Acoustic Syndicate hosts the grand opening. And it promises to be grand.

O.Henry Ending

André Leon Talley

A sense of self at the rainbow’s end

By Cynthia Adams

A gangly Black kid, left in infancy to be raised by his grandmother, a domestic in Durham, became the “last great fashion editor,” declared The New York Times.

André Leon Talley, who died January 18, wrote: “To my 12-year-old self, raised in the segregated South, the idea of a Black man playing any kind of role in this world seemed an impossibility.”

His eyes “were starving for beauty.” Talley found it in high fashion.

His death at 73 was first announced on Instagram to his 403,000 followers.

Talley, 6′ 6″ in his stocking feet, became a towering figure in Vogue, Harper’s Bazaar, W, Interview, Ebony, HG, Women’s Wear Daily, Vanity Fair and Numéro Russia.

Yet, he remained gracious. My friend, Irene Moore, who worked for W, said, “In spite of his forbidding look, he was a really nice guy.” Maureen Dowd remembers how “He told me about his late grandmother in Durham,” after she wrote about how her mother descended from a line of Irish maids.

Bennie Frances Davis was a stylish and proud grandmother, a lodestar.

Dowd intimated Talley was a hoarder, stuffing his home with crystal, linens, even Truman Capote’s sofa. Like Capote, the legend was “prowling the world in search of glamour and beauty, disdaining ‘dreckitude.’” Dreckitude, Talley explained, “is the lowest point in the lowest ebb.”

Talley’s touchstones remained his Southernness and beloved grandmother. These, Southern writer Julia Reed said, secured their friendship until her death.

In his memoir A.L.T., André Leon Talley wrote: “At the end of the rainbow that has led me to a successful career in the world of fashion . . . I find that the things that are most important to me are not the gossamer and gilt of the world I live in now.” His deep Southern roots furnished “a sense of place, a sense of self.”

Born in 1948, Talley’s sense of self came early. He recalled walking across Duke’s campus, where Davis worked in housekeeping, and being peppered with rocks by students. (He was on his way to read Vogue.)

Talley studied French and literature at N.C. Central University, with graduate studies at Brown University.

He interned in New York for his idol, Diana Vreeland, at the Metropolitan Museum Costume Institute. She connected Talley with Andy Warhol, founder of Interview.

Designer Tom Ford kept notes, faxes and emails from Talley, describing them as “works of art.”

Post Vogue, Talley experienced the chilling effect of “Nuclear Wintour,” the staff’s nickname for the brusque and demanding Dame Anna Wintour, the editor of Vogue portrayed in The Devil Wears Prada.

Despite all, Talley remained the toast of New York and France, where he had lived and was awarded the Chevalier de l’Ordre des Arts et des Lettres.

Yet he was tugged southward to the Carolinas for frequent honors. Last November, N.C. Gov. Roy Cooper awarded Talley the state’s highest civilian honor, the North Carolina Award (for Literature).

Since 2000, Talley was a trustee at SCAD, The Savannah College of Art and Design. He also was a headliner at Charlotte’s Mint Museum, curating an Oscar de la Renta exhibition in 2018 and chairing the 2019 Coveted Couture Gala. In addition, he was a television personality on America’s Next Top Model and artistic director for Zappos.

He wistfully hoped Wintour would reconcile with him at his deathbed.

On April 19, Louis B. Gates Jr.’s popular ancestry-tracing program, Finding Your Roots, will feature André Leon Talley.

Yet, Talley already knew who he was — a caped crusader, fighting the good fight against dreckitude.  OH

Cynthia Adams is a contributing editor for O.Henry. She can be reached at inklyadams@aol.com.

Simple Life

The Baker’s Assistant

How sweet it is

By Jim Dodson

Not long ago, my wife, Wendy, joined 47 million foot soldiers of the Great Resignation by retiring early from her job as the longtime director of human resources for one of the state’s leading community colleges.

She loved her job at the college. It was fun and fulfilling in almost every way.

But something more was missing — and revealed — when COVID invaded all our lives.

Simply put, it was time to follow her heart and do something she’d envisioned doing even before I met her 25 years ago: to start her own gourmet, custom-baking company called Dessert du Jour.

News late last year that an innovative shared community kitchen for food entrepreneurs (called The City Kitch, based in Charlotte) was opening branches in Greensboro and Raleigh propelled her into action. She signed up for the first private kitchen studio and got to work preparing for her debut at a popular outdoor weekend market just before Christmas, selling out everything she baked in a couple hours. It was a promising start.

I should pause here and explain that Wendy is no novice or newcomer to the luxury baking world. Even while masterfully holding down a demanding career over the past two decades, she made stunning custom wedding cakes, luscious pies, artistic cookies and other baked delicacies for friends and neighbors.

As I say, she was already wowing customers in Syracuse, New York, when we met during one of my book tours in 1998, and she agreed to go on a formal first date that turned out to be, as I fondly think of it, baptism by baby wedding cakes.

To briefly review, on a brisk autumn evening after a seven-hour drive between my house in Maine and her home in Syracuse, I arrived just in time to find Wendy cheerfully boxing up 75 miniature, exquisitely decorated wedding cakes for some demented daughter of a Syracuse corporate raider.

“Oh, good,” she beamed, flushing adorably with a dollop of icing on her button nose, as I appeared. “Want to help me box these up and take them around the neighborhood for me?”

How could I refuse? Her neighbors, it seemed, had offered space in their refrigerators and freezers until the cakes could be delivered to the wedding hall in the morning.

Truthfully, I don’t recall much about being pressed into service as an impromptu delivery man. I just have this vague memory of carefully boxing up dozens of the beautiful little cakes and bearing them all gussied up with elegant ribbons and bows to her lady pals around the cul-du-sac. “Oh,” one actually cooed as she looked me over. “You must be the new boyfriend from Maine. Careful you don’t put on 50 pounds. Wendy’s cakes are awesome.”

I gave her my best Joe Friday impersonation. “Never tasted ’em, ma’am. Just here to help out the baker lady.”

Happy to report, the baby wedding cakes made it safely to the wedding hall the next day without incident. The grateful baker lady even thoughtfully saved one of the gorgeous little cakes for the trip home to Maine.

I’m embarrassed to say I never sampled it. Cake wasn’t my thing, probably because I grew up with a mama who annually made me a birthday cake from a Betty Crocker box mix and store-bought frosting that tasted like chocolate-flavored sawdust with icing. I gave Wendy’s baby wedding cake to my children, who absolutely loved it.

Another issue emerged on my next visit to Syracuse, our critical second date. When I breezed into her kitchen with a bottle of her favorite wine before we went out to dinner, I found her putting the finishing touches on another masterpiece of the baker’s art.

Sitting nearby on her kitchen counter, however, was a beautiful wicker basket full of popcorn, my all-time favorite snack food. As she opened the wine, I grabbed a big handful of what I thought was popcorn.

Her lovely face fell. It turned out to be a groom’s cake that only looked like a wicker basket full of popcorn.

Profusely apologizing, as I licked the evidence of the crime off my greedy fingers, figuring this might be our last date, I had something of a dessert awakening.

“Hey, this is really good. I don’t even like cake. What’s in this?”

To my relief, she laughed. “Only the finest Swiss white-chocolate, sour-cream cake with salted buttercream. But no worries. I can make another one pretty quickly. Let’s just get Chinese takeout for dinner while I work.”

I’d never seen such composure under fire. Right then and there I decided to propose to this remarkable woman and even confessed my sad history with Betty Crocker, wondering if she would do the honor of becoming my wife and someday making me a birthday cake.

“Sure,” she said. “I’ll even make you a Betty Crocker box cake if you want it.”

Talk about a selfless act of love! This was like inviting a Wine Spectator judge to enjoy a lovely bottle of Boone’s Farm’s Strawberry Hill or LeRoy Neiman to do a doodle of a racehorse! She actually made me a box-mix cake, which I took one taste of and dumped in the garbage.

Fortunately, by the time our wedding rolled around two years later, Dame Wendy had schooled me up like a pastry chef’s apprentice, a culinary awakening sealed by my first taste of her incredible old-fashioned caramel cake — which she now makes me every year for my birthday (along with a sour cherry pie). 

Not surprisingly, the spectacular cake she made for our outdoor wedding beneath a gilded September moon disappeared without a trace before I could even get a taste. Our greedy guests left nary a morsel and even took home extra pieces stuffed in their pockets. 

Since that time, a long and steady stream of fabulous specialty cakes, cookies, pies, scones, muffins and the best cinnamon rolls ever made have flowed from her ovens to the tables of friends, family and customers from Maine to Carolina.

Which is why the creation of Dessert du Jour is such a milestone for the love of my life. She’s never been happier, launching her little dream company at a time we’d all like to see in the rearview mirror as soon as possible. In the meantime, she shares her happiness with others, one gorgeous theme cookie or slice of roasted pecan-studded carrot cake at a time.

And for the moment at least, I have the honor and pleasure of still being her sole employee, the one who puts up the tent and tables at the street market and delivers the goods wherever I’m sent around town, a baker’s assistant happily paid in cake tops and leftover cinnamon rolls.

I ask you, does life get any sweeter than that?  OH

For more information, visit thecitykitch.com and dessertdujour.net. 

Jim Dodson is O.Henry’s founding editor and ambassador at large.

Omnivorous Reader

Balancing the Scales

Justice among disparate
peoples in Colonial America

By Stephen E. Smith

Humorist Edgar Wilson “Bill” Nye is credited with saying: “Wagner’s music is better than it sounds.” Readers of popular history who tough their way through 464 pages of Nicole Eustace’s Covered with Night: A Story of Murder and Indigenous Justice in Early America will likely be left with the notion that what they’ve read is more profound than entertaining.

“Covered with Night” is an Iroquois expression describing the state of grief or mourning inspired, in this instance, by the 1722 murder of a Native American man who lived near Conestoga, Pennsylvania, a small community north of the Maryland-Pennsylvania border. Details of the fatal encounter are straightforward and commonplace: English merchants John and Edmund Cartlidge were bargaining with Sawantaeny, a Seneca hunter and fur trader, when an overindulgence in alcohol, probably by all parties concerned, led to a disagreement. Sawantaeny went for his rifle, but John Cartlidge disarmed him and bashed in the Seneca’s skull.

“My friends have killed me,” were Sawantaeny’s last words.

Such incidents, terrible though they may be, are not an uncommon aspect of human interaction, but in the early 1700s, a period in America’s past that is strangely deficient from the history we’ve been taught (we learn about the Lost Colony, Jamestown, Plymouth and mysteriously we jump to the Boston Harbor Tea Party), such a death had far-reaching ramifications for the Native American and Colonial communities. Covered with Night explores the causes and consequences of the Cartlidges’ ill-advised assault on Sawantaeny, while illuminating the fundamental flaws in the relationships that existed between the Native American and Colonial cultures.

Eustace’s complex treatise was made possible by the meticulously documented speeches of a Native man called “Captain Civility,” who reacted to the death of Sawantaeny by attempting to strengthen the tenuous bonds that existed between the competing cultures, and Eustace was able to draw on earlier studies by 20th century ethnographers and on postmodern analyses on social and criminal justice. If all of this sounds complicated, it is.

Investigations of Sawantaeny’s murder by Native American leaders and Colonial officials initiated a debate about the very nature of justice and its cultural context. Colonial authorities were fearful that the murder might bring on a full-scale war, endangering the white population and disrupting trade. The crisis was serious enough that news of it reached the British Board of Trade in England, resulting in a region-wide treaty conference that produced an obscure document signed at Albany in 1722 between members of the Five Nations of the Haudenosaunee and representatives from the colonies of New York, Pennsylvania, and Virginia. It remains the oldest recognized treaty in the history of the United States. Much more than a simple diplomatic instrument, the treaty records a foundational American debate over the nature of justice.

Avoiding conflict with their Indigenous neighbors was the foremost concern of the Colonial authorities, and they held the Cartlidge brothers in irons pending their execution — which is exactly what the Native Americans hoped to avoid. Pennsylvania Gov. William Keith was dismayed to learn that sending the Cartlidges to the gallows was counter to the Native American notion of justice. Native diplomats Satcheechoe and Taquatarensaly asked that the Cartlidges be released from prison and from the threat of execution. They preferred that Keith journey to meet with the leaders of the Five Nations to “cover the dead” by offering reparations and performing mourning rituals that addressed their grief — all of which ran counter to Colonial assumptions about what constitutes civilized retribution.

The Iroquois weren’t “savages,” as characterized by the Colonial authorities. They were possessed of a humanity that tied them to the land and their communities, and they saw the murder as an opportunity to establish stronger and more lasting bonds with their Colonial neighbors. They wanted their collective grief assuaged emotionally and accounted for economically.

“Colonists were so unprepared for Native offers of clemency, a total inversion of their expectations, that they made little deliberate note of the philosophy that informed Native policy,” Eustace writes. “Indigenous ideals entered the record made at Albany almost inadvertently, the by-product of colonial desires to document the land and trade agreements that would further Pennsylvania’s prosperity and security. Still, colonists dutifully wrote down the speeches that Captain Civility and other Native speakers made to them. And in the process, they preserved Indigenous ideas on crime and punishment, violation and reconciliation.” Negotiations were complicated by barriers of language and dialect. Various Native American tongues had to be translated from one Indigenous speaker to another until the words evolved into a concept that could be realized in standard English.

If Eustace’s explication of events is occasionally academic, it’s also thought-provoking, requiring patience and commitment on the part of the reader. Attempts to energize the narrative by using present tense, and a somewhat awkward fictional attribution of motivations to characters whose true emotions are unknowable, only serve to lengthen and diminish the story: “Seated at his table, William Keith warms the bottom of a stick of vermilion sealing wax,” she writes. “He feels the heat but will take care not to burn his fingers. In a quiet room, a dollop of wax makes a soft splotch as it hits paper, round and red as a drop of blood. Keith lets the wax cool a moment from liquid to paste, then presses smartly with his seal to emboss the wax with an intricate pattern of scrolls.”

Eustace also includes detailed descriptions — furniture, dwellings, the travails of daily living, concepts surrounding indentured servitude and slavery — that enhance the reader’s knowledge of an otherwise obscure period in our history. But her primary contribution is the reclamation of alternative concepts of crime, punishment and the mitigation of grief that are no longer components of contemporary life. OH

Stephen E. Smith is a retired professor and the author of seven books of poetry and prose. He’s the recipient of the Poetry Northwest Young Poet’s Prize, the Zoe Kincaid Brockman Prize for poetry and four North Carolina Press Awards.