Poem May 2026

POEM

FLOATING

A hawk drifted over as I backstroked

through the neighborhood pool.

It glided more effortlessly

than I’d imagined possible,

circling and diving on the breeze

without thrash or beat of wing,

so I puffed up my chest

and floated awhile, wondering

if he’d spy me and swoop down

to make a meal of my laziness.

Maple seeds helicoptered

into the depressions

between ripples, bobbing expectantly.

Drowned, fat caterpillars

littered the blue between lanes.

There are graveyards

where the bones rest

less tranquil than that afternoon,

but I ripped it into lines,

and still I am ripping it into lines,

looking for sad, explosive meaning,

proof that I skimmed

that particular magnificence

and didn’t go under.

— Ross White

Ahoy Mateys

AHOY, MATEYS

Ahoy, Mateys

By Maria Johnson

Photographs by Bert VanderVeen

On many a fair-weather evening, as the sun paints the sky around Lake Jeanette with neon pinks and purples, you can make a sport of watching cars on Bass Chapel Road as they slow down on the low-slung bridge near the marina.

Heads swivel as drivers stare at a curious vessel that bobs on the lake’s rippled surface. Red brake lights flash as motorists try to stay in their lanes while making sense of their water-borne fever dreams.

Before they reach the other shore, most passers-by give in to the delirium. They honk. They wave. They smile at the floating fantasy that Jess Washburn and his crew have cobbled together over the past few years.

Built on the frame of a disabled pontoon boat that’s tied to a motorized sister craft, their creation is basically a freshwater tiki bar with sandy-toed touches: torches ablaze; a carnival’s worth of multicolored LED lights; a tin roof; faux potted palms; plastic skeletons in swabby garb; grass-skirt fringes fluttering in the breeze; a glowing, 40-inch flatscreen TV; a mind-the-wake-and-take-your-best-shot dart board; and a seriously tall but not-seriously-plumb bamboo flagpole draped with a couple of Jolly Rogers that threaten absolutely no one.

The overall effect is Gilligan’s Island meets Pirates of the Caribbean meets Cheers.

“After a long day at work, when I’m kinda stressed out, I get out there, and I can immediately relax,” says Captain Washburn. “I know I’m gonna see my friends, and I know I’m gonna get a good laugh.”

When he’s not combing the internet for pirate-adjacent accessories, Washburn works as a salesman for Greensboro-based Morrisette Packaging. He also buys and develops older industrial buildings, and perhaps most important to his nautical dreams, he owns Lake Jeanette itself.

Eight years ago, his company, Lenoir Warehouse Group, bought the 270-acre lake in North Greensboro, along with nearby Buffalo Lake, which covers a meager 105 acres by comparison.

Cone Mills Corp. created both reservoirs — Buffalo in 1922, Jeanette in 1943, according to a state inventory of dams — to provide water for its White Oak plant, which wove denim for the U.S. military among other customers.

Eventually, Cone sold its holdings to International Textile Group, which decided to shed the private lakes, by then surrounded by pricey homes.

Washburn had lived on Buffalo Lake for eight years. He was afraid an outside investment group might buy and develop what had been his duck-filled backyard.

So the perpetually tanned outdoorsman, who literally looks at life through the aquamarine lenses of his Maui Jim sunglasses, jumped on the urban watering holes.

He already had a pontoon boat docked at Lake Jeanette, where he enjoyed fishing and taking friends on cocktail-hour cruises.

His imagination churned with what could be moored even closer to home.

“I wanted a tiki boat on Buffalo Lake for the longest time,” says Washburn, who was inspired by the tiki-themed water taxis that slosh tourists on booze cruises up and down Taylor’s Creek near Beaufort, N.C.

Alas, Washburn’s modest lakefront dock wouldn’t support such a dream on Buffalo Lake.

Lake Jeanette, with its well-concealed marina, was a better fit. But tearing down a perfectly good pontoon boat to make a floating tiki bar did not make sense, even to a repressed pirate.

Five years passed.

Arggg.

Then a friend made Washburn an irresistible offer: Washburn could have the friend’s dilapidated pontoon boat in Virginia if he would make the trip to retrieve it.

Washburn huddled with four friends, who all loved hunting, fishing and spending time on the water.

Rodney Hazel, a real estate agent who had been Washburn’s pal since they were students at Chapel Hill, was gung-ho.

So was Todd McCurry, a textile company executive.

Ditto medical device salesman Ben McAlhany.

The crew towed the junker boat to the Greensboro home of master carpenter Kevin Crowder and turned his backyard into a boatyard.

They commissioned Crowder to create a pirate’s den in the spirit of Peter Pan’s nemesis, Captain Hook, which is to say, a youthful idea of a slightly dangerous good time.

But first, Crowder ripped off the rotting deck and replaced it with inch-thick, marine-grade plywood. He added floats under the frame for stability.

Above deck, he built in a cabin big enough to house a bar with bench seating, plus a small galley where an outboard motor would have been.

As the watercraft took shape, the crew and their mates dragged in building supplies, some donated, some discounted.

Washburn got his hands on some sheet metal for the roof and walls. He wangled some AstroTurf, left over from a Wake Forest University lacrosse field, for the deck.

McCurry rustled up some outdoor fabric for seat cushions.

Hazel donated a large bell that he found in a store in Ocracoke.

Washburn salvaged pine pallets that would become the boat’s shiplap siding and freestanding bar. He also bought a solar-powered generator to provide electricity for the mini-refrigerator-and-freezer that had once occupied his son’s dorm room. He found pre-lit, solar-powered palm trees online.

McAlhany contributed a gas grill in the interest of keeping the crew stoked with hamburgers and fajitas.

“We’d get out there every night and say, ‘This would be cool. Let’s try this.’ People would come by and say, ‘Oh, I’ve got just the thing for you,’ and they’d send a little something,” Washburn says.

The crew briefly considered adding a hot tub to the party barge, but nixed the plan because of the required maintenance.

They hauled the mostly-finished boat to Lake Jeanette in the spring of 2023. The most treacherous part of the voyage was the traffic circle on Bass Chapel Road.

“We had a real old, kind of a sketchy trailer, and it was rocking back and forth. We went about 5 miles an hour. People behind us were not too happy,” Washburn says through a Cheshire Cat grin.

The crew breathed a sigh of relief when the boat reached the marina, eased into the water and stayed on the surface.

“We weren’t real sure it was going to float because we had a lot of weight on it,” Washburn remembers.

The boat gained weight, in the form of decor, as more friends came aboard.

Mic Cardone handed over a deluxe dartboard with its own cabinet.

Mark Ruffin donated an autographed snapshot of Jerry Garcia, the late leader of psychedelic rock band The Grateful Dead. Ruffin’s brother had been an attorney for Garcia.

Kelly Harrill chipped in a wall-mounted TV that streams internet-based shows via cell phone hotspots.

“It was a community effort,” says Washburn.

At night, as bats pin-wheeled over the water, he hung out on the boat and surfed the web, ordering skeletons, string lights, pirate flags and grass skirts.

“Everything is from Amazon,” he says.

These days, crew members — minus McAlhany, who recently moved to South Carolina — take the tiki boat out as often as five nights a week.

They sip adult beverages, puff cigars and watch deer, ducks and a pair of bald eagles that nest along one of the lake’s coves.

They fish for bass, crappie and perch. Washburn is proud that the lake supports a diversity of marine life.

A few years ago, he asked the Coastal Dynamics Design Lab, based at N.C. State, to study the health of Lake Jeanette, which spills over a dam and eventually into Lake Townsend, a source of drinking water for Greensboro.

“They were amazed at how pristine Lake Jeanette was,” he says.

The crew also likes to stargaze, keeping watch for constellations and shooting stars, as well as Starlink, the satellite communication system, which appears as several fast-moving lights in a row.

“It’s really nice at night. It’s beautiful,” McCurry says quietly.

Sometimes, the vibe on the boat is philosophical. More often, it’s social.

Crew members gather on board to watch golf, NASCAR and football. In the fall, when it’s nippy, they pull the curtains around the cabin, fire up propane heaters, and toast the night away.“

Rain, snow, sleet, hail — we’re gonna say, ‘Yes!,’” says Hazel.

“The rain sounds good on the roof,” Washburn pipes up.

Side-by-side, the tiki boat and its sister vessel can float a party of 16 passengers. Guests leave their graffiti-like marks, with Sharpies, on the tiki boat’s wooden surfaces:

“Let’s have a painkiller party on the U.S.S. Washburn.”

“Go for the flip. Just do it!!”

“Let’s Have One More!”

A barrel stuffed with pirate costumes stands ready for anyone who wants to harrr it up. When the crew gets rowdy, they open a valve to shoot a water cannon. Another water stream appears to emanate from the pelvis of a skeleton that sits on the cabin roof, his legs dangling over the edge.

“Our kids come home and say, ‘Where was this when I lived at home?’” says Hazel.

Short answer: When the younger kids move out, the older kids take over.

Washburn doesn’t deny there’s a strong current of adolescence running through his 61-year-old veins.

“I grew up building forts and treehouses,” he says, reflecting on his childhood in High Point. “Maybe I have a little immature kid in me.”

His playfulness is a hit with other boaters and with revelers at the lakeside gazebo. They wave the tiki boat over for pics.

“It’s an Instagram moment,” says Hazel, who favors a photo-ready skipper’s hat when he’s aboard.

Soon, people might have more selfie opps.

Washburn is considering building a second tiki boat for Buffalo Lake if he can get a larger dock.

Also, his crew is agitating for inclusion in the annual Greensboro Christmas parade.

That would require a trailer big enough to get the boat downtown and then pull the craft through the streets.

Then there’s the issue of Santa.

Would he ride with naughty pirates?

And what would he wear?

Black beard?

Blue beard?

White beard?

Washburn ponders.

His imagination scans the horizon for what could be.

“Yeah, a white beard,” he muses. “Maybe we dress him as Hawaiian Santa. We don’t want all the kids crying. No sword. But maybe . . . ”

Chocolate coins wrapped in gold foil? Santa could toss them from a treasure chest.

“Yeah,” Washburn enthuses. “YEAH!”

Ho-ho-harrrrr. 

Unsung Heroes?

UNSUNG HEROES?

Unsung Heroes?

Searching for valiant ancestry at the Battle of Guilford Courthouse

By Billy Ingram     Illustration by Harry Blair

Looking back on the “Spirit of ’76,” it’s important to consider how, almost five years later, the outcome of the Revolutionary War was ultimately decided following a cataclysmic clash of opposing foes “fighting like demons” in a hail of bullets and thrusting bayonets at the Battle of Guilford Courthouse.

This year we recognize our nation’s Semiquincentennial and, while the celebration isn’t bombarding us with the patriotic fervor that accompanied the 1976 Bicentennial two-year bacchanalia of red, white and blue infecting every corner of society, we can take pride that this region played a seminal role in securing our independence from the King of England.

On a Saturday morning in March 2026, Revolutionary War buffs packed into a theater located inside Guilford Courthouse National Military Park’s visitors center. They’ve gathered for the First Annual Descendants of Battle of Guilford Courthouse Veterans Symposium, where ancestors of that conflagration take to the stage, regaling the audience with examples of their forefathers’ acts of bravery. One speaker, John Forbis, a former mayor of Greensboro, proudly traces his lineage back to Captain Arthur Forbis of the Carolina Militia, mortally wounded after refusing to relent to the enemy. A stone monument was dedicated to his heroism at the Military Park in 1887. Eric Wilson shares the valorous record of his maternal fourth great grandfather, who fought courageously here as a member of the Virginia militia

Kevin Graham, former president of the Lower Cape Fear chapter of the Sons of the American Revolution, speaks of his ancestor, Zachariah Jacobs, a free-born person of color (indigenous and African American) who also fought gallantly at Guilford and exhibited outstanding combat prowess years earlier at the Battle of Brier Creek and other consequential confrontations. Jacobs was one of an estimated 44 Black men and women who took up arms against British tyranny at Guilford Courthouse.

Yes, oftentimes, wives, with children in tow, followed along after their husbands and furnished crucial behind-the-lines support. Their fortitude under fire can’t easily be dismissed.

A little further into the park, with a massive granite obelisk dedicated in 1910 to Peter Francisco for a backdrop, a ceremony brimming with dignitaries honors the man known alternatively as “Francisco the Giant” and the Revolution’s “One Man Army.” A 6-foot-6 hulk of a man whose legend is Bunyanesque, almost Asgardian in Yank mythology. He is remembered as a fearsome warlord who swung his mighty 5-foot broadsword (gifted to him by General George Washington, natch), carving his way through walls of human flesh. A movie is in the works where Hollywood will undoubtedly portray Francisco extracting that sword from a stone.

Still, who would want to contest, as Francisco descendant Travis Bowman states succinctly to the assembled on that Saturday, that “250 years later, every American continues to benefit from his sacrifice and we owe a lasting debt of gratitude for the freedom secured through his bravery.”

Honestly, I never found the history behind our nation’s founding to be all that inspiring, nothing more than, at least for me, pointless memorization of a litany of names and dates that perpetually pushed my snooze button. However, hearing these heartfelt testimonials from proud Americans with such courageous kinfolk piqued my interest.

I’m attending these tributes with my brother Hank and his lovely wife, Hope, she being authentic DAR (Daughters of the American Revolution). Hank has become something of an amateur genealogist lately and I am totally impressed that he has actually uncovered the names of two bloodline associations of our own to the Battle of Guilford Courthouse that I am certain will burnish our family’s long tradition of military service. Fighting on both sides of the Civil War, in both World Wars, up to and including a recently retired Naval officer, many of their formal military portraits as cadets and commanders are hanging prominently around my home. I’m imagining the possibility of being invited to speak at next year’s gathering of patriots.

I spend the remainder of the day at nearby Country Park, where reenactors have pitched neatly packed rows of white linen tents and teepees made from hemp. Throughout the camp, simply-clothed reenactors spend waking hours outside toiling at various tasks then sleeping inside at night. The scent of rice bread baking in a clay oven wafts through the air, served piping hot with marmalade schmears. Campfires billow under boiling caldrons while lines are being cast for catfish. The dedication to period correctness and determination on the part of the participants for recreating life precisely as it was in 1781 is impressive, their time tunneling lasting an entire weekend, as if perfectly content to live out the rest of their lives in the modest manner of their humble ancestors. I shudder to think.

Following an Earth-and-ear shattering battlefield recreation animated by cannon blasts and powder flumes, I return to the 21st century and delve into my relatives’ activity surrounding March 15, 1781, the Battle of Guilford Courthouse. Within minutes, I realize there will be no hereditary accolades, no patriotic prawn or bragging rights; potential speaking engagements are clearly out of the question.

Under orders on that fateful date, Great Grandfather four times over on Dad’s side, 31-year-old Lt. Colonel William Goldston, and some 150 North Carolina militiamen were dispatched on horseback. Traveling from Chatham County toward Guilford Courthouse, they were to deliver critical firepower for Continental forces. Arriving at Holt’s Mill in Orange County, the detachment detected reverberations of cannon fire echoing from their destination some miles ahead. Who knows what went through their heads, but they didn’t run toward the cannons.

In fact, Goldston’s garrison swung into (in)action, pitching tents and camping in place for a few days. Maybe fishing for largemouth bass, bagging a buck or two, who knows, but those fairweather warriors were well away by the time Cornwallis and his ragtag regiment came marching unopposed towards Chatham. No record exists of any resistance or subsequent sabotage on old Grandad’s behalf to impede the Redcoats’ furtherance.

It gets far worse.

Days later on March 23, Cornwallis’ troops trudged into Chatham County for a few days respite at Ramsey’s Mill while the general retired to the home of Major Mial Scurlock, where my mother’s great-great-great-great granny, Sarah Scurlock, curtsied deeply, practically prostrate, one imagines, welcoming the British Lord to his new temporary headquarters. There, in my ancestors’ home, he most certainly formulated plans for annihilating rebellious rabble after resupplying in Wilmington.

Hardly paragons of American patriotism as I had anticipated, at least where Guilford Courthouse was concerned. In all fairness, Granddad Goldston did distinguish himself in a number of earlier skirmishes and successfully routed Redcoats from Raft Swamp in September of 1781, North Carolina’s last battle of the war. And Scurlock’s namesake, Mial Scurlock, an uncle many times removed (somewhat of a scourge according to recollections), fought and died at the Alamo in 1836. Alongside John Wayne, one supposes. So there’s that.

Perhaps Grandad Goldston and his civilian militia were wise in surmising, with another 20 miles ahead to Guilford Courthouse, they were too late to be of much help. Or not.

Directly after the battle ceased, the rain began and wouldn’t stop for casualties or the mortally wounded. Both forces dispersed, shivering in the cold, damp days of late winter. Granted, small details stayed behind, tasked with burying the 180 or so dead — but could do nothing for the estimated 600 wounded Colonists and British Loyalists alike left littering a war-ravaged, damp and dreary landscape. No bandages, medicines or shelter for those felled by 3/4-inch lead musket balls that grew larger passing through the human body before pancaking and spinning, creating gaping exit wounds. A smallpox outbreak vastly worsened conditions. Over the ensuing weeks, huddled haphazardly across the adjacent Hoskins Farmstead for what scant comfort could be extended by overwhelmed and ill-equipped Quakers, everyone watched helplessly as lifelong friends perished in the worst weather conditions possible, lifeless legionaries sinking inexorably into wet, red, Carolina clay.

Not long ago, I found myself waiting for the green at the intersection of New Garden and Battleground. On the southeast corner (the wooded area) rests the restored living quarters of the aforementioned Hoskins Farmstead, precisely where it stood in 1781, overtaken by Lord Cornwallis for choreographing his opening salvos in the Battle of Guilford Courthouse. The clapboard cabin sits alongside a less-traveled but spirituous spur of the Great Wagon Road, where, in 1778, Scotch-Irish Presbyterians Joseph and Hannah Hoskins settled, seeking a peaceful existence away from the horrors of war waging in the north. Just three years later, they’d find themselves in a literal crossfire of clashing cultures, left burdened with an immeasurable number of casualties and scores of corpses being consumed by deforested beasts foraging for food.

Standing on the very patch of land where blood, sweat and torrents of tears watered our tenacious tree of liberty, where war’s inevitable carnage and catastrophic consequences became mournfully necessary for the precarious establishment of our nation, I’m in awe of those fearless men and women of yesteryear who made it possible. Although my ancestors regrettably failed to contribute to this great cause on that fateful day, we salute those who fought, as well as those who sacrificed everything, so that 13 former colonies could emerge as united states. 

The Lost Battle That Won the War

As our nation celebrates 250 years since John Hancock swept his John Hancock across the Declaration of Independence in 1776, what better time to remind ourselves that declaration and realization arrive on different tracks, aspiration and actualization on divergent timetables. The momentary exuberance of ’76 was followed by five years of merciless bloodletting, the Revolutionary War being a civil war pitting neighbor against neighbor, brother against brother. North Carolina, in particular, had one of the highest concentrations of Loyalists who sided with the British. Revolutionaries were a distinct minority here.

For insight into how the war affected the Piedmont region, I turned to Robert Bemis, heritage trades interpretive specialist for the State of North Carolina, an immersive historian with a wealth of local knowledge about the Revolutionary War. Year round, Bemis and his team are deployed to our state’s many historic sites to demonstrate skills — blacksmithing, woodworking, brickmaking — that 17th- through 19th-century settlers mastered for surviving. “I do it all,” he says. “The joke in the family is, Joe takes great photographs, I do everything else.” (Robert’s brother, Joe, is a well-respected wartime history photo-illustrator you may recall reading about in O.Henry.)

The Battle of Guilford Courthouse is the very definition of a pyrrhic victory (for the Brits), a winning battle that can result in losing the war. I asked Robert Bemis if the Revolutionary War was mostly a series of losses for the Colonists that ultimately led to victory? “Sort of. The war was a series of defeats. You can make almost a direct correlation between the American Revolution and the French in the Iberian Peninsula during the Napoleonic Wars.” Goldurn, I’m in the intellectual weeds already . . .

“To put it in modern parlance with a great analogy,” Bemis references Red Dawn, the 1984 Patrick Swayze movie where Russians invade a small Colorado town — now I’m in familiar territory. Wolverines! “Very similar situation, where you have an overwhelming force of much better troops, but they’re fighting on somebody’s home territory. It’s a matter of logistics and supply lines.” While the English were well-rooted with bases in major cities, Lt. General Charles Cornwallis’ army, “was 2,100 dudes out in the middle of North Carolina prior to significant roadways. These were professional soldiers, but they’re concerned with basic survival. Where am I going to procure food? What do I need to cut down as far as firewood? How am I going to make the brush into shelter?”

On the Colonists’ side, Major General Nathanael Greene’s Continental Army was growing in strength and numbers while circuitously cat-and-mousing Cornwallis across the state in 1781, finally amassing around a decade old settlement known as Guilford County. “Guilford County had a literal courthouse,” Bemis says, explaining how the battle gained its name. “It was the seat of the county, a fairly small building. Whenever there was any kind of legal issue, [folks] would go to Guilford Courthouse.” Having scouted the area during an earlier stopover, Greene reasoned the untamed, hilly thickets could prove a strategic advantage, provided he could lure Cornwallis in.

On the afternoon of March 15, 1781, the British swept towards Greene’s three-tiered defensive position, spread out over highest ground alongside New Garden Road, where his militia rained volleys of musket fire down on the Redcoats. “The 23rd Welsh Fusliers,” Bemis remarks about Cornwallis’ superior conscripts attacking an entrenched army twice its size, “these were crème de la crème-quality troops who had been battle tested before. They were excellent fighters.” The first line of militiamen disintegrated quickly, many fleeing back to their homes rather than counter such an onslaught. Redcoats let out cheers advancing, victory seemingly in their white gloved grasp.

The second line of skirmish had gunmen positioned behind the ranks to discourage desertion. They were far more effective. The tide turned decisively for the Continentals after William Washington’s cavalry launched an unanticipated assault from the right flank, fronted by the dreaded Peter Francisco, this being the site of arguably the warrior’s most fabled feat. With one leg bayoneted to a horse, Francisco brought down his fearsome broadsword on an attacker so forcefully, so swiftly, that the Brit got split lengthwise from his crown on down.

When it became apparent that the Patriots would apparently prevail, swarming ever closer to capturing Cornwallis and his officers, the British general did the unthinkable. He wheeled forward heavy artillery cannons loaded with grapeshot, ordering gunners to train their muzzles on the center of the melee where soldiers on both sides were engaged in ferocious close combat. In firing so indiscriminately, Cornwallis slaughtered his own men along with opposing forces, winning the field of battle after two-and-a-half grueling hours but suffering devastating consequences.

British forces never fully recovered from the ruinous butchering wrought upon them on that fateful afternoon at Guilford, leading to Cornwallis surrendering at Yorktown in the fall, less than seven months later. It’s why, 250 years later, the memory of Guilford Courthouse Battleground, the scene where an estimated 80 Patriots died and 185 were wounded, is now a national landmark.

The Greener Way

THE GREENER WAY

The Greener Way

The Downtown Greenway paves the way for pedestrians, pedalers, plant lovers and pollinators

By Cassie Bustamante     Portrait Photograph by Bert Vanderveen

Greensboro’s Downtown Greenway is coming full circle this month. Literally. After a quarter century of planning, meetings, compromises, digging, planting and construction, Trip Brown is thrilled that his exercise-fanatic wife, Christine, can finally hike the completed, long-awaited, 4-mile trail that loops around Greensboro’s center city, reflecting that what goes around comes around: “One time, one of our major supporters said, ‘Look, what are you all waiting on? Just put the asphalt down and be done with it.’” But that wasn’t good enough for Brown, who spearheaded the Greenway volunteer committee, and others involved who wanted so much more.

“Well, guess what?” he continues. “The asphalt is almost like a minor part of it. Now you get the beautiful green and all the planting and everything.”

For the board chair of Brown Investment Properties, “everything” ultimately included more than 35 public art installations that explore Greensboro’s culture and history, from textiles to civil rights. Plus, a please-pick-the-fruit orchard, 187 bio retention cells and gabion baskets (more about them later), restored stream beds, and countless features that, together, are a thoughtful invitation to move your body while engaging in a thriving, sustainable ecosystem that squarely puts the “green” in both this innovative greenway and Greensboro.

I begin my walk around on an early spring day at Greenway’s Meeting Place, one of many public art installations found along the trail. Hints of pink are emerging on early blueberry bush blooms. Nearby, fig and other fruit trees are just starting to come back to life after their winter’s nap. Soon, strawberries will be shooting up from the earth. If, later in the year, you’re out on a stroll and pass by this orchard, you’re welcome to help yourself to the plump, juicy figs beckoning from easy-to-reach branches. “You’ve got to come early though,” says Franklin Bowman, Downtown Greenway’s crew supervisor and one of my guides, “or they’ll be gone.”

“We recommend, you know, save some for others,” chimes in Matt Hicks, the City of Greensboro’s botanical gardens superintendent, who oversees the crews that maintain the city’s four botanical gardens, four municipal cemeteries, landscaped areas of LeBauer and Center City parks, and, of course, the Downtown Greenway. The orchard is just one of many ways the Greenway aims to foster sustainability. I continue walking just a few yards away to High Grove and discover art created from found metal pieces, such as a pulley, and asphalt-milling paths bordered by granite curbing taken from the city’s former guttering system.

Hicks, who graduated with a degree in horticultural science from N.C. State, points out just how rare it is for a city’s downtown to have so much lush green compared to concrete gray. “[The Greenway is] preserving those natural areas that aren’t often seen in an urban environment.”

When High Grove is in full bloom come late spring and summer, its pollinators and herbs will be a feast for the senses, lush with greens, reds, pinks, purples and yellows — every color of the rainbow, says Bowman. Take a deep breath in as you jog by and you might just catch the scent of rosemary. Perhaps you’ll stop and grab a sprig for that potato salad you’re bringing to your neighbor’s cookout.

On the opposite side of the sidewalk, several “rectangular gardens” line Smith Street. What, exactly, are those?

“I’ve been waiting for four years for someone to ask me that,” quips Bowman.

He explains how these shallow, landscaping depressions, aka bioretention cells, work. Each cell is planted with trees and plants and, when storm water rushes in from the street, “Mother Nature takes control,” filtering the water back into the ground and turning contaminated and often polluted storm water into water almost clean enough to drink.

“That’s a big deal,” he adds. “And I hope you put a little thing in your magazine about that because Greensboro should be really proud of that in my opinion.”

In total, there are 187 bioretention cells filtering water for our city’s inhabitants and, according to Downtown Greenway project manager Dabney Sanders, they are “the maintenance crew’s worst nightmare — so high maintenance, but so important environmentally.” Because storm water often carries with it debris, the bio cells often need attention.

Picking up a cup here, a cigarette butt there, Bowman says, “We spend a couple hours, three hours every day, picking up litter.” His small but mighty team consists of three full-timers and two rosters. He side-eyes Hicks, quipping, “I’m hoping my supervisor will give me three more rosters. I want that on record, please.”

Hicks, without missing a beat, says, “We’re looking at actually looking for volunteers.” Between gardening and trash cleanup, there’s always plenty of work to be found.

Heading south along the Western Branch towards Market Street from Smith, we pass the College Branch Stream, where volunteers often work to keep the water and its surrounding banks clean. Plus, crews have worked doggedly to restore it structurally, returning the water to its natural flow — so flora and fauna in the stream bed aren’t flushed away — and eliminating further erosion. Grasses blow in the cool spring breeze and young, freshly-planted trees will soon mature and offer shade. “There’s been a great blue heron hanging out there,” notes Sanders about her last four visits to the Western Branch. “It’s really neat to see that.”

An art installation nearby, created by UNC alumni Thomas Sayre, pays homage to the stream. Cairn’s Course, as it’s called, was created by using earth cast molds dug into the land adjacent to the stream, forming “stones” that were stacked like cairns often spotted on wooded hiking trails. Terrazzo stepping stones in that area depict the types of aquatic life you might find in the College Branch Stream.

Continuing south, the Friendly Avenue underpass becomes more visible. Bowman mentions that he put the bottles up. What bottles? “Wine bottles, and messages in the bottles.”

Sure enough, embedded in the underpass wall are gabion baskets — durable, wire-mesh structures, often filled with rocks and used as retaining walls — housing numerous bottles. Hicks says it was a way for the Greenway to honor donors who gave a certain dollar amount. They “had the opportunity to put a message on a metal tag that went in a wine bottle” and now the bottles collectively front the pass-through. What is it they say? One man’s empty is another man’s art.

“You ever been to Morehead at Five Points?” Bowman asks. Just after crossing Spring Garden is the garden that is Sanders’ personal favorite, according to Bowman, and it’s a bit off the beaten path, full of trees and vegetation. “It makes you think you ought to be somewhere else. Not just a hop, skip to downtown.”

Also along the Morehead stretch, you’ll find the Greenway’s first sustainability-minded project, solar-powered lighting. You might say it was a light bulb moment, turned on by a 2011 Federal Energy Block Grant. “It was the first solar-powered lighting the city had ever done,” says Sanders. Those initial lights were replaced two years ago with new, improved technology and functionality. Now, the lights have a bit of sensitivity to them; while they’re usually pretty dim, as foot traffic approaches, their light brightens.

Not only do solar-powered lights conserve energy, but they do less harm to the animal kingdom as well. The City of Greensboro annually partners with the T. Gilbert Pearson Audubon Society’s “Lights Out for Birds” program in both spring and fall. The initiative requests that residents turn off nonessential lights that can disorient migrating birds. You get the added bonuses of energy conservation and less light pollution.

As the loop wraps around the south side of the city and turns north along Eastern Way, the Greenway’s pollinator garden comes into view. On this early spring day, it’s quiet, green shoots just emerging from hibernation. This garden, planted in Woven Works Park, uses the environmentally-friendly method of sheet mulching, where layers upon layers of leaf mulch and organic material kill unwanted weeds and grasses without damaging soil quality.

Soon, it will be buzzing with activity as bees and butterflies flutter through. “I did see monarchs last year,” notes Bowman. “And that’s a big deal if you keep up with that.” Monarch butterfly populations have been on the decline for several years but, in 2025, experienced a bit of a rebound. “I hope they come back,” he adds.

In the last of the gardens, LoFi park, permaculture gardeners David Mudd and Justin Vettel, who also designed High Grove, once again took a sustainable approach with their planting style and materials. “That’s kind of in their DNA,” says Hicks.

Of course, as it sits right in front of local brewery Joymongers, he quips, “It has become essentially Joymongers’ front yard.” With kids often running amok while nearby parents sip craft beer, the grass they’d originally planted took a beating. But never mind. Now, it’s all turf and planted beds.

Sanders would love to see even more gardens pop up because they’ve really resonated with nearby residents and greenway walkers alike and provided the Downtown Greenway plentiful opportunities for the community to learn and work together. “It’s just a real nice way to physically get people engaged with it.”

In fact, on May 4, you can attend a pollinator gardening workshop at Woven Works, perhaps drawing monarchs to your own yard. (This is one of numerous programs the Downtown Greenway offers for free.) Through both visibility and education, Sanders says that she wants the Greenway to serve as an example of what’s possible for the environment. “You don’t really see those actual environmental benefits in the short term. It’s super long term.”

Finally, you can get a taste of what’s been thoughtfully cultivated over the last 25 years. So, go ahead, venture out and enjoy the fruits of the city’s labor. After all, berry season is near.

Paving the Way

When Action Greensboro, a nonprofit that serves as the city’s primary economic and community development group, was formed in 2001 and Susan Schwartz was named executive director, the Greenway wasn’t even yet on the organization’s radar. “We had five or six areas that we were focused on,” recalls Schwartz, who now serves as executive director of the Cemala Foundation, “and one was Center City revitalization.” (The Cemala Foundation was founded in 1986 by Martha and Ceasar Cone II, former Cone Mills president and chairman, as a means to continue supporting their community long after their own deaths.)

Action Greensboro enlisted Cooper Carry, an Atlanta-based architecture firm “with a focus on connecting people to place,” to come up with a master plan — a grand plan that included the creation of Center City Park and relocating the home base of the city’s minor league baseball team, the Greensboro Grasshoppers, from Yanceyville Street to Bellemeade.

On a visit to Greensboro, former firm principal Richard Flierl toured downtown with city employees, who, Schwartz says, just happened to know about an old, overgrown, hidden underpass and bridge, where a road had once ended. They showed it to Flierl. A seed was planted in his mind and he envisioned what could grow into a connective, biped loop encircling the city’s downtown. Businesses would swarm and the path itself would connect it to hundreds of miles of trail, making Greensboro a central hub.

Flierl left Cooper Carry during the project, but, Schwartz says, “He really did give us a great foundation for how we could be telling Greensboro’s story and, at the same time, adding the public art.”

Still, it took a while for that little seed to germinate. Action Greensboro formed a volunteer committee, spearheaded by Brown Investment Properties board chair Trip Brown. In 2003, Brown, with community leaders Walker Sanders, president of the Community Foundation of Greater Greensboro, and Skip Moore, then president of the Weaver Foundation, traveled to Norfolk Southern Railroad headquarters in Roanoke. There, they initiated a railroad corridor negotiation that would end up taking 16 years.

Then, in 2004, the Cone Health Foundation pledged $500,000 to fertilize that fledgling seed. Soon, a preliminary design was revealed to the public and the city council adopted it.

Roots firmly taking shape in the ground, the Downtown Greenway brought on Dabney Sanders as its project manager in 2007. She’d previously been working as an Action Greensboro special projects consultant.

“She had this interest in plants and trees . . . and both of us like public art,” recalls Schwartz. “It’s just a little marriage made in heaven.”

In 2008, The Cemala Foundation pledged the Downtown Greenway its first significant gift: $1.5 million. Three more pledges, each at $1 million, rolled in from the Bryan Foundation, the Weaver foundation and the Cone Health Foundation.

Finally, eight years after its inception, that little seed broke ground in 2009.

Of course, all along, organizers knew a nice side effect could be eliminating some automobile emissions as people used it to walk to work. In fact, Brown recalls being interviewed for a local news station when the first phase was just about to open. He touted it to the reporter as “an alternate means of transportation for work.” Lo and behold, a man came walking the path toward the camera crew. “In a couple minutes, he was there,” recalls Brown, “so they went over and asked him what he was doing on the Greenway, and he said, ‘Well, I’m walking to work.’”

Brown lets out a chuckle. “I am still wondering if somebody set that up,” he quips. “It was too perfect.”

But, somewhere in that planning, as Sanders and her team worked with consultants on the design details, the idea of sustainability blossomed. “It quickly rose to the top as a real opportunity we had here in this very urban environment,” she says.

“We think about that a lot now,” she adds.

“It came on early enough that we could really think about it the whole way through,” says Schwartz.

There’s no doubt that the Downtown Greenway contributed to the center-city momentum that drew new businesses to downtown, especially those adjacent to the Greenway, including The Greenway at Fisher Park and The Greenway at Stadium Park luxury apartment buildings, Joymongers Brewing and restaurants such as Machete and Sage Mule. Deep Roots Market relocated to its current spot on North Eugene, adjacent to the Greenway. Plans are underway to connect the Greenway to the Atlantic & Yadkin Greenway, with an expected completion by Summer 2029.

But, in the end, the Downtown Greenway grew into something more than anyone could have imagined.

Of course, Sanders quips, “We gotta quit saying it’s the end. It’s really the beginning.”  OH

A Place Like Home

A PLACE LIKE HOME

A Place Like Home

Montagnard families and Special Forces veterans preserve a vanishing culture

By Ross Howell Jr.

Photographs by Liz Nemeth

The 101-acre land tract off Highlands Drive outside Asheboro is typical of the Carolina Piedmont. Through the sloping fields and rolling woodlands, Toms Creek meanders, feeding into the Deep River.

But as you follow a winding, gravel road past a couple houses, a picnic area and a meeting house, you arrive in front of a memorial flagpole, an outdoor stage and a brightly-painted “longhouse,” a 6,000-square-foot wooden structure built in the traditional style of the Rade people, a tribe of Montagnards indigenous to Vietnam’s Central Highlands.

This piece of land is anything but typical.

It’s held in trust and administered by Save the Montagnard People, Inc. (STMP), a charitable organization that the late George Clark led as president from 2000 until his passing in 2022. Without his tireless efforts, this place wouldn’t exist.

His widow, Phyllis Clark, a member of the STMP board of directors, has invited me out to meet some of the organization’s leaders.

Yung Buonya worked closely with George for years and was elected STMP president upon his death. Now in his 60s, Yung is retired and lives in Greensboro.

He’s been a very effective advocate for STMP. He’s convinced donors to provide truckloads of gravel for roads on the property. He’s persuaded others to donate the telephone poles used as pilings for the longhouse as well as the lumber used in its construction.

“I came to North Carolina in 1994 with my wife and two sons,” Yung says. His sister-in-law — half-Montagnard, half-American — acted as the family’s sponsor.

“We were able to leave straight from Vietnam,” Yung says. “We never had to stay in a refugee camp.”

“This is one place on Earth where the Montagnards can bring their children and grandchildren and show them how their ancestors lived,” says Phyllis. “The communists are tearing down all the traditional longhouses in Vietnam.”

“The land is held free and clear, and can never be sold,” she continues. The mortgage was paid off by 94-year-old Richard “Bear” Shorten, who deployed to Vietnam with Special Forces in 1961.

Phyllis muses, then adds, “George raised money to help the Montagnards pretty much until his last breath.”

Why would one man be so dedicated?

In 1967, George, then a 21-year-old from Kansas City, had been deployed to the Central Highlands of Vietnam with the 5th Special Forces Group (Airborne). His job was to recruit and train Montagnards to fight the North Vietnamese troops streaming south along the Ho Chi Minh trail, which ran right through Montagnard homeland.

While he had excellent training and equipment, George was still a stranger in a strange land.

There was a language barrier, for one thing. Most of the tribes spoke Rade or maybe a little Vietnamese. And he had to learn how to navigate a matrilineal tribal society. Women owned all property, including land, domestic animals and family longhouses raised and framed with enormous, hand-hewn logs.

The transport and construction equipment for this heavy work? Elephants.

Crossbows of unique tribal design were the weapon of choice when Montagnard men hunted the forests for food delicacies such as monkey, python and water buffalo.

But George found the primitive Montagnards to be quick studies and willing soldiers.

“They were so fascinated by jumping out of airplanes,” George told VFW Magazine in 2019. “They would laugh and laugh after jumping out of a plane.”

Once, in a fierce firefight, Montagnard men shielded George with their bodies so he would not be hit. On another occasion, George jumped from a boat to swim to Montagnards who were pinned down on shore by heavy enemy fire and was wounded in action.

When he returned stateside after three years in the Central Highlands, George could not put the Montagnard people out of his mind.

He knew that the new communist regime would target them after U.S. forces left in 1975.

“When we pulled out of Vietnam,” George explained to VFW Magazine, “those villages were screwed, and we knew it.”

Some Montagnards continued to fight for an independent territory in the Central Highlands. But, as historian Lauren Elizabeth Raper writes, early in the 1980s, thousands laid down their weapons and sought refuge in Thailand, “where they hoped to make contact with the United States and ask for asylum.”

In 1986, a contingent of 209 Montagnards who had made their way to a Thai refugee camp were transferred to North Carolina.

That was the year that George and his buddies in the Special Forces Association and the Special Operations Association — after much jawboning with the U.S. Army John F. Kennedy Special Warfare Center and School at Fort Bragg — put together the framework for what would become STMP.

“The Montagnards were set up in three places — Charlotte, Raleigh and Greensboro,” says Sam Todaro, an STMP director. He completed Special Forces training in 1966 and deployed to Vietnam, where he trained Thai and Laotian elite troops.

“We picked this piece of land in Asheboro because it’s kind of in the middle,” Sam says. “When the Montagnards came, they found vegetation that’s just like what you find in the Central Highlands.”

“Even the dirt’s the same color,” he adds.

Various church groups, non-governmental organizations (NGOs) and individuals pitched in to aid the immigrants. And STMP continued to step up in big ways.

In 2007 George and Sam learned about a desperate situation at a Montagnard refugee camp in Cambodia and made their way to the site — a risky venture, to be sure.

Y Drim Kbuor is 44 years old, works as an electrician in Greensboro and serves as a STMP director. He remembers very, very well the day in 2007 when George and Sam arrived at what was called “Camp 3.”

Drim and his wife, brother and sister-in-law had been transferred to the camp and were there for nearly a year.

“Camp 3 was the last one you went to before you were shipped back to Vietnam and executed,” Phyllis murmurs.

“That was a very hard time,” Drim says. “People were afraid, crying.”

“George and I worked around the clock,” Phyllis says. She emailed furiously on her computer while George phoned congressmen and senators — anyone he thought might assist them.

“We were disappointed by the politicians who wouldn’t help,” Phyllis concludes.

But they were able to get many Montagnard families out of the camp.

“NGOs help the Montagnards find apartments and houses, but after six months, the funding runs out,” Phyllis says. “We’re the long-haul guys. Something happens down the road, we’re the ones who stand up for them.”

STMP helps provide coats, clothing, shoes, housewares — whatever a family might need.

“In fact,” Phyllis continues, “I’ve gone to yard sales and told people, whatever you have left afterward, if you’d like to donate it, we’ll take it, because we know people who can use it.”

George’s determined charity escapades are legendary.

When a worried sponsor called to say a group of new Montagnards refused to come to the doors of their apartments, George harvested chickens from his flock and hung them in sacks on the doorknobs. When he went the second day, the chickens were gone, so he hung sacks of vegetables Phyllis had prepared from their garden. When he returned the third day, “The Montagnards threw open their doors to see what he had brought!” Phyllis recalls, laughing.

“That’s how I started working with George,” Sam says. “I was helping with security and I saw this guy going to and from the apartments and thought maybe he was harassing the Montagnards.”

“So I called George out and, when he told me what he was doing, I decided to work with STMP,” Sam adds.

When I ask Craig Colao what brought him to the organization, he grins.

“Sweet potatoes,” he answers.

Craig relates that one day a friend asked him if he thought the Montagnards might like some sweet potatoes.

“What’s a Montagnard?” Craig responded.

His friend, who lives near the STMP property, told Craig about their activities. So Craig gave George a call.

That year he helped George haul two tons of sweet potatoes to distribute to the Montagnards in the area. This went on for a few years, until the farmer who had been donating the potatoes passed away.

“Then I just started fixing up things around here,” Craig says.

Gary Fields is a native of Asheboro who lives nearby. When he served in Special Forces from 1965 to 1968, he was stationed well south of the Central Highlands and had no interaction with the Montagnards.

About 15 years ago, he heard about what George was doing and paid a visit.

“I really enjoyed talking to other vets. So now I help keep the grass cut and clean up the woods,” Gary says. “That longhouse is really impressive, isn’t it?”

Yes, it is. Yung, Drim and I walk down to the longhouse for a closer look.

Yung and his wife have a third child, a daughter, who was born in the States, but everyone’s grown now — one in Asheboro, one in High Point and one in Greensboro.

“When we came, my sons were young,” Yung says. “They don’t remember.”

He nods his head.

“That’s why keeping this land is very important, to preserve our culture,” he adds.

Yung and Drim have put in countless hours together working on projects. The most recent one is still in progress — a monument to Montagnard freedom fighters and U.S. Special Forces. A long-term goal is the construction of a cultural center and museum.

Drim has three sons, all born in the States. Two are teenagers.

I ask him what his boys think about this place.

“Oh, they love it,” he says.

“But they have no idea about our customs and how we lived in Vietnam,” Drim adds.

Yung nods at what Drim is saying.

“We have to tell the children our story,” Yung says. “If they don’t know where they come from, they are lost.”

“This land saved me,” Drim whispers. “I will never forget.”

Knowing When to Bale

KNOWING WHEN TO BALE

Knowing When to Bale

For Rachel York, a straw-bale home was the answer to her domestic riddle

By Maria Johnson
Photographs by Betsy Blake

When Rachel York moved back into her parents’ Greensboro home almost four years ago, everyone agreed it was a good thing.

Her dad was dealing with Parkinson’s Disease, and Rachel could help manage his health and keep her parents in their Lake Daniel home as long as possible.

The homecoming would help Rachel, too, because the cost of living in Maine, where she had moved in 2018 to earn a master’s degree in studio art, had shot up during the pandemic.

So Rachel, a visual artist and musician, moved into the attic bedroom of her parents’ home. Her folks, Jane and John York, both retired public school teachers, had converted her childhood bedroom into a study after she left home.

Soon, the house felt snug for three adults.

“Boundaries were hard,” says Rachel, now 37.

But her parents’ backyard was big.

So Rachel scanned the internet for information on small homes that could be built on the property. Nesting magazines call them accessory dwelling units, or ADUs.

That’s when Rachel read about straw-bale homes, which have exterior walls that are literally stuffed with bales of straw.

It’s an old idea. Humans have used straw as a building material since prehistoric times. Native Americans sometimes stuffed straw between the inner and outer layers of their teepees. European pioneers built homes with blocks of straw after the invention of mechanical balers in the late 1890s.

Modern straw-bale homes have refined the practice.

Rachel was intrigued by the idea that she might be able to have a compact, distinctive, energy-saving home on her parents’ property.

“It stuck in my brain,” she says. “I just thought it was incredible.”

More searching led her to Amanda Jane Albert, whose Greensboro business, Inhabit, designs and builds sustainable homes.

Rachel asked Amanda if she’d be interested in doing a straw-bale home for her.

Amanda was not only interested; she was experienced. Over the last several years, she had worked with nonprofits to build more than a dozen straw-bale homes for low-income families out West.

A licensed contractor since 2020, she had been wanting to try the building techniques in Greensboro.

“We needed the right client,” she says.

Rachel was that client.

Amanda drew four plans for her.

Rachel picked a 700-square-foot design with shotgun-style layout: a great room that flows into a studio, which leads to a bedroom.

Because Rachel’s neighborhood does not have a homeowners association, there is no prohibition on separate ADUs as long as they meet city zoning requirements.

But because straw-bale homes are so rare in this area — Amanda says there are about a dozen in the state, and hers is the first in Greensboro — there’s no statewide building code for the structures.

To issue permits, the Greensboro building department required Amanda to hire a licensed structural engineer, one who was experienced with residential projects, to sign off on the plan.

Construction began in July 2024 with the pouring of 18-inch-wide concrete beams above grade.

Amanda’s crew framed the home and raised the exterior plywood walls.

To weatherproof the box, they added a white metal roof to reflect the sun’s heat, and they built a floor that was layered, from the ground up, with a waterproof barrier, gravel, fill dirt and a rough coat of adobe plaster made from clay, sand and straw scraps. Later, the floor would be finished with a finer coat of adobe and sealed with natural oils and beeswax.

Once the structure was enclosed, the crew started baling.

Bristling blocks of straw, culled from wheat grown in Alamance County, were stacked like bricks on the concrete beam. The crew notched out the bales with chain saws to fit around the wall studs. They used grinders to cut channels for electrical cables.

To finish the interior walls, two coats of adobe plaster — one rough, one fine — were slathered directly onto the bales.

“You just glob it on with your hands and use a trowel to try to keep it level,” says Rachel, a gungho homeowner who had no formal training in “globbing” but rolled up her sleeves to work side-by-side with the building crew. She recruited friends, family and neighbors to help sift sand and clay, push wheelbarrows and smooth the plaster.

“It felt like what I would imagine an old-fashioned barn raising would be,” she says. “All of it was fun. Like, seriously hard labor, but fun and joyful.”

Friends bubbled with questions about the house.

Q: Do the straw bales pose a fire hazard?

A: No, according to Amanda, the straw is so tightly packed it would only smolder if exposed to a flame.

Q: What about the electrical wires embedded in the walls?

A: The wires are heavy duty, rated for underground use.

Q: Will rodents and other critters try to nest in straw?

A: Rodents can get into walls only where there’s a gap. The
straw bales are sealed all the way around.

Q: What about humidity in this climate?
Could the straw get moldy?

A: A vapor-permeable air barrier on the outside wall allows any water molecules to escape. On the inside, adobe plaster does the same, Amanda says. “Clay is an excellent humidity regulator.”

In keeping with Amanda’s tradition of naming her projects, Rachel, an avid birder, decided to call her home The Bower, after the resourceful bowerbird, which uses straw and grass to weave arched nests on the ground. Another, more literary, definition of bower is a lady’s private room, which describes Rachel’s refuge perfectly.

The home was finished in August 2025.

Rachel and Amanda advertised an open house on social media.

Old friends and new neighbors showed up.

“It helped us to be more a part of the community,” Rachel says.

Many people were surprised at how large The Bower felt inside. They talked about the abundant light, the attention to detail and the decorative flair.

Contrary to what they might have read about the flimsy straw home in The Three Little Pigs, The Bower felt solid and well-crafted — a custom-built reflection of Rachel’s artistic heart and commitment to honoring the natural world.

Maybe that’s because Amanda and Rachel literally wove the outdoors into the interior.

As soon as visitors step through the mango-yellow front door, they are greeted with a showstopper: a wall made with an old English method known as wattle-and-daub, in which plaster is stuck to woven branches.

In Rachel’s home, the wall stops about a foot shy of the ceiling, and some of the underlying lattice — which includes cuttings of bamboo, elderberry and ligustrum from around the city — is exposed at the top.

A fallen branch from a willow oak in the backyard anchors one end of the wall, jutting into a doorway to form a true art installment.

One of the crew members, a ceramicist, added more wow to the wall by sculpting an elm tree into the adobe plaster, a tribute to a living tree on the property.

The home’s organic eye candy gets even better.

From the wattle-and-daub wall, visitors’ eyes climb to a lofty, wraparound bookshelf nestled close to the cypress plank ceiling.

The cypress, which came from a discount lumber company, was harvested in Eastern North Carolina.

The bookshelf was made with old barn wood that Amanda found at Preservation Greensboro’s Architectural Salvage.

Closer to the ground, the home hums a medley of thrift finds, recycled building materials, meaningful objects from Rachel’s life and dabs of modernity.

Wooden chairs and rockers came from Rachel’s grandparents’ home and from Milltown 87 Antiques & Collectibles, a vintage warehouse in Burlington.

A drop-leaf table came from Red Collection.

Bob Beerman and his wife, Teresa Rasco, who founded Bass Violin Shop, where Rachel works in customer service and bookkeeping, gave her a richly-colored, wool rug.

Rachel’s own bass fiddle stands in the corner, a nod to the legacy of her mom, who last taught orchestra at Penn-Griffin School for the Arts in High Point. Rachel’s father taught English at the same school.

In another corner, a Raku-fired vase made by Rachel’s late friend, ceramicist Hiroshi Sueyoshi of Wilmington, occupies a display niche scooped out of the wall.

A few feet away — above a stylish microfiber sofa from Sabai, a women-owned business in High Point — curiosity snags on a book-sized stained-glass door built into the wall.

Rachel’s artist friend, Lindsay Mercer, designed the glass to depict a bowerbird. When visitors open the door, they look through a piece of glass into the field-grown essence of the home.

“It’s called a ‘truth window’ because you can see the straw bales in the walls,” says Amanda.

The kitchen is an ode to artful economy. The stained glass lamp hanging over the island also came from Milltown 87. The butcher-block countertops, made from American walnut, came from Floor & Decor. The mint-green backsplash tile was salvaged from another job of Amanda’s. She bought the unfinished cabinets online. The cabinets were finished with dark green linseed oil paint and hung on the home’s north wall, the only wall that’s not filled with straw bales.

Plumbing cannot be run in straw-bale walls in case of leaks. Amanda also needed the strength of studs behind the wall to hang cabinets. Still, she wanted the home’s north face to have an insulation value comparable to the straw walls, so she designed an 8-inch-thick double-studded wall with two rows of staggered two-by-fours.

She hung sheetrock on the interior and filled the gaps between inner and outer walls with blown-in cellulose insulation and sheep wool.

To sustain herself and the planet, Rachel picked energy-efficient appliances: an induction stove, a convection oven and downsized dishwasher. Even though her home steps lightly on the Earth, Rachel feels spoiled by it.

“Having a dishwasher is luxurious to me,” she says.

So is having a studio for her creative endeavors, which, lately have included drawing with chalk pastels. She also freelances as a singer and bass player, and as a graphic artist. Among her designs: the fox and grapes logo of Scuppernong, an independent book store where she used to work. Recently, she drew up signs to help Amanda market a total renovation that’s listed for sale in the historic Dunleath neighborhood.

Working in her studio, Rachel is often surrounded by meowing muses: two or four cats. She owns two fur babies and shares custody of two more with her parents. They — the cats — love to nap in her studio’s deep window sill, another bonus of straw-bale construction.

“These are great windows for cats,” says Rachel, who is both pro-cat and pro-bird. She has dotted her Anderson windows — Amanda uses only new windows in her construction — with stickers to keep the birds from slamming into the energy-efficient panes.

Off the studio, a full bath is another study in economy and style.

A vessel sink sits atop a dry-sink cabinet that Rachel found at Milltown 87. The handsome navy and gold wallpaper — featuring, of course, bowerbirds — came from Spoonflower, a Durham-based custom printer of fabrics and wallpapers. The mirror came from Facebook Marketplace. Ditto the bronze-and-caramel colored floor tile. The floor is heated from underneath, another touch that feels like an indulgence to Rachel.

“The adobe floor can be pretty cool in the winter, so it’s nice to step into the bathroom and feel like, ‘Oh yes!’” she says.

The bedroom holds more beautifully practical flourishes: An arched inset in the wall functions as an adobe headboard for a queen mattress, which fits easily into the room, thanks to the recess. Wall sconces flank the arch.

The room has a laundry nook, too, meaning that, for the first time in her adult life, Rachel claims a washer and dryer of her own.

“This is a game changer,” she says, recalling experiences with basement laundry rooms and other tenants’ clothes left in washers and dryers.

Her new combination unit washes and dries clothes in the same tub. The ventless dryer dehumidifies clothes and drains away the water, which saves energy and extends the life of the clothes.

Thanks to many electricity-sipping decisions, the home earned a tax-saving Energy Star certification for Amanda. Rachel is eligible for electric company rebates.

Amanda throws out R-values, which are insulation ratings, to describe just how energy-efficient The Bower is. The higher the R-value, the better.

The Bower’s straw-bale walls are rated at R-30; codes for conventional homes call for R-15.

The attic, which is blanketed with blown-in cellulose insulation, is rated at R-49. The code for regular homes is R-38.

Already, The Bower is flexing its ability to save energy, therefore money. Rachel says the family’s power bill for November 2025 — her home is tied to her parents’ electrical system — was less for two homes than it was for just her parents’ home when she was living there in November 2024.

No solar panels power The Bower, but the home’s orientation, which squares with the Earth’s cardinal directions, makes the home a passive-solar structure.

Most of the windows face south. In the summer, the windows are sheltered by an overhang that provides shade. In the winter, when the sun’s arc is lower, its rays penetrate the windows and warm the interior walls.

The home’s exterior walls are Earth friendly in their own way.

Amanda’s crew used propane torches to scorch the spruce plank siding, then they painted the burned surface with warm linseed oil. The charring method, known as Sho Sugi Ban, is a traditional Japanese method of protecting wood from insects and fire.

The dark boards, coupled with The Bower’s white roof and yellow door, make for an eye-popping modernist home.

Rachel’s family and friends love it, inside and out. Her parents tease her about trading places.

Some of her friends say they’d love to build something similar.

Rachel says only a few of her friends are homeowners, and she never thought she’d have her own place, much less one that captures her artistic, financial and ethical values so well. Building a straw-bale home — for about the same cost as a conventional home of the same size — with access to a large garden space and her mother’s fresh-baked cookies and focaccia, feels like a dream come true.

“To have a home — I didn’t even know that was possible,” she says. “The first couple of months being here, I thought, ‘I don’t know if this is real. It feels too good.’”

Brake for Estate Sales

BRAKE FOR ESTATE SALES

Brake for Estate Sales

More than a junking junket

By Cynthia Adams    Photographs by Amy Freeman

Garage sales are familiar ground — few rules and no commitment. Slow the car, rubberneck, and cruise on past if you notice more trash than treasures. Estate sales, however, are a different matter altogether.

Catnip, too, for admirers of antiques, collectibles and all things vintage. “There is a whole community,” says Sarah Ferrell, owner of Working Decor. “A community of shoppers! A big friend group.”

But what about those of us on the outside looking in, those who love the quirky and fascinating pre-used and well-loved items? Perhaps you’ve seen signs for an estate sale at an intriguing home and wanted to join the line of antique hunters, but felt out of your league.

Ferrell says not to worry. You don’t need deep pockets, nor even a driving reason, to steer your car straight towards a sale. Allow Ferrell’s considerable experience to guide you.

Don’t be intimidated. “People who hold estate sales are thrilled to see people coming through the door,” she reminds us. A good estate sale can refine your eye. Or at least, entertain.

Southerners lean towards the look of collected homes, writes Patricia Shannon in Southern Living. Plus, sales give us license to be snoopy. “Southerners, as a whole, are big fans of any kind of sale that sees us sifting through someone else’s personal belongings.” 

Ferrell grew up “with people who went flea marketing or antiquing. It is in our culture to go junking.” She muses, “I really think it’s a very Southern thing.”

Prepare. Often, virtual previews of the estate’s offerings let you prescreen items of interest. Know before you go by checking estatesales.net, says Ferrell. Entering a zip code reveals upcoming sales with much of the inventory. “You can see pictures. And get a clear idea of what you want to do for the day.”

She speaks from experience that finds can surface in unlikely places. Antiquing in Ferrell’s family remains a professional calling.

For years, Ferrell’s father, Gene Crowder, and his late brother, Bill, helmed Crowder Designs, a Triad design business. Clients relied upon their instincts.

“They definitely had a huge stash of antiques to sell to clients,” recalls Ferrell. Gene has sustained a following for his antique chandelier and lighting restoration business, which continued after his brother died in 2021. Later, she spent eight years at a traditional estate sale company, where she learned to organize, evaluate and sell. Called in to assist after the death of a prominent community figure six years ago, Ferrell undertook her first solo liquidation, and Working Decor was born.

Very often, she now goes directly to collectors in her database, rather than holding a public sale.

Be mindful of the rules, as they can vary by estate sale. The stated rules are typically on the company’s website or at the entry point. Register upon arrival, as numbers are often issued before admittance, and hold your place in line. People who shop for businesses, or “pickers,” are commonplace, but so are casual collectors.

There’s a reason for the adage, “one man’s trash is another man’s treasure.” Oddities at sales may shock, excite, or entertain. But Ferrell empathizes with families selling loved ones’ possessions. “Things should be dispersed in a mindful way.”

Do not rush the door or line. There is a protocol, says Martha Stewart Living’s “9 Tips for Estate Sales,” which published last summer. Writer Wendy Rose Gould stresses that estate sales occur in the previous owner’s home. Be respectful, she says.

Don’t hesitate to look in other towns and cities. Larry Richardson, a close friend of the Ferrells, often rises predawn in search of treasures, most recently schlepping all the way to Charlotte’s affluent Myers Park. He seconds Gould: “It’s so helpful if everyone honors the process.”

He has scored vintage Louis Vuitton luggage and even a garaged Mercedes in like-new condition.

Educate and focus your eye. “I think original artwork is timeless,” Ferrell says. But focus on a niche. She often buys colorful art books.

Ferrell is still amazed by the wide variety of things people amass. (She mentions her own affection for vintage medical objects, including a physician’s cabinet and a skull used in teaching dentistry.) She repurposed the workbench to use as a table.

“I have such eclectic tastes,” Ferrell admits. But she knows exactly what she likes. When she sees rare, chunky pieces of glass art, her heart beats faster. Ditto for all things green, she says, with favorite pieces of their personal collection in the kitchen.

Think about complementing what you have with affordable finds. “An effortless way to decorate is to look for coffee table books. They are extremely expensive new, but at estate sales, they are cheap. You can look for them by color or style,” she says.

Ferrell also has a soft spot for what she calls “orphaned” chairs from a former set, usually bargain-priced. “Don’t sleep on an orphaned chair!” Mismatched is more visually interesting

Pricing. As for pricing, even estate sale prices may be negotiable. “Sometimes you can negotiate,” says Ferrell. It may be a no, but if you never ask, it is a no. Sometimes, too, “the first day is full price and later days are discounted.” Cash does not always rule, but it may help secure a deal.

Be realistic about whether you have room for the acquisition. “If I bring something in . . . something goes out.” Unless it is something rare, which, in her collector’s parlance, is a “unicorn.”

For Ferrell, it was a green glass chandelier (which she recognized from when it appeared in this magazine in July 2024). Sold to the homeowner by her father, it recently resurfaced at Carriage House, a local antique store. Ferrell found the coveted (albeit broken) light once again, restoring it with her father’s help.

With persistence, “You can find that one unicorn piece you’ve been looking for.”

Appearances can deceive. “Don’t underestimate a sale by the way a house looks on the outside,” Ferrell advises. “I found some wonderful, rare things in an unexpected house. Sometimes you find a treasure.” Do not overlook the garage and outbuildings.

“One of my most prized finds is an old wooden workbench complete with splashes of paint and hammer marks.” 

Don’t be reluctant just to browse around. However, don’t shun the occasional “reality check,” offers Ferrell. It is valuable to see prevailing prices. Professional estate sales can help shoppers “become more realistic about what their [own] items are worth.”

Estate sales are opportunities to upcycle items that might otherwise wind up in the landfill. “People don’t think about the sustainability aspect with an estate sale,” Ferrell adds, noting the ever-cyclical nature of tastes. “You can get the 1950s version versus the reproduction.”

Find your tribe. Ferrell enjoys that estate sales unify many for a shared experience and “bring together the most widely eclectic people . . . all in different fields.” Here, she has made friends and connections. 

She points out yet another reason to be an estate sale goer, even if you leave empty-handed. At estate sales, you glimpse the inner worlds of fellow collectors. “It’s a wonderful way to see some wonderful homes,” says Ferrell.

Go forth confidently in the direction of the estate sale sign’s arrows. You may just find your unicorn.

The Trend Cycle — and Upcycle

Among those who never fail to hit the brakes for an estate sale? Then you are possibly a reseller or someone passionate about upcycling, says the former owner of a vintage store. 

Long-time estate sale fans like Kevin and Kim Gunther report that reselling helps tame their collecting addiction. It also allows them to indulge in one of their favorite pastimes, that age-old thrill of the hunt.

Part-time resellers with full-time jobs, the Gunthers completely understand the impulse to scrutinize every sale and hit the road. For some years, they have spent their free time seeking inventory for three antique booths (at Blue Horseshoe in Ramseur, Blue Octopus in Eden and Main St. Market & Gallery in Randleman). Estate sales are their prime hunting ground.

They happily report that their first date was at an auction.

“Cheap date,” they say in unison. “Free popcorn and cheap Cokes!” Later, as a married couple, the tradition continues. They remain passionate about each other and their favorite shared hobby. Kevin admits they recently “hit an estate sale on our way out of town to go celebrate our anniversary.”

They’ve figured out a way to monetize their, well, mutual addiction, while spending scarce free time together. 

He is fixated on sourcing vintage records.

“I only buy what I like, hoping other people will like it, too. I have tunnel vision,” he says.

Kim looks elsewhere. “I love furniture. Primitive. A certain look. If it is 100 or 50 years old, that does not matter to me. I buy the look.” She searches for shelves and hutches, which are practical. “People who collect need places to show off their treasures.”

Of course, not everything on offer excites. It may not hit the mark or look current. Trends are meant to be broken — and will be. So don’t discount a special find if it bucks current trends, Sarah Ferrell suggests. Once disparaged as “brown furniture,” unpainted pieces in original condition are back in style.

“Oh, it’s coming back,” Ferrell declares. “Which thrills me to death . . . I am tired of people painting things, especially pretty pieces that should not be.”

Having logged many estate sales miles in their pursuits, the Gunthers have lugged home many acquisitions, sometimes those that counter trends. 

The Gunthers agree with Ferrell. Given time, the trend will turn in your favor, they predict, and that is the beauty of upcycling at work.

Beat By Beat

BEAT BY BEAT

Beat By Beat

Greensboro’s newest poet laureate aims to build bridges

By Cassie Bustamante    Portraits by Liz Nemeth

I didn’t really start off wanting to be a poet,” says Greensboro’s newest poet laureate, James Daniels. “I always wanted to be a rapper.”

But, says Daniels, “I had a Dead Poets Society moment.” That was while he was attending Johnston County Early College Academy. Just like the students in the film who were inspired by their professor (played by Robin Williams), Daniels remembers how a couple of his own teachers, Amanda Rowland and Dawn Blankenship, kindled the spark that ignited his love of poetry. They introduced him to Poetry Out Loud, a high school poetry recitation competition. And though his gut reaction was a big heck no, “I took the leap.” And, turns out, the spoken word spoke to him.

As he listened to poets and poetry, he recalls, “I started to absorb the power of the word — just understanding that there are so many different mediums it could go in. So I just started trying all of them and poetry was the one that stuck.”

Later, at N.C. State, where he was earning a B.S. in education, he discovered open mics, where anyone, from beginners to pros, can step up on a stage and share whatever is in their hearts and minds. Greensboro’s inaugural poet laureate, Josephus III, visited the campus, leading a Poetry Cafe session (an interactive open-mic event). “I went up and, of course, embarrassed myself on that mic, too. You know, you got to step out.”

Daniels got even more involved with Poetry Cafe while working on his M.F.A. at UNCG. At first, he says, he was “a table boy, bringing people in.” But soon Josephus was asking Daniels to teach at events for kids when he wasn’t available to do it himself.

When it came time for his two-year term as poet laureate to come to an end, Josephus III reached out to Daniels, who notes, “a bunch of dope poets in the city also got that call.”

At the time, Daniels was deep in the application process of another position — assistant professor and director of creative writing at N.C. A&T — which he soon landed. Thinking it might be too much to take it all on, he made calls to other poets, suggesting they go for it. But one question kept bouncing back to him: “You’re applying, too, right?”

His response? Of course, he told them, even though that wasn’t his intention. “But I was like, I can’t lie to 20 people,” he says. “Now you said it, so now you’re doing it.” He sat down and got to work on his own application after all.

He ran it by his most trusted critic, his wife of three years, Ajani Anderson, who “tore it up.” Through some tough love from Anderson, a visual artist who Daniels says “makes me better everywhere,” the application was ready to submit.

Loving metaphors as all poets do, Daniels is constantly talking about building bridges “between creatives, institutions and other artistic mediums — through the power of poetry.” A bridge, of course, is the sum of many trusses and supports. Daniels envisions a city where organizations and creative people across multiple genres reach out to each other collaboratively. One man cannot bear the load on his own, but he hopes to continue building on the foundation Josephus has laid.

“I’m grateful for this position. I’m grateful for all of the positions that I’ve received thus far,” he says. But don’t for a second think that he’s given up on his initial dream of becoming a rapper: “That’s still a goal,” he says.  OH

The following poems are by James Daniels. 

Sanctuary

SANCTUARY

Sanctuary

A Kernersville gardener creates a native plant refuge

By Ross Howell Jr.    Photographs by Lynn Donovan

Ever heard of a plant rescue?

Me neither.

Not until Kelly Gage toured me around her woodland garden.

Gage grew up on a tobacco farm in Davidson County, where her grandmother and mother were avid garden club members. After earning a degree in biology at UNCG, Gage took a job as an environmental manager for Guilford County, working with geologists and engineers to enforce surface-water and groundwater regulations. 

For more than 20 years, Gage and her husband, Bobby, had lived in the same house where she had, of course, designed and maintained all the landscaping. Fourteen years ago, they decided to build a new home.

The couple selected a 6-acre wooded site outside Kernersville that had been left untended for 75 years and was overgrown with poison ivy, Chinese viburnum, privet and Japanese stilt grass.

One of the first decisions the Gages had to consider was where to build on the property. They decided to remove a patch of loblolly pine trees and site the house there.

“That really opened up space,” Gage says.

And that’s where we’re standing, in dappled sunlight at the edge of a broad planting bed in front of the house. The trees resound with birdsong.

 “At first, we had a lot of sun, but now we have a lot of shade,” Gage muses. With the pines removed, overstory trees such as oaks, maples, poplar and beech have flourished, along with understory trees such as redbud, dogwood, sassafras and sourwood.

She points out a tree with shimmering, green leaves.

“That’s an umbrella magnolia,” Gage says. “It has the second-largest leaf in the magnolia family.” Over time, she’s found many of these natives on the property.

“This one just happened to be close to the house,” she continues. “It’s just the loveliest tree.”

Gage’s voice is calm and measured. It reminds me of one of my favorite elementary school teachers. As she describes the magnolia, you hear inflections of admiration and affection in her voice.

She’s discovered many other indigenous plants that had been overgrown or suppressed altogether, including swaths of columbine, creeping phlox and at least five different species of native fern.

“Once you disturb the soil, some of the seeds and spores that have been lying dormant start to show up,” she says. “Management makes a real difference in woodland areas.”

“I’ve always liked plants,” Gage continues. “But I got really interested in natives when we were settling into this property, trying to understand how to manage the invasive, non-native plants here.”

In 2018, Gage joined the North Carolina Native Plant Society (NCNPS), which is celebrating its 75th anniversary this year. Through education, conservation and advocacy, the organization works to protect native plants throughout the state.

“The members of the society are very generous people,” Gage says. “We do a lot of seed swapping and plant trading.” And they share a deep well of knowledge and experience.

Since 2023, Gage has served on the NCNPS executive board as membership chairman, recruiting new members, developing new chapters (there are currently 11 across the state) and producing educational materials.

On her property, she has cataloged more than 700 different species of plants, shrubs and trees, and estimates that about 600 of them are natives.

As we begin to stroll, Gage points out and names the plants, sometimes by the Latin name, sometimes by the common. The names flow from her lips like a familiar melody.

“Anemone, Phlox subulata . . . autumn fern, sensitive fern, Christmas fern, hosta . . . Monarda . . . Alternanthera, Baptisia . . . mountain mint, Solidago, Rudbeckia Henry Eilers . . .” she intones.

Gage tells me that she sometimes mixes hellebores among natives because they deter the deer. She’ll plant daffodils for the same reason.

Though some native plant purists might object, she enjoys introducing exotics like the pineapple lily, native to South Africa.

“I love them,” Gage says. “They’re really cool plants.” They produce bract clusters crowned with foliage that look like tiny pineapples.

“And here is my native amethyst falls wisteria,” she says. “It was beautiful last week. Coming up under that is native Clematis viorna.”

Gage explains that she prefers bedding her plants.

“People who are first learning about native plants tend to think only about meadow settings,” she says. “But meadows are hard to maintain,” Gage adds. “Organized beds are easier to control. And your homeowners’ association won’t be after you,” she says with a laugh.

As we walk, Gage points out more plant types. Then she pauses.

“That’s Amsonia hubrichtii, which has just finished blooming,” she says. “It has this gorgeous, golden-yellow foliage in the fall.”

“Growing next to it is silverrod,” Gage continues. “It’s a variety of goldenrod that’s white. It’s lovely. I got it on a plant rescue.”

“What’s a plant rescue?” I ask.

Ah, the perfect question for the NCNPS board member responsible for membership.

Plant rescues, as it turns out, represent an important society activity.

Following clear protocols, a long-time NCNPS member who specializes in rescues works out agreements on the society’s behalf with owners, engineers and builders to gain access to land slated for development. Some tracts span thousands of acres that will be built on over decades, while others are relatively small. Entities prefer working with the NCNPS because their rescue efforts are covered by insurance.

Properties are photographed and clearly marked by surveyors. Accompanied by experts to help with plant identification, a rescue team of about 15 volunteers collects native plants that will go to botanical gardens, art museums, school and community gardens, as well as to the properties of volunteers.

“The only rule is that none of the rescued plants can be resold,” Gage says.

Do volunteers need big gardens to provide sanctuary for the rescues?

“The typical volunteer takes plants home to a quarter-acre neighborhood lot,” Gage answers.

As we continue our tour, we come upon a couple of my boyhood favorites — jack-in-the-pulpits and trilliums.

Jack-in-the-pulpits are perennial natives that reproduce vegetatively by sprouts from their corms or sexually by their spadix (Jack) and spathe (pulpit), yielding bright-red berries in the fall. Plants can be male, female or both, and can change sexes season to season. The trained eye can detect the plant’s sex by the number of leaflets it produces.

As for the trilliums, Gage has at least half a dozen varieties.

“I purchased most of them at UNC Charlotte Botanical Gardens sales,” she says. Others were gifted to her by friends.

“If you’re going to grow trilliums, you better have time,” Gage cautions. “It takes about seven years for them to get established.”

As we continue to walk, she points out blue wood asters, white wood asters, mayapples and another plant that came to her garden as a rescue — dittany.

“It’s a neat little subshrub that has these beautiful, tiny pink blooms,” Gage says. “It likes really dry soil.”

Growing in a shaded bed are yellowroot, wood poppy, glade mallow, wild ginger and phacelia. In a moist area at woods’ edge is a group of taller plants.

“Now these, I just pull out in handfuls,” Gage says. “There are always so many!”

Carolina impatiens — often called jewelweed — is an annual that produces prodigious amounts of seed. Deer love to eat them and they have medicinal value, as well.

“Occasionally, we have gentlemen who cut firewood come by and ask if they can have some of the impatiens,” Gage says. “Apparently, the fluid in the stems will prevent poison oak or cure a case of it.”

We start to head back toward the house. She continues to point out plants along the way.

“Joe Pye weed . . . rattlesnake fern . . . bear’s breeches . . . that’s partridge berry over there — it came from a rescue,” she continues.

“And this is native star hibiscus coming up,” Gage says. She pauses and smiles. “Everybody thinks it’s marijuana!”

Close by the path is a plant with paired leaves shaped like butterfly wings.

“That’s twinleaf,” Gage says. “I just love this plant. It has little white flowers.”

Finally, we pause next to a tree with a wonderful name.

“This is a Carolina silverbell tree,” Gage announces. “In spring, it has gorgeous, papery white flowers. This is my favorite tree.”

When I ask Gage about the future of her sanctuary garden, she smiles.

“Well, we’re in the process of buying 4 more acres from a neighbor, so we’ll have 10 acres,” Gage says.

“The new property is loaded with poison ivy,” she continues. “Some of the vines are as thick as your forearm. And I’m allergic!”

Gage acknowledges that she’ll probably have a half-acre cleared professionally before she starts gardening there.

She hopes one day to have created a sanctuary similar to the Emily Allen Wildflower Preserve in Winston-Salem.

“Our long-term vision is to stay on this land as long as we are physically able,” Gage says. “But we look forward to having the property serve an educational purpose one day.”

For now, she’ll keep tending to her acreage and adding more North Carolina native plants, one rescue at a time.