Short Stories

High Five!

“I fancy that every city has a voice,” wrote William Sydney Porter, aka O.Henry, and five years ago this month, Greensboro found full-throated expression in the inaugural issue of this magazine. With a cover revealing author John Hart seated among the Gate City’s Who’s Who reading his novel Iron House — at, where else? The O.Henry Hotel’s Green Valley Grill bar — followed by a wildly popular second issue featuring architect Edward Loewenstein, O.Henry gave Greensboro residents reasons to celebrate their city. The celebration hasn’t slowed one bit in the last five years, as we’ve paid homage to our past, our art, our music, food, traditions, homes and gardens — thanks to the talents of Dodson, Schlosser, Johnson, Bailey, Adams, Blair, Wahl and Rose. But wait! There’s more: A literal fifth anniversary celebration replete with music, eats and drink will take place this fall. Keep reading these pages or facebook/ohenrymagazine for details.

Buzzworthy

It don’t mean a thing if it ain’t got that sting! Celebrate the pollinators so crucial to our food system on August 20, at the Guilford County Master Gardeners’ Bee Friendly to Bees Day. Coinciding with National Honeybee Day, the event takes place at the Guilford County Agricultural Extension (3309 Burlington Road, Greensboro) a veritable hive of activity, with displays by UNCG, N.C. State and the Xerces Society on native bees and the latest on bee research. Also featured will be a plant scavenger hunt and samples of pollinator-driven food from GTCC’s culinary department. There’ll be face-painting for kids, books to browse through, hot dogs and honey-inspired desserts, music and more. Info: ces.ncsu.edu.

Wynner Take All

And you’ll be a winner simply by strolling the beloved Donald Ross course to watch the pros tee off, drive, chip and putt at Sedgefield Coutnry Club (3201 Forsyth Drive, Greensboro) for the Wyndham Championship (August 15–21). Last year, the buzz was all about a certain icon named Tiger making an appearance — until N.C. native Davis Love III took home the trophy. Only the Fates can tell what will occur this year. Meantime, enjoy sporting a Hawaiian lei, munching on hot dogs, the merch . . . and a Greensboro tradition that has lasted seventy-seven years. Tickets: wyndhamchampionship.com.

Courtiers

Meaning, South Africa’s Kevin Anderson, US of A’s Kevin Anderson and Sam Querrey, fresh off his takedown of No. 1 seed Novak Djokivic at Wimbledon. From August 20–27, watch these tennis pros and others serve (and grunt), volley and lob at the Winston-Salem Open (Wake Forest Tennis Center, 100 West 32nd Street, Winston-Salem). For a little extracurricular fun, Brenner Children’s Hospital hosts Kids’ Day (8/20) serving up pointers on tennis skills, fun and games and an appearance by the tournament’s mascot, Bo. On 8/22 salute our vets at Military Appreciation Night. And Hey Ladies! On 8/24, (Ladies Day) consider stopping in for a luncheon, how-to booths and fashion show  For more information and tickets: (336) 758-6409 winstonsalemopen.com.

More High Fives

As in, 5 By O.Henry at the Greensboro Historical Museum (130 Summit Avenue, Greensboro), arguably one of the oldest museum play series in the United States. For its thirtieth season, 5 By O.Henry’s performance dates (traditionally around the September 11, the birthdate of its namesake, William Sydney Porter), come early. This year, the series starts August 12–14, followed by another run August 18–21, and continues in mid-September (from the 12th through the 14th, and the 18th through the 21st). Whether your preference is matinee or evening, enjoy The Rathskeller and the Rose, The Fifth Wheel, Conscience in Art, Tobin’s Palm and Memento, all adapted for stage by Joe Hoesl and directed by Barbara Britton. Tickets: (800) 838-3006 or 5byohenry.bpt.me.

Park It!

After planning, digging, planting and rain delays, it’s finally ready. Carolyn & Maurice LeBauer Park (200 North Davie Street, Greensboro) officially opens on August 8th, with a dedication ceremony, classes, entertainment and two on-site cafes: Noma Food & Co., described as “fast-casual” Vietnamese and Ghassan’s, a longtime Gate City favorite serving up Mediterranean fare. The party continues all week, culminating on the evening of the 14th with the illumination of Where We Met, a canopylike sculpture by Julia Echelman, touted as the largest of its kind in the Southeast. There’ll be plenty more reasons to come to Le Bauer Park, including the last MUSEP concert by Wally West Little Big Band on the 28th . . . not to mention the last rays of summer before the busy, shortened days of fall. Info: cfgg.org.

Tune Up

So often we laud the music-makers of roots, bluegrass and old time genres but forget that the instruments themselves are art. Thanks to The Luthiers Craft: Instrument Making Traditions of the Blue Ridge, you can see the craftsmanship that informs musicianship. Originating at Mount Airy’s Museum of Regional History, the exhibit came to the High Point Museum (1859 East Lexington Avenue) last month and will be on view through December 17. It follows the work of guitar maker Johnny Henderson, fiddle makers Audrey Hash Hamm and Chris Testerman, and banjo maker Johnny Gentry, all of whom hail from Southern Appalachia and the Blue Ridge. With hands-on ways to explore their craft, don’t be surprised if you get a notion to start pickin’ and grinnin’. Info: (336) 885-1859 or highpointmuseum.org.

These Colors DO Run

Get moving and get happy at the Color Vibe 5K Run on August 27. Starting at
8 a.m. on the corner of Lindsay and Church Streets, the event is not so much a reason to show off your athletic prowess as to have fun — and benefit the Healthy America Initiative, which promotes active and healthy lifestyles. You’ll dash around a loop with stations or “color zones” that douse you with paint. By the time you cross the finish line and head to the dance party and color throw, you’ll be sporting the full spectrum, reason enough to change your name to Roy G. Biv. To register: thecolorvibe.com.

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Ogi Sez

With everyone trying to get in a beach trip before Labor Day, August is typically the slowest music month of the year. Therefore, for this hot month we’re going a bit farther afield to find the hot acts. Oh, they’re out there, you just gotta look a bit harder.

• August 4, Muddy Creek Music Hall: You’ve likely heard the buzz over the past year about this fantastic venue in Bethania, and there will be no better time to check it out than this event. Billed as A Celebration of Southern Sirens, seven top-shelf local and regional songstresses (my fave is Emily Stewart) will be covering some of the greats, ®à la Misses Loretta and Tammy.

• August 10, Cone Denim Entertainment Center: Since forming in 1995, Chicago trio Chevelle has made the transition from alt. metal/post-grunge to mainstream hard rock, morphing from a cult act into respected touring and recording artists. This is what a power trio is supposed to sound like.

• August 14, Thirsty’s 2: If you can’t make it to the beach, let my old pal Thirsty bring the beach to you. There is no finer keeper of the flame of that indigenous Carolinas genre than the Band of Oz. Ocean Boulevard right here in our backyard.

• August 25, Haw River Ballroom: Yes, it’s off the beaten path, Saxapahaw to be exact, but they are bringing in some killer national acts that make the trip well worth it. Hard Working Americans is Americana stalwart Todd Snider’s new band, and they definitely live up to their name.

• August 27, Greensboro Coliseum: Now, this should be interesting. When I first heard that Axl Rose was replacing Brian Johnson as lead vocalist for AC/DC, I dismissed it as another Internet myth. But the rumors are true, and — guess what? — the reviews have been overwhelmingly positive. Who knew?

Wandering Billy

Oz-Mosis

From Gate City to Emerald City and back again, our local Scarecrow
scares up some chow and a new TV music series

By Billy Eye

“Start where you are. Use what you have. Do what you can.” — Arthur Ashe

Land of Oz. Perhaps you recall that fabled but star-crossed 1970s amusement park nestled on Beech Mountain. You entered the attraction through Dorothy’s farmhouse as it emerged from a tornado. Exiting the home, you’d find it lying akimbo along the rocky surface, two legs in striped stockings sticking out from under the frame. Joining Dorothy’s journey down the Yellow Brick Road, park guests encountered the Scarecrow, Tin Man, Cowardly Lion and the Wicked Witch of the West. It all culminated with a big stage extravaganza at the Wizard’s Emerald City castle, after which, visitors were whisked back to the parking lot in a gondola cable car disguised as a hot-air balloon.

Neglected but mostly intact (except for the Emerald City) Oz was offering limited tours of what’s left of the park past June. I attempted to get tickets, but demand was so great it crashed their computer system. The gates to Oz will once again swing open for a bigger attraction this September, a yearly tradition that, over the last fifteen summers, has grown more and more popular.

Oz opened in 1970 as a sister attraction to Tweetsie Railroad; attendance was spotty even before a fire badly damaged the premises in 1975. The owners pumped major money into the venture in 1977, and that summer I was hired to play the Scarecrow for a promotional tour of shopping malls across a three-state region. It was the first successful mall tour ever undertaken. At the Carolina Circle, Dorothy and I entertained children with a musical puppet show created by Jerry Halliday. He’s a Vegas mainstay now with a risqué show you wouldn’t dream of taking your kids to. I only visited Land of Oz once, a VIP tour to give us a sense of what the attraction was all about. I’m curious to see what remains of this blockbuster motion picture-come-to-life in the North Carolina mountains.

The Food Truck Festival in May was a smashing success, a sunny Sunday afternoon gorge-a-thon downtown with fifty-three mobile eateries participating, including fare that ranged from Greek to Tex Mex. The Porter House Burger rig was mobbed from the start, smoking Municipal Plaza with the aroma of charred beef. (Is there any sweeter fragrance? I think not.) At times, block-long lines awaited Cousins Maine Lobster for their first trip to Greensboro. Lines also formed at Pearl Kitchen, Empanadas Borinquen and Urban Street Grill, apparently all worth the wait. I had a teriyaki chicken bowl with lemongrass steak skewers from Buddhalicious that tasted just like ones I enjoyed in L.A.’s Koreatown. By the shank of the evening you’d have thought it was the ganja festival, anyone selling confectionaries had streams of minions queued up, spilling over to Cheesecakes by Alex a block away where patrons lingered on the sidewalk waiting to get in. If the thought of sampling cuisine from dozens of the finest eateries in the state appeals to you, then rejoice that the festival returns at 4 p.m. on August 28th. Here’s a tip: Don’t even try to park nearby, and if you want something sweet, get that first; by 5:30 lines will have stretched too long as vendors run out of the good stuff. Or purchase an Early Bird wristband for $12, a portion of which benefits charity. You’ll have an hour’s head start on the hoi polloi (of which I’m a diehard member).

Just sneaked an early peek at the Hong Kong House Cookbook right about now at fine bookstores and on Amazon.com. Publisher Karen McClamrock has blended together a savory collection of Amelia Leung’s most beloved recipes from her family’s longtime Tate Street bistro, mouth-watering dishes like the Garden and Guitar Shop Burgers, Beef Shitake Snow Pea Stir Fry, those luscious egg rolls and garlic wings. Recipes are easy to follow and, as a bonus, there are plenty of photos from those halcyon days from the ’70s into the ’90s when Hong Kong House was the happening-est gathering spot just off campus.

I’m immersed in a project I’ve wanted to do for decades: producing a music television series. We shot footage for the first two of four episodes featuring local talent that includes Grand Ole Uproar, Taylor Bays and Rachel Anick, all of whom gave stellar performances. Uproar and Taylor have been faves of mine for years. Rachel I met just a few weeks ago. I met her after I stopped by Jeremy Parker’s downtown recording grotto where they’d just laid down her vocals for the song she performed on the show. It was revelatory, like hearing Tori Amos or Joan Baez for the first time. The program airs in August on cable channel 8. Scan your TV listings for The Nathan Stringer Summer Music Show, available on YouTube and iTunes in September.

That’s all the gibble-gabble I’ve gaily gathered. Over the coming months I’ll be telling you who’s the candidate you should be voting for and which religions are better than the others. Don’t miss that. OH

Billy Eye will be summering in Antarctica, just as soon as he can afford to.

So Delightful an Occupation

A patriotic anthem to gardeners, who are always young at heart

By Ross Howell Jr.

For several years I lived not far from Thomas Jefferson’s mountaintop estate, Monticello. I remember an archaeological dig under way on the mountain at the time.

Mulberry Row is an area that housed many of the plantation’s commercial activities in Jefferson’s day, as well as its enormous vegetable gardens. After meticulous excavation and research, the original buildings and gardens, including the Garden Pavilion overlooking the gardens and what Jefferson called his eastern “sea view,” were restored or recreated.

I liked visiting, seeing the progress. And the mountain was cooler, a relief from summer’s heat. It was wonderful to watch evening shadows lengthen across the lawn, the blues of the eastern view deepening as night came on.

Those memories are a reason the summer months put me in mind of Jefferson. And there’s the more obvious reason, of course — July Fourth. Of Jefferson’s many achievements, the Declaration of Independence was the one he most hoped his countrymen would remember him for.

And we do. We celebrate the words, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness,” with a national holiday, with cookouts, ice cream, parades, maybe a picnic at the ol’ swimming hole, and evening fireworks.

But this summer, now that the U.S. Social Security Administration has proclaimed with this birthday I am of “full retirement age,” I’m also mindful of something else Jefferson is remembered for.

His love of gardens.

On August 20, 1811, Jefferson penned a letter to his friend, Charles Willson Peale, the American painter admired for his portraits of the Founding Fathers, especially of George Washington. “I have often thought that if heaven had given me choice of my position & calling, it should have been on a rich spot of earth, well watered, and near a good market for the productions of the garden,” Jefferson wrote. “No occupation is so delightful to me as the culture of the earth . . . . But tho’ an old man, I am but a young gardener.”

Jefferson was just two years my elder at the time, so his words, along with the creaking of my knees as I weed a flower bed, serve as reminders that time is growing shorter, more precious.

Growing up on a mountain farm, I found work in my mother’s vegetable garden tedious. I much preferred working with our cattle and sheep. In spite of my mother’s passion, knowledge and skill, my interest in gardening didn’t come until later in life.

But Jefferson’s passion visited him as a young man and stayed.

In his “Garden Book” Jefferson kept records about the vegetables, flowers, fruits and trees he cultivated from 1766 to 1824 at Shadwell, his birthplace, and Monticello. He noted on February 20, 1767, that he “sowed a bed of forwardest and a bed of midling peas.”

The planting and harvesting of peas would be an enduring fascination for Jefferson. He participated in a competition with Monticello neighbors until very late in life̓ — whoever harvested the first pea of spring would host a celebratory dinner for the other competitors. Jefferson grew twenty-three varieties of peas at Monticello, notes Peter Hatch, the estate’s retired director of gardens and grounds. Maybe Jefferson was trying to load the odds in his favor.

While peas were a favorite, Hatch adds that Jefferson cultivated a wide variety of vegetables, including artichokes, asparagus and sea kale. Cucumbers were another favorite. He also grew “eggplants, sesame, hot peppers, okra, tomatoes, rutabagas, salsify and scores of other culinary novelties from the vegetable world,” Hatch writes.

According to Hatch, in 1769 Jefferson began planting fruit trees on the southeastern slope of the mountain, and in 1774, he began to plant Italian wine grapes provided by his neighbor and friend Philip Mazzei. He began, Hatch continues, with “extensive plantings of apple and peach trees in 1778 and 1782 in Monticello’s South Orchard, and the beginnings of vegetable-garden cultivation and the sowing of asparagus, peas and artichokes in prepared beds below Mulberry Row.”

Hatch writes that while serving as minister to France in 1786, Jefferson went on a tour of English landscape gardens with John Adams. The experience led him to introduce English features to Monticello, including the Grove, an 18-acre ornamental forest on the northwest side of the mountain. Its trees would be “trimmed very high, so as to give it the appearance of open ground,” Jefferson wrote, with the area “broken by clumps of thicket, as the open grounds of the English are broken by clumps of trees.”

Such a landscape feature would be relatively easy to create and economical to sustain, Jefferson felt, since it was only necessary to “to cut out the superabundant plants.” Aside from the beauty of the Grove, Jefferson pointed out a benefit we all look for in the summertime South. “Under the constant, beaming, almost vertical sun of Virginia,” he wrote, “shade is our Elysium.”

Jefferson felt that, over time, the mature Grove could be further refined with the introduction of vistas, glades and hardy perennial flowers. He even sketched a plan for thickets of shrubs arranged in a spiral pattern to suggest an informal labyrinth.

He was fascinated by native plants and their propagation, listing many in his Notes on the State of Virginia. He took delight in planting many of the specimens and seeds discovered on the Lewis and Clark Expedition (1804–1806).

Sometime after 1800, Jefferson wrote his “Summary of Public Service.” His purpose was to list achievements he considered notable, and to clarify some confusion about dates and legislation that had been attributed to him.

“I have sometimes asked myself whether my country is the better for my having lived at all?” he begins. Then he lists items that he viewed as beneficial. He includes items we would certainly expect: the Declaration of Independence, legislation regarding freedom of religion and an act in the Virginia legislature prohibiting the importation of slaves.

But Jefferson goes on to list other contributions that for most of us would be unexpected. He includes this notation: “In 1789. & 1790. I had a great number of olive plants of the best kind sent from Marseilles to Charleston for S. Carolina & Georgia. They were planted & are flourishing.” And another: “In 1790. I got a cask of the heavy upland rice from the river Denbigh in Africa. . . . which I sent to Charleston, in hopes it might supersede the culture of the wet rice which renders S. Carolina & Georgia so pestilential through the summer.” He concludes the rice entry by writing, “the greatest service which can be rendered any country is to add a useful plant to its culture.”

When you’re trying to think of a way to convince neighborhood rabbits to leave your peas alone, or attempting to unsnarl the Gordian knot on the head of your string trimmer, or watching your gladiolas droop in the heat, you probably aren’t feeling all that patriotic. You might be thinking only about getting a Jack Russell for the rabbits, or remembering to keep yourself hydrated.

But Jefferson, I believe, would want you to buck up. He would argue that you are a true patriot, the steward of a national legacy.

So this summer I want you to plant something.

Tree, shrub, vegetable, flower or seed, you’re going to have to nurture it. The task won’t be easy. Insects, voles, groundhogs and deer will conspire to defeat you. And an unforgiving sun. You’ll have to water and mulch your planting with care.

I’d even like you to make the planting a summertime tradition, a reminder of Independence Day. I’m doing it. By the time you read these words, I’ll have planted “Sweet Bubby,” a Carolina allspice bush, by my front porch, so my wife and I, along with friends, neighbors and guests, will enjoy its fragrance someday.

Of course, it would be much easier to plant successfully in the fall. But that’s the point.

Freedom and democracy are hard to maintain. They require passion, vigilance and perseverance. Like gardening.

In July 1826, Thomas Jefferson, 83 years old, had been lapsing in and out of consciousness at his mountaintop home for two days. His room had a view of his gardens, sweltering in the heat. From time to time, he would ask family members, “Is it the Fourth?” Not long after his grandson-in-law roused him in the morning with a touch on the shoulder to inform him Independence Day had come, Jefferson expired.

Far to the north, in Quincy, Massachusetts, 90-year-old John Adams, fellow patriot and signatory of the Declaration, lay clinging to life. From his bed he could hear the sounds of celebration for his nation’s fiftieth birthday. Though his friend had in fact passed away five hours earlier, Adams is said to have uttered with his last breath, “Thomas Jefferson still lives.”

After retiring from his second term as President, Jefferson wrote to a friend,  “All my wishes end, where I hope my days will end, at Monticello.” That’s how his life ended, with a legacy to be studied by the ages, “in the midst of” his grandchildren, his books, his farm, his beloved gardens.

You don’t have to be an old man like me, or Jefferson, to plant this summer. But do it. You’ll see it’s a serious and uncertain endeavor.

Whatever you plant, do your level best to keep it alive. One day it may prosper.  OH

Ross Howell Jr. is the author of the historical novel, Forsaken, and, in the interest of full disclosure, an alumnus of “Mr. Jefferson’s University.” His bride Mary Leigh, however, is a Chapel Hill alumna. Not long after the two were married, she took her husband to a basketball game in the Dean Dome, “just to make sure he had his head right.”

The Bear Facts

By Maria Johnson

You’d be amazed at the walk-ins we get here at the O.Henry office on Banking Street. We get people wanting to talk to Astrid Stellanova about her horoscopes; people wanting to see the editor of Our State magazine (?!); people wanting to mail a first-class package (we’re next to The Pack-N-Post). Mostly, we get people who want to pitch story ideas, which is great. Recently, there was a thud at the door, followed by a low rumble. We figured it was someone wanting to know if he could park in our lot while he ate at the hot new burger joint around the corner. But when we opened the door, there was a black bear.

Here is a transcript of the conversation:

OH: Can I help you?

B: Do you mind if I come in?  It’s getting a little hot out here, if you know what I mean.

OH: Huh?

B: (Looking over shoulder): Animal control. They’ve been tailing me all day.

OH: Sure, come in. Can I get you something?

B: I know it’s trite, but do you have any honey?

OH: I don’t think so. How about some agave syrup?

B: Sure. I like to try new things. I ate at a Thai dumpster last night. Tore me up. The sriracha, I guess.

OH: (Handing over syrup) Here you go. How can we help you?

B: I want you to write a story.

OH: About . . . ?

B: People. Every year, when my bros and I ramble through here, we see more people. Where do all of these people come from?

OH: Oh, they migrate here from all over.

B: That’s what I hear — they follow the highways into town.

OH: Is that a problem?

B: It didn’t used to be, but this is getting crazy. This time of year, we see people all the time. Take this morning — I was nibbling berries by a creek. I looked up, and there was a pack of people. A den, whatever you call them.

OH: What were they doing?

B: Just staring at me. It was unnerving. I thought they might attack.

OH:  What did you do?

B: Whaddya, nuts? I froze. I thought about running, but then I remember that you humans love to chase things. So I walked away very slowly. No disrespect, but you never know what humans are going to do.

OH: Have you ever tried scaring people off by making some kind of noise? Maybe standing up to make yourself look bigger?
B: Are you kidding? You know what happens when young black males like me get assertive.

OH: Hmm. By the way, what are y’all doing in these parts?

B: (Winking). Oh, you know. Looking for honey. No luck so far.

OH: Guess not. The state wildlife people say that breeding females have been confirmed as close by as Forsyth and Stokes counties, but not in Guilford County. Not yet, anyway. If anyone has photos of a mama bear and cubs in the Piedmont, they’d like to see it.

B: Me, too.

OH: . . . Because if we have breeding females around here, we’re going to be seeing a lot more of you guys from May through July.

B: Got that right. But look, we don’t enjoy urban life. Here’s what happens: We young bears get driven out of our home ranges by the older, dominant males. We go looking for new ranges and new females, so naturally we cruise the creeks and rivers at night. We have a few too many acorns, lap up a little too much branch water, and boom! Come sunup, we’re in the city. Suddenly, we’re on TV. Whoa! And I’ll tell you something else, it’s happening more often.

OH: Yeah, well, the number of people in this area is growing, and your populations to the east and west of the Piedmont are growing, so we’re bound to intersect more often.

B: Makes me want to build a damn wall.

OH: You could try it, but I doubt it would work. Besides, you admit that once you’re in the city, you raid trash cans and birdfeeders. Heck, you even eat pet food.

B: Have you ever tried gluten-free dog food?

OH: No.

B: It’s not bad. Hey, if you don’t want me on your porch, don’t keep kibble or hot young sows there. Seriously, though, I don’t want to get all up in your grill . . . mmmm . . . grillll . . . Where was I? Oh, yeah, I don’t want to get all up in your business anymore than you want me to. This morning, before I left my thicket, I actually looked around for people. Can you imagine?

OH: So what made you think you’d be safe at O.Henry?

B: Didn’t you dress up like a bear to promote A Walk in the Woods for the library’s One City, One Book campaign last year?

OH: Uh, yeah.

B: (Pounds his heart with his paw).

OH: OK, here’s my advice. Mind your own business. Generally speaking, humans won’t bother you if you don’t bother them. Sooner or later, they’ll move on. Just be patient.

B: You sounds like a Berenstain.

OH: Sorry for moralizing. Just be cool.

B: Whatever. Can I ask you something?

OH: Sure.

B: Which way to that burger joint dumpster?

OH: You like cheeseburgers?

B: Do I go in the woods?  OH

O.Henry maintains an open-door policy, just BYO honey. To learn more about bears, go to ncwildlife.org/bears. If you have a picture of a female bear with cubs in the Piedmont, contact the district wildlife biologist at jason.allen@ncwildlife.org.

Easter Still Rising

Depending on whom you ask, Robin Doby Easter is either one of the area’s most talented and acclaimed actresses or one of its most dynamic and powerful vocalists. Fortunately, hers is not a “never the twain shall meet” situation, for in truth she does both with equal aplomb and perfection.

“Seems I’m rehearsing for something all the time,” she says with a hearty laugh, “either with a band or for a musical or for a play. I’m definitely staying busy.”

Busy is an understatement. For starters, in May alone Easter performed twice at the Levitt AMP Greensboro Music Series at Barber Park — with a different ensemble each time. She is one of the Gate City Divas, a group composed of eight of Greensboro’s top-flight female vocalists, who just released an album, Goin’ to Town, and two weeks later, at the behest of pianist extraordinaire Dave Fox, sang with the Healing Blues Project. And while gearing up for those two shows, she was also rehearsing for a June 3 play at The Barn Dinner Theatre titled Miss Mary and the Boys  . . . before performing at City Market, Summertime Brews festival and with the Divas at the Greensboro Summer Solstice. And oh, yes, Easter just started a day job as a tour guide at the International Civil Rights Center & Museum. And to top it all off, she is the proud mother of four boys, who’ve blessed her with eleven grandchildren.

Amidst all that, Easter’s primary gig is fronting her own band, Doby, a five-piece funk/soul/rock outfit that has been electrifying local and regional crowds since 2010. Prior to that, she was a member of the Stovepipes, a blues ensemble fronted by well-known guitarist David Bolton.

A Lynchburg, Virginia native who migrated to Greensboro to attend Bennett College, Easter’s initial pursuit was musical theater. Her credits include Dreamgirls, Smokey Joe’s Cafe, Raisin and The Color Purple. She then decided to try her hand at nonmusical drama, joining the Touring Theatre of North Carolina, under the tutelage of Brenda Schleunes.

“She believed in me enough to cast me as a Nazi in one play,” Easter discloses. “Now, that was a stretch.”

The highlight of the singer/actress’s career thus far was touring with the world premiere cast of Maya Angelou’s And Still I Rise.

“It was the best experience ever, and I got to know Maya quite well,” she says. “She treated all of us like family. One day she invited me into her study where she was writing a poem, “On the Pulse of Morning,” which she read at President Clinton’s inauguration in 1993.”

This month, look for Easter and Doby on the road to Floyd Fest in Virginia on July 29 and 30, and will be back in the Triad at Winston-Salem’s Bull Tavern August 4 and on the stage at a MUSEP concert on August 14 at Bur-Mil Park.

Of her career path, Easter obviously has no regrets: “I did it for love and then started getting paid. God has given me some diamonds.”  OH

— Ogi Overman

Short Stories: July 2016

High Notes in High Point

Beat the Monday blahs with Sunday night blues — or bluegrass, folk, Latin and soul — with yet more free, outdoor music. Joining Greensboro’s MUSEP and Levitt AMP concert series is High Point Art Council’s Arts Splash 2016. On July 10 grab a lawn chair and your dancing shoes, for there’s likely to be shimmying and shaking in Commerce Street at the Mendenhall Transportation Terminal when The Legacy Motown Revue takes the stage for the inaugural performance. It’ll prime you for the rest of the season’s lineup that includes The Collection, the cover story for the September 2014 issue of O.Henry, but decidedly not a cover band; Big Ron Hunter; plus The Robertson Boys; and Don Flemons, formerly of the Carolina Chocolate Drops, who winds up Arts Splash at the GTCC Amphitheatre on August 14. Info: (336) 889-2787 or highpointarts.org.


Glass Act

The colorful, translucent glass of Venice, Italy, appeals to just about everyone. And if you’re one of the world’s pre-eminent glass artists? Then expect the muse to strike — in a big way. That’s exactly what happened in 1988 when Dale Chihuly traveled to Venezia and on seeing its Art Deco vessels, decided to create his own sculptures with the help of two Venetian glass artisans. Bearing mythological creatures, cherubs and other themes related to the Queen of the Adriatic, the fantastical pieces are assembled in Chihuly’s Venetians: The George R. Stoemple Collection, which makes its only stop on the East Coast at the Alamance Arts Council (213 South Main Street, Graham) from July 1 through October 15. Info: (336) 226-4495 or alamancearts.org.


See You at the Movies

Escape the inferno outside for the cool, dark comfort of a movie theater at two film festivals playing in the Gate City throughout July and August. Starting on July 11 the Carolina Theatre’s annual Summer Film Fest delivers chills and thrills from Hitchcock’s Rope to Steven Spielberg’s Jaws, as well as kitschy, campy popcorn flicks such as Blue Hawaii, Beach Blanket Bingo and Cry-Baby. Take the day off with Ferris Bueller, ride with The Duke’s posse in The Searchers or sing along with the Von Trapps in The Sound of Music. Tickets: (336) 333-2605 or carolinatheatre.com. For more high-minded — and free — fare, Greensboro Public Library’s Foreign Film Festival, (through August 30) takes you abroad to Ireland with Grassland, a family drama and 2015 Sundance award-winner; sets your heart afire with Austria’s Amour Fou; and ramps up the adventure quotient with Theeb, an Academy Award nominee from Jordan about a young tagalong in a Bedouin tribe. For a complete listing and screening locations: greensboropubliclibrary.org.


Harry Plotter

If you’re having Game of Thrones withdrawal, binge on the Bard with Henry IV, Part I, with Drama Center’s Summer Shakespeare in the Park production at Gateway Gardens (2924 East Gate City Boulevard). Among the most popular in Shakespeare’s canon, “One Henry Four,” if you’ll recall, has an aging King Henry worried about advancing armies, an uncooperative and hot-headed ally, Hotspur, and his wastrel son Prince Harry, who loves to spend his days imbibing and wenching in taverns with his buddy Falstaff. Does the young prince have what it takes to be king? Find out July 28-–31. Tickets: (336) 335-6426 or thedramacenter.com.


Piercing

Release your inner Katniss Everdeen — or Robin Hood, or Cupid — at a series of archery clinics, courtesy of Greensboro Parks and Recreation. Held at Hester Park (3615 Deutzia Road) every first and third Thursday of July (the 7th and 23rd — and continuing through September), the two-hour sessions are open to anyone 8 years old on up, beginner or advanced. For a fee of $25, you’ll learn range safety and shooting techniques and how to size the equipment (which is provided, by the way). But don’t get too — heh — arrow-gant with that quiver and try any William Tell stuff: You could put someone’s eye out with that thing. To register: Call Remy Epps at (336) 373-3741.


Jockablock

Why fly down to Rio for games of hide-and-Zika when you can watch the USA Masters Games right here in the Gate City? From July 21–31, some 6,000 athletes age 21 and over, and hailing from around the globe, will compete in twenty-four different sports, including the usual suspects: baseball, basketball, cycling, soccer, tennis, golf, soccer, swimming, and track and field. There are the seasonal anomalies, too (figure skating and ice hockey, in July?), as well as the kinder, gentler activities — badminton, pickleball and functional fitness — for creakier joints. Competitions will take place throughout the city with the Greensboro Coliseum serving as hub central, replete with a Games Village. So come out and cheer on the competitors and boast that you’ve been to the Masters — without having to eat crummy pimento cheese sandwiches. Info: usamastersgames.com.


Pestlemania

Invented in Greensboro, everyone should know that Vicks VapoRub is a eucolyptus and camphor salve that still soothes bronchial symptoms under Procter & Gamble’s banner. Now you can see precisely where VapoRub started: the mortar and pestle that Lunsford Richardson used to mash up the first batch. Greensboro’s Anne Carlson, who’ll turn 90 this month, recently donated the hefty brass set to the Greensboro Historical Museum (greensborohistory.org), where it’ll be displayed in a case labeled, “This Just In,” before moving to a permanent exhibit. Museum director Carol Hart says the grinding device is an example of an object that wouldn’t bring much on eBay, for instance, but is priceless because of its historical significance to Greensboro. “It connects to a time when Greensboro was becoming what it is,” she says. Its provenance? One night in 1894, when Carlson’s mother-in-law, Laurinda Richardson Carlson, was sick as a child, her father ran down to his pharmacy on South Elm Street and crushed up the ingredients to be plastered on his little girl. Shazam! She got better overnight. Richardson named the concoction for his brother-in-law, Dr. Joshua Vick, sold the rub in small blue jars, and a national brand was born. A footnote: Four years before Richardson invented VapoRub, he and a business partner bought the drug store from F.A. Tate and W.C. Porter. Porter’s nephew William Sydney Porter had worked in the store and later became a writer under a different name: O.Henry.


Sauce of the Month

The label of A La Brava Hot Sauce wonders: “Are you brave enough to try it?” I was and found that this “Authentic Salsa Diabla” — first whipped up in Chihuahua, Mexico, by Mama Nana, the grandmother of Winston-Salem resident Marcos Medina — is, in fact, considerably hotter than Texas Pete. Its blistering bravado comes from a blend of chipotle and “rat’s tail” (arbol) chilies, giving it a really distinctive South-of-the-Border accent, with no sugar, gracias. You’ll find it on the shelves of Super G Mart, Compare Foods  or other, smaller tiendas. Bravissima! — DCB


Ogi Sez

Fourth of July fireworks are by no means the only way to light up your hot summer evenings. There are plenty of musical pyrotechnics on tap in and around the ’boro, so let’s light the fuse.

  • July 1, Blind Tiger: Americana music was invented for this band. Yarn encapsulates everything good about the nonmainstream genre: great harmonies, superb acoustic musicianship, music with a message and a good time on stage that transfers to the crowd.
  • July 6, Greensboro Coliseum: Given our demographics here, I debated whether or not to include this one. But since many of us have kids and grandkids, I opted to inform you that “The Biebs” is coming to town. And if you don’t know who that is, ask your kids and grandkids.
  • July 10, Doodad Farm: More often than not, I highlight national acts in this space, but three that ought to be — Molly McGinn, Sam Frazier and Jon Shain — will appear together in this lovely, rustic, outdoor venue. National caliber at local prices.
  • July 16, High Point Theatre: Greensboro’s favorite son for five decades, Billy “Crash” Craddock, who graced the cover of this fine publication not long ago, will headline this Country Jam. Also on the bill are the darlings of rockabilly, the Malpass Brothers, and up-and-coming crooner Michael Cosner.
  • July 16, Carolina Theatre: If Americana was made for the aforementioned Yarn, it’s only because Steve Earle invented it. The legendary Texas tunesmith is carrying on the tradition of Townes Van Zandt and Guy Clark. Joining him will be frequent collaborator and star in her own right, Shawn Colvin.

Treasures From a Vanishing World

By Jim Dodson

Not long ago, while taking a back road home from the coast, I rounded a curve and saw a handsome old farmhouse sitting in an overgrown field, clearly abandoned, with wild roses claiming one end of its sagging porch.

Ignoring a rapidly approaching thunderstorm, I pulled off the road to sit and look at the house, wondering about the people who once called such a beautiful old place home. I saw birds — swifts or starlings, I think — flying in and out of its flower-wreathed porch and thought of a recent conversation with a friend who roams the rural landscape of this state salvaging architectural pieces and forgotten artifacts from abandoned houses and farms, everything from doorknobs to bathtubs, barn doors to family Bibles, broken gates to foundation stones.

He calls his finds “treasures from a vanishing world,”provocatively insisting that these ordinary objects and pieces of abandoned habitats not only bear the spiritual imprint of their former human associations, but also deep ancestral memories.

“You can see them everywhere,” he says, “old houses sitting off in the woods, barns abandoned to make way for housing developments or wider highways for a society that can’t get there fast enough.

“Such sights should haunt us,” he adds with the fervor of an evangelical preacher. “We’re throwing away our nation’s natural history, destroying our heritage piece by piece, forgetting who we are and where we come from. It’s a tragedy, something everyone who is truly patriotic ought to care about.”

He showed me a beautiful bell salvaged from an abandoned schoolhouse near the town I regularly pass through. The craftsmanship was superb.

“The schoolhouse was made from the finest red brick, built by real craftsmen in a time when that meant something special, pride of hand, probably from the early 1930s, the heart of the Great Depression. It had charming wooden windows and handmade doors and an actual cupola. You could almost hear the voices coming from that empty schoolhouse — the place where kids learned to read and do their multiplication tables, memorized the fifty states and Pledge of Allegiance and fell in love with a girl or boy seated near them. Today saplings are growing through the floor of that beautiful old building, the wind whistling through its busted-out windows.”

Like my friend Rick, I spend a lot of time driving the back roads of this state, looking at the land and noticing abandoned fields and places where someone once raised a family, birthed a child, waited for the passing of a loved one, or simply sat on a summer porch snapping beans in the long summer dusk the way my grandmother Taylor loved to do.

My reverence for small-town values and winding back roads — the slow way home, as I call it — is unapologetically romantic and lately seems almost as endangered as Rick’s old schoolhouse bell, somehow connected to the soul of our collective patriotism.

What we worship, a wise man once told me sitting on his sagging porch in Vermont, we become. (But more on him in a slow lane moment.)

Every road I travel nowadays seems to be in a state of constant construction, half-built and ever widening to obliterate nature and anything that happens to be in in its path, reminding me of my own vanished heritage.

Four generations back the patriarch of my family operated a vital gristmill on the banks of the Haw River and worked as a contract surveyor for the state, plotting out the boundaries of several central counties just after the Civil War. This man somehow found time to also serve as an itinerate Methodist preacher traveling from one rural parish to another, Piedmont to western hills, preaching the Gospel.

One winter afternoon a few years ago, my wife and I found George Washington Tate’s headstone in the burying ground of a small Alamance County church. It was simple, dignified, garnished only by moss and time. He and his wife lay side by side.

It would have pleased me to show my Yankee wife the remains of G.W. Tate’s once thriving gristmill on the banks of the Haw, but it was no longer there or simply hidden from view.

As a kid, I saw it several times and even fished from the stones of its original millrace, feeling as connected to that place as if it were consecrated earth. Today, you cannot find this spot because the Interstate was doubled in size two decades ago, swallowing my great-great-grandfather’s gristmill whole.

As I sat on the shoulder of the roadside feeling the wind rise from the approaching storm and pondering the fate of that elegant old farmhouse that’s now a home to birds and wild roses, fancifully wishing I could find a way to magically save it, perhaps by starting an Old Farmhouse Rescue League, another voice popped into my head — the one warning that what we worship, we become.

It belonged to Reverend William Sloan Coffin, the former CIA man, Yale chaplain, firebrand preacher and longtime civil rights and peace activist.

On a spring day in 1991 I found my way to his rural Vermont farmhouse door for a conversation about patriotism.

He poured me a cup of coffee and we sat down at a table in his kitchen. Lying between was the latest copy of Time magazine, its cover proclaiming “A Time to Savor.” Just days before, the First Gulf War had officially ended and flags were flying from porches along the main street of his tidy Vermont town. Coming on the heels of the end of the so-called Cold War, America was in the grip of patriotic fever, eager to start spending what some called the country’s hard-earned “Peace Dividend” on much-needed domestic issues.

Time once called Rev. Bill Coffin “America’s Last Peacenik.” I asked him if he savored this time in America.

Coffin smiled and pointed out that the Japanese had actually won the Cold War and insisted that the much-publicized “peace dividend” was mostly being spent to develop new and better ways of obliterating any future enemies at the expense of America’s working poor and homeless. He added that pollution was destroying our rivers and other natural resources and mentioned mindless urban sprawl that was killing small towns and obliterating the night stars.

I joked that he didn’t sound much like a true patriot — more like a grumpy uncle.

The famous preacher grinned and boomed back, “On the contrary! I’m an incurable patriot! True patriots are those who carry on not a grudge fight but a lover’s quarrel with their country — a reflection, if you will, of Gods’ eternal lover’s quarrel with the human race. The two things you must not be, as a true patriot, are a loveless critic and an uncritical lover.”

He added that our history was his source of hope and patriotism. “Plato said, ‘Whatever is honored in a country will be cultivated there.’ My version of that is, whatever we worship we become. Unfortunately, our society worships professional athletes and better highways.

“But if you look at when this country got started as a nation, with something like just three million people, we managed to turn out Washington, Jefferson, Hamilton, Franklin and Adams — a list of great thinkers as long as your arm. Now, with a population eighty times as large, you have to ask yourself why we can’t turn out one statesman of that caliber.”

Before I could pose another question, he sipped his coffee and added, “American democracy is such a precious thing. For the moment I fear it’s in grave condition. Half the population feels it’s useless to vote — they feel their voices don’t matter, and they’re probably right. Every night 100,000 children sleep on the streets of this nation, the wealthiest in the history of the world. And 37 million Americans go to bed with no more health insurance than a fervent prayer that they will awaken in decent health in the morning.”

He shook his head as we walked back out to his porch. “The gaps between the classes are widening dangerously — the very rich and the very poor are effectively seceding from America, I fear.”

“So, I gather you’re not really optimistic about the next twenty-five years,” I prodded.

Coffin laughed. “On the contrary! I’m always an optimist. Hope is a distinctly Christian idea and America is a place founded by farming optimists! Optimism is in our DNA — and so is diversity. Patriotism should not be based on agreement. It’s based on mutual concern. When hearts are one, all minds don’t need to be. In a democracy, God help us if all minds are one.

“Tell you what,” he declared, “come back and see me in twenty-five years and we’ll both see if anything has changed for the better. What year will that be?”

“Two thousand sixteen,” I said, hurriedly working out the math in my head. At that moment the year 2016 seemed light years away.

He gave me a final robust grin. “Right. This house is 200 years old and I’ll only be 92. Hopefully we’ll both still be here. I’ll wager the roads in Vermont will be whole lot better, too.”

We laughed and said goodbye.

Sadly, I never got back to Bill Coffin’s farmhouse. Like a treasure from a vanishing world, America’s last peacenik passed away in 2006, the year my wife and I officially moved home to North Carolina.

But I never forgot the things he told me that spring afternoon.

As I sat in a kind of reflective daze by the side of the road, a bolt of lightning hit a tree in the distance and the rain came down with a Biblical vengeance. The birds flew away and I drove on, passing a roadside notice that said the road was scheduled for widening sometime later this summer.  

Contact editor Jim Dodson at jim@ohenrymag.com.