Almanac March 2026

ALMANAC

Almanac

March 2026

By Ashley Walshe

March is a procession of tiny wonders.

In the wakening woods, where trout lily and spring beauty appear and disappear at the speed of life, red fox trots toward the forest’s edge, silent as a spring ephemeral.

Weaving between woods and meadow, bluebird combs the softening earth, harvesting grass and pine needles to craft its tidy, cup-shaped nest.

Behold the purple martin. A charm of hummingbirds, shimmering like flying prisms. Sprinkles of color in all directions.

Scarlet maple seeds cascade from naked branches. Fiddleheads brighten creeksides with a riot of luminous spirals. Electric redbuds dazzle.

Yellow transcends itself. Daffodils spill across rolling hills like a sun-kissed sea of trumpets. Spicebush quivers at the tender kiss of swallowtail. Dandelions present as wild, impassioned brushstrokes.

Earthworms animate the loamy soil. Black snakes dance across the warm earth like ribbons.

The humans emerge, too. Gardeners dawdle in dirt and sun. Lovers listen for warblers, sparrows, spring peepers. Children comb the earth as the bluebird does.

“Violets!” they squeal, gathering tiny purple flowers by the tiny precious palmful.

“Can we use them to make cookies?” they ask. “Pink jelly? Lemonade?”

Bare feet in feather-soft grass, they feel the wonder many have forgotten. The wonder of warm earth blossoming with new life. The taste of wild violet.

As the procession of spring continues, slip off your shoes. Let the tiny wonders revive and delight you. Awaken the purity of your own vernal spirit.

Red Clover, Red Clover

Should you happen upon a patch of tender clover, allow yourself to stay a while. Get quiet. Attune to the frequency of these sprightly, three-leaved sprigs. Some say you can hear them singing.

A symbol of the Emerald Isles, the seamróg (Gaelic for “young clover”) is a robust ground cover, building soil and, come spring, inviting a wealth of pollinators.

But did you know that their leaves and flowers are edible? If ever you’ve tried clover blossom jelly, delicate and sweet, then you know the ecstasy of butterfly and bumblebee. Nibbled a leaflet? Just a day in the life of a cottontail rabbit.

And if ever you’ve found a four-leaf clover, well, the luck of the Irish be with you. 

Sun, Moon and Stars

Behold a blood moon just before sunrise on March 3 — a total lunar eclipse that, indeed, will give the moon a rusty hue.

On Friday, March 20, the sun crosses the celestial equator at 10:46 a.m., marking the official arrival of spring (although the birds have suggested it for weeks).

As for the stars? It’s Pisces season until March 21, when fiery Aries turns up the heat. In other words: in like two fishes, out like a ram.

One swallow does not make a summer, but one skein of geese, cleaving the murk of March thaw, is the spring.

                    — Aldo Leopold

Chaos Theory

CHAOS THEORY

Beans, Beans, Good for the Heart . . .

You know the rest

By Cassie Bustamante

When I first met my husband, Chris, his idea of eating veggies was to toss a couple tomato chunks in with romaine and then drown it in Caesar dressing. A strict vegetarian at the time, I was appalled. Plus, what woman hasn’t thought to herself, “I can change him.”

Challenge accepted. I started sneakily. I would make him a salad, chopping red pepper and tomato into small bits so he wouldn’t notice the intruders. Spinach leaves slowly made their appearance amidst the romaine. Maybe he noticed, but, since we were still in the “salad days” of our relationship, he said nothing. In fact, over time, he began to — dare I say — enjoy a whole rainbow of produce. Heck, he even likes Brussels sprouts now. But don’t ever put a pea on his plate.

So, when our kids were young, it came as no surprise that they inherited his picky palate. Our oldest, Sawyer, has somehow made it to 20 year of age on waffles and grilled-cheese and peanut-butter sandwiches (hold the jelly). We sometimes refer to our youngest, 7-year-old Wilder, as “Sawyer 2.0” because his mannerisms and, yes, finicky palate are eerily similar to his big brother’s. Their only veggie? Tomato sauce on pizza or pasta. Emmy, now 19, is our best eater, though that’s not saying much because Sawyer and Wilder have set the bar so low.

Pie to the rescue! Over 10 years ago, I came across Chocolate Covered Katie’s website and decided I’d try her deep-dish chocolate chip cookie pie. Gooey, fudgy and indulgent? Maybe, but it held a secret. This pie was comparatively healthy — a good source of fiber and protein. I’d once been able to sneak plants past Chris’ lips and I was hopeful this might do the trick for Sawyer especially.

As Sawyer and Emmy hop on the bus headed for elementary school, I dash to the grocery store for supplies. Garbanzo beans, check. Quick oats, check. Almond butter, check. Turbinado sugar, check. At home, I’ve got homemade applesauce, chocolate chips, vanilla extract, salt and baking soda. And let’s not forget the springform pan I registered for when Chris and I married that just needs some dusting off. Actually, it might still be in its original box.

Following Katie’s instructions, I measure, blend, fold and bake. Naturally, I “taste test” the batter. (Hey, no eggs means it’s safe, right?) Without a lick of butter, I’m shocked at just how much it resembles one of my favorite food groups, raw cookie dough, and have to stop myself from spooning it all in my mouth.

When the final product comes out of the oven, its golden-brown appearance looks like something on the cover of Southern Living, minus the dollop of whipped cream. As it cools, I remove the incriminating bean cans, taking out the trash before it tells on me. As the bus stop drop-off time approaches, I peer out the window, anxiously waiting Sawyer and Emmy’s arrival.

Finally, they walk in the kitchen door, their little noses twitching, sensing something sweet and slightly nutty in the air. Spying what appears to be a giant cookie sitting on the counter, Sawyer says, “Oooh, what is that?”

“Oh,” I say, trying to sound natural, “I found a new recipe for a deep-dish cookie pie and thought I’d try it. I’m not sure you’ll like it.”

“I’ll try it!” exclaims Emmy, who loves freshly baked goods almost as much as her mama.

Sawyer’s big blue eyes grow even wider. “Wait, we can have it now?”

“Sure, I’ll let you both have a little pre-dinner treat this once,” I reply with a wink.

I cut into the pie, pulling out the very first wedge, followed by the second. The center is still soft and warm, the chocolate chips melty.

The kids take a seat at our kitchen island as I slide a plate loaded with a slice and a fork over to each of them. Sawyer lifts a forkful to his mouth as I stand nearby, trying my best to be nonchalant. But my energy is practically emanating off of my body — very chalant.

Sawyer’s eyes close as he savors his first bite. “Mom, this is so good! Can you pack this in my lunch for dessert tomorrow?”

“Of course,” I say casually, but inside my brain there are two little versions of me and they are jumping up and down, high-fiving each other. “We tricked the boy into eating beans!” they’re shouting.

Sawyer does, in fact, take a carefully wrapped piece of deep-dish cookie pie with him the next day, along with his usual, a PB&J, again, hold the jelly. And each day after that until nothing but crumbs are left of the pie.

On day four, as Chris and I sit in the living room watching Jeopardy!, Sawyer plops down on the sofa. He looks a little sheepish as he says, “I don’t know what my problem was in school today, but I couldn’t stop farting. Like, all day.”

I shrug. “Hmmm, no idea.” Meanwhile, I look over at Chris and give him the don’t-you-dare-say-a-word-about-beans look. “You feel OK otherwise?”

“Yeah, I feel fine,” he says. “Just gassy.”

“Well, then I wouldn’t worry about it.”

I’ve now made that recipe for years, eventually coming clean about what’s in it to Sawyer. Luckily, he was too far gone to turn back and still enjoys a slice, especially warm. As for any other vegetables? Well, I might just let that be his future partner’s problem. Maybe she can change him.

Sazerac March 2026

SAZERAC

Sazerac March 2026

GROCERY STORE TOURISM: UNSOLICITED ADVICE

Greensboro natives know that our grocery stores are the heart of our city. Locally grown and made to fit our authentic, cultivated palate, there’s no better place to feel like a true urbanite than amongst rows of colorful produce. As Condé Nast Traveler names grocery shop tourism a trend, we thought it’d be fitting to showcase our city’s hotspots. Whether you’re just visiting or a ‘Boro buff, take a tour of our markets, where you’ll find the cream of the crop.

The Fresh Market: It’s only natural that you’ll find your way to The Fresh Market. Founded in Greensboro, The Fresh Market brought European-style, intimate and personalized grocery shopping back and created a store meant for comfortability. We’re all for a cozy and homey grocery market and, as some would say, “Home is where the heart is — and where the freshly-baked pastries are.”

Bestway: Craft beer-and-wine tasting is what makes a grocery trip worth the while — oh, and groceries, too. China may have the Great Wall, but here, along with all your cooking needs, you’ll find the Wall o’ Beer. We won’t judge you if you beeline it for the brews before browsing apples and oranges — it’s called balance.

Indu Cafe: If you’re a fan of samosas, Indu Cafe is the perfect place to visit. If you’re unseasoned to the crispy vegetable and spice filled snacks, don’t knock ’em until you try ’em. This shop full of authentic Indian seasoning, flavors and ingredients satiates the city’s craving for crispy, cultural cuisine. You just may give up window shopping and find yourself caught —  mid-bite — in a crunch.

Deep Roots Market: Deep Roots Market makes it their mission to feed the needs of Greensboro and to do that you have to know Greensboro. Dating back to 1976, it began as, and still is today, a nutrition and health-conscious co-op that has fed the community by listening to it. So, you could say Deep Roots Market is rooted deep in Greensboro.

Indie Scene

“When I was coming along, record stores were a place of community. Everyone hung out there,” Mike Moore, owner of Buffalo Boogie Records, recalls. “That’s what I wanted to bring here in Greensboro, that community feeling.”

If you’re a bit out of tune with the times, 2026 is “the year of analog.” Despite the rise of digital dominance, individuals are no longer depending on online streaming for music, instead swapping digital for tangible media. Thanks to a vinyl renaissance, a nearly lost space that fosters connection between music mavens alike has reemerged — record stores. In 2018, Moore opened Buffalo Boogie Records, aiming to share his love of records with anyone who had an ear for music. He hoped to create an environment that stirred conversation and eventually invited friendship. “Music is a way of life for a lot of people. It certainly has been for me since I was a child,” he says. “It’s a celebration of life.”

“I had no intention of opening up a record store back in the ’80s and so forth — I just loved records,” says Moore. Throughout the decline of record purchasing and the rise of CDs in the mid-1980s, Moore garnered discounted or discarded albums and, over the years, acquired a buzz-worthy collection. “So at times I feel sort of like an archivist as well. I’m preserving something that’ll be passed on from generations to generations and on and on,” he says.

From seeing The Monkees in concert to making friends at his local record store, Moore, who primarily grew up in High Point, has always revolved around the music scene and is eager to see the younger generation becoming more and more interested in vinyl. “It seemed like 12–15 years ago, people started looking more towards vinyl as opposed to digital media. It looks like it’s going back to analog. Vinyl started getting popular again,” he says. Exhausted by the hustle and bustle that comes with browsing the internet, individuals are removing themselves from digital overload, embracing a sense of personal connection. “It kind of blows my mind that the younger generations are much enjoying the music mediums that I did when I was a child in the 1960s and as a teenager,” muses Moore.

Though much of the younger generation up-and-comers grew up with digital media platforms and will most likely continue to use it, it is encouraging to see an increase in the demand for physical media. Moore assures us that “the year of analog” will topple the digital media dominance and bring back the classics: “2026 is going to be more of a confirmation that vinyl is back.”
        — Joi Floyd

JOI DE VIVRE

A peek into a superhero’s dream: A new suit, helmet of gold and shield of armor can only save so much, little hero — even superheroes have to dream eventually. The world will wait for you. Life will not, so live it to the fullest. Dance in the crowded streets full of dreamers and non-believers. Swing your partner ’round and ’round and swoop into a kiss. Take a long, deep breath of your sweet, beautiful life made up of a jumble of moments. Those tiny, little moments are special and unique but can only follow time. And yes, time is a thief, but keep him by your side because even thieves can be good guys. For better or worse, that big, bad world will have to save itself for now, little hero. There’s so much to do, but it can wait another day —  another time. So, hang that suit up and save yourself instead because even superheroes have to dream eventually.

    Joi Floyd

Louise B. Alexander, Historical Print Photograph Collection, UA 0104, Martha Blakeney Hodges Special Collections and University Archives, University Libraries, The University of North Carolina at Greensboro.

Window on the Past

An all-male judicial system was a sign of the times in the late 1800s, and, since Women’s History Month is upon us, we thought we’d share a little about local women’s activist and change maker Louise Brevard Alexander. In 1920, Alexander became Guilford County’s first female lawyer. After serving as a juvenile detention judge until 1935, she taught political science at Woman’s College (now UNCG) and was the first to receive the O. Max Gardner Award, considered the UNC System’s highest faculty honor. Alexander pushed the boundaries of women’s rights and the rest was, well, history.

Birdwatch

BIRDWATCH

A Feisty Little Bird

The active lifestyle of the brown-headed nuthatch

By Susan Campbell

If you have ever heard what seems to be a squeaky toy emanating from the treetops in the Sandhills or the Piedmont, you may have had an encounter with a brown-headed nuthatch. This bird’s small size and active lifestyle make it a challenge to spot, but once you know what to look and listen for, you will realize it is a common year-round resident.

Brown-headeds are about 4 inches long with grey backs, white bellies and, as the name suggests, brown heads. In this species, males are indistinguishable from females. Their coloration creates perfect camouflage against the tree branches where the birds forage in search of seeds and insects. Their oversized bill allows them to pry open a variety of seeds, as well as pine cones, and dig deep in the cracks of tree bark for grubs.

By virtue of their strong feet and sharp claws, brown-headed nuthatches can crawl head-first down the trunk of trees as easily as going up. Although they do not sing, these birds have a distinctive two-syllable squeak they may roll together if especially excited.

Brown-headed nuthatches do take advantage of feeders. They are very accustomed to people, so viewing at close range is possible, as are fantastic photo opportunities.

This species is one of our area’s smallest breeding birds. It’s a non-migratory resident, living as a family group for most of the year. Unlike its cousin, the white-breasted nuthatch, which can be found across the state, the brown-headed is a bird of mature pine forests. Brown-headeds are endemic to the Southeastern United States, from coastal Virginia through most of Florida and west to the eastern edge of Texas. Their range covers the historic reaches of the longleaf pine. However, this little bird has switched to using other species of pine such as loblolly and Virginia pine in the absence of longleafs.

Brown-headed nuthatches are capable of excavating their own nest hole in small dead trees in early spring. Because so few of the appropriate sized trees are available (due to humans tidying up the landscape), in recent years brown-headed nuthatches have taken to using nest boxes. However, unless the hole is small enough to exclude larger birds, such as bluebirds, they may be outcompeted for space. For this reason, the species is now one of concern across the Southeast, with populations in decline. In addition to reductions in breeding productivity, logging, fire suppression as well as forest fragmentation are causing significant challenges for this feisty little bird.

“Helper males” have been documented assisting parents with raising subsequent generations. Without unoccupied territory nearby, young males may consciously be choosing to stay with their parents in hopes that they may inherit their father’s breeding area over time. If this approach sounds at all familiar to bird enthusiasts in our region, it should. It’s similar to the strategy of the red-cockaded woodpecker, another well-known, albeit less abundant, inhabitant of Southeastern pine forests.

Life’s Funny

LIFE'S FUNNY

Try It! You’ll Like It?

Nibbling around our differences

By Maria Johnson

I stumble over his Kryptonite.

On a recent visit home, my younger son — the one I used to challenge in driveway basketball, the one who now dunks the ball, guaranteeing no more mother-son pick-up games — hangs around the kitchen as I make a quick lunch for myself.

I slap together my go-to sammie of late: natural peanut butter, chunky, of course, with bread-and-butter pickles, topped with a squiggle or three of sriracha.

On pumpernickel.

Toasted.

Yes, really.

“What. Are. You. Doing?” he asks, looking over my shoulder.

“Making a sandwich,” I answer. “Want one?”

“No.”

“It’s good. Try it.”

“No way.”

I take a bite, issue a loud mmmm and hold out a cross-section of gleaming earth tones for him to examine.

“It’s pretty, too. C’mon, take a bite.”

“Nope,” he says, taking a few steps back.

“The recipe came from The New York Times cooking app,” I say, offering a pedigree.

“I don’t care,” he protests through a budding smile.

I do what any loving mother would do. I hold out the sandwich at arm’s length, wave it like a light saber, and chase him around this house with it.

“Tryyyy it! You’ll liiiike it!” I urge, echoing a 1970s Alka-Seltzer commercial in which a bistro customer recounts being pressured by a waiter to sample a new dish.

Obviously, my baby, who was born in 1997, has not seen this TV ad.

“Get away from me with that thing!” he insists, weaving and bobbing as if the sandwich might bite him.

We’re both about to fall over with laughter when he finds a door.

“I’m going to the gym,” he calls out over his shoulder.

“Saving you half, kiddo!” I holler after him.

This passes for love — and maybe motivation to exercise — in my family.

Later, as I eat his half of the sandwich, I wonder: How could he, or anyone, not like this creation? To me, it’s the perfect union of flavors and textures: warm and tangy pumpernickel slathered with the subtle sweetness of peanut butter, spiked with the sweet-tart crunch of pickles, and swaddled by an after-burn that’s relatively mild on the Scoville scale.

What more could your taste buds want than to be pleasantly surprised by an unexpected combo?

Of course, every person’s idea of “pleasant” is different.

I poll a few friends on favorite food pairings that make others cringe.

Bee likes a peanut butter sandwich with fresh tomatoes and Miracle Whip.

Trish reports that, as a child, she enjoyed post-Thanksgiving dark-meat turkey smeared with peanut butter on a saltine cracker.

“My family looked at me like I was crazy,” she says, laughing at the memory. “I wouldn’t be afraid to try it again.”

I would hop on that crazy train with her. In peanut butter we trust.

In pickles, too, though I pause when Donna reports that her late father-in-law, whom everyone called J.E., used to eat homemade cocoa pound cake with home-canned dill pickles.

How did that occur to him?

No one in the family seems to know the origin story, so Donna asks Google AI: Is eating dill pickles with cocoa pound cake a thing?

The answer: “Eating dill pickles with chocolate cake is a recognized, albeit niche and often surprising, flavor combination that has gained traction as a ‘sweet and savory’ pairing.”

J.E. was ahead of his time.

Speaking of sweet and savory, David, perhaps the most adventurous eater I know, says one of his daughters recently gave him some artisanal chocolate with anchovies.

“The salt and umami against the dark chocolate was a fortunate combination,” he says.

Full disclosure: David also likes what he describes as an old Southern favorite: liver mush topped with artificial maple syrup.

Artificial maple syrup? Because real maple syrup would ruin the experience?

“Yeah, it needs to be Log Cabin,” he explains. “Made with corn syrup, of course, and a lot of artificial maple flavoring. Real maple syrup is way too mild to counter the funky mildew flavor of liver mush.”

Take that, funky mildew flavor of an optional dish.

This reminds me of a meal I once shared with a friend at a Japanese restaurant in Pinehurst. Miso soup came with dinner.

“What is this?” she asked, not enthusiastically, after sipping from a long, plastic spoon.

“Miso,” I answered. “Made with fermented soybeans”

“Me-so-no like this,” she said.

Honestly, the soup tasted a little gym-socky to me, too, but it was nicely balanced by a salty broth garnished with scallions and puffed rice.

I slurped away.

There’s no accounting for taste, as the old saying goes, but scientists do know a lot about what makes certain foods attractive to some people while others cringe at the thought.

Roberta Claro da Silva, an associate professor in the College of Agriculture and Environmental Sciences at N.C. A&T State, says several variables — culture, psychology, genetics and age — go into the experience of flavor.

For example, when Silva was growing up in Brazil, she ate sugar on avocados. Salted avocado was a no-go.

“There was no guacamole,” she says. “It didn’t exist.”

However, salted lemons, limes and green mangos were common treats.

“Salt breaks the astringency and makes it more sweet,” she explains.

So food culture — what’s available and eaten in your area — influences your idea of what’s appetizing. But there’s more to the recipe: memories and associations, the psychological aspects.

“If you have a very good memory of your grandma cooking food with specific spices, you will relate this with comforting food,” Silva says.

By the same token, if you’ve ever gotten sick after eating a particular food, you’ll probably avoid it because of the negative association.

Visual biases creep in, as well. People generally like foods that are aesthetically pleasing. That’s why plating is a big deal in fancy restaurants.

Some parts of flavor are not as malleable. Genes partly determine the number of taste buds a person has, as well as their sensitivity. So-called “super-tasters” detect bitterness at lower thresholds than others. Often, they cannot tolerate dark chocolate and strong coffee.

Genes also influence our sense of smell, a huge contributor to what we call flavor. One genetic variation, which affects chemical receptors in the nose, determines whether a person finds the flavor of cilantro pleasantly herby or disgustingly soapy.

Age figures into the stew, too. Taste buds decline, in quality and number, as the years go by. That’s why older people often lean toward stronger flavors and saltier food.

The upshot: Yummy and yucky are moving targets over a lifetime.

I ask Silva an academic question: Is it possible that my son will try a peanut butter-pickle-and-sriracha sandwich one day, despite, you know, the possibly negative experience of having been chased around the house with one?

“I believe so,” she says kindly.

Saving you half, kiddo. 

Tea Leaf Astrologer

TEA LEAF ASTROLOGER

Pisces

February 19 – March 20

No, you’re not going crazy.
Yes, you know what you know. And, no, you don’t need to explain your so-called prophetic dreams to anyone (they’re not ready to hear them). Here’s what you should do: Cut ties with the friend who makes you feel like a doormat. Get clear on your boundaries — and honor them. And when the new moon graces your sign on March 18, inspiration for a fresh skin care routine could be the glow-up that you never saw coming. Or, maybe you did.

Tea leaf  “fortunes” for the rest of you:

Aries (March 21 – April 19) 

Try taking a cold shower. 

Taurus (April 20 – May 20)

Two words: leafy greens.

Gemini (May 21 – June 20)

You’ll know when you know.

Cancer (June 21 – July 22)

Make a date with the sunrise. 

Leo (July 23 – August 22)

The signs won’t be subtle. 

Virgo (August 23 – September 22)  

Pay attention to your jaw and shoulders. 

Libra (September 23 – October 22)

Put your playlist on shuffle and move your feet.

Scorpio (October 23 – November 21)

Pick up where you left off. 

Sagittarius (November 22 – December 21)

Prepare to surprise yourself. 

Capricorn (December 22 – January 19)

Work with the chaos. 

Aquarius (January 20 – February 18)

Explore a different vantage point.

Home Grown

HOME GROWN

Changed Fur Good

The making of a vegetarian

By Cynthia Adams

Come wintertime, our perpetually cold Mama suddenly perked up, like a Lenten rose popping out of the permafrost.

Her appreciation for plunging temperatures was partly due to creature comforts: A roaring fire. The ancestral McClellan vegetable soup burbling on the stove (which, frankly, tasted like everybody else’s recipe). And a fruit cobbler in the oven, aromatically caramelizing. 

Plus, Mama saw cold weather as an excuse to wear her furs.

Furs. Lynx. Mink. Rabbit. My father haunted auctions and estate sales scoring fur coats, finds that made Mama dance with delight.

To my horror, Mama would wear fur anywhere. 

“How could you?” I’d entreat as she swathed herself in animal skins, making me despair for the once living, breathing, rightful owners, with Mama nearly disappearing within their oversized heft (but for her pursed Revlon-reddened lips).

“They’re already dead,” she would hiss back.

I turned on my heel and went to my room. Did they have no conscience? I journaled, heavily underlining “no.” 

True, some of Mama’s affection for fur had to do with warmth. But her fur lust owed much to Liz Taylor, who exemplified Mama’s ideas about glamor. 

She aspired to a very different life than the one she was consigned to in Hell’s Half Acre with her brood of five children.

Worse yet, I received cold comfort from any quarter. My sisters saw no problem with fur. My brothers, who hunted and fished, wondered what the problem was. I was the sole dissenter.

My moral compass pointed to faux fur and pleather.

In a moment of stubborn righteousness, I announced becoming a vegetarian. Both parents looked strangely pleased when I requested a frozen pizza. They happily complied, given the price of Totino’s versus rib eyes.

Daddy sighed, calibrating the rareness of a steak. “She won’t be able to hold out,” he predicted, eating charred fat trimmed from Mama’s steak as I nibbled freezer-burned pizza that tasted about the same as the disk of cardboard stuck to its bottom.

“Yes, I will,” I retorted sassily.

“Then you just don’t know what’s good to eat,” he flung back — an opinion I learned was shared by celebrity chef Anthony Bourdain. 

Bourdain sniffed, “Vegetarians are the enemy of everything good and decent in the human spirit, and an affront to all I stand for, the pure enjoyment of food.”

Being a judgmental teen, I thought my parents were the enemy of everything good and decent in the human spirit! 

Heedless of my feeble protest, Mama would don her fur at the first hint of wintry mornings. Yes, decked out in a fur coat, her kitten-heeled mules would slap along the oak floors on the way to the kitchen. She looked like a ball of fur putting the percolator onto the stove. Her lightweight robe would not be seen again till May.

As the percolator caffeinated the air, we kiddos emerged. We all drank black coffee upon reaching the mandated age of 12. Perhaps Mama believed insisting upon serving it black might discourage us from becoming coffee fiends. She was wrong.

Coffee underway, she would pull out her biscuit-making paraphernalia from the cabinet, slapping it on the yellow Formica counter. Out came the rolling pin, flour, Crisco and milk. 

Standing at the kitchen counter in her fur and mules, cocktail rings adorning her fingers, Mama did what she did every morning. She worked a knob of Crisco shortening into a floury lump, rolled out the dough, dusted it with flour, and finally cut rows of biscuits with an ancient biscuit cutter. The pillowy dough was in the oven before Daddy had finished his first cup of Maxwell House.

“No bacon,” Daddy reminded me at the table as Mama plunked rashers into a cast iron pan, a carton of eggs at the ready. I am certain she must have singed a furry sleeve at some point, but would have never admitted it.

“No homemade sage-rich sausage.” He added gleefully, “and no gravy made with pan drippings.”

I claimed a biscuit, buttering it liberally, making clear I’d breakfast henceforth on grits or oatmeal and biscuits, glaring over my coffee mug.

“Suit yourself, old girl,” Daddy mused. “You’re the vegetarian.” 

It was hard staking the moral high ground, my stomach groused. At school lunch, I faced limited choices: namely, pizza or fries. I resolved to bring a peanut butter sandwich the next day, eating several servings of Jell-O to fill myself up, having never guessed how jolly old gelatin is made.

My life became a series of concessions. I kept eating Jell-O even after learning its revolting origin story. I ate enough carbs and fats to set myself up for a future of cardiac problems, loading up on butter, cheeses, ice cream and shakes. 

My parents remained oblivious to my moral rectitude. If anything, they seemed to flaunt their carnage, making every meal a tribute to meat. Pork chops. Pork roasts. Beef stew. Fried chicken. Chicken fried steak. Fried chicken livers. Burgers. Barbecue. Spaghetti Bolognese. Sausage. Bologna. Ham. Country ham. Steaks every Friday night.

Sinking to a new low, Daddy brought home liver mush, reading the ingredients as he shoveled it into his mouth: “pig liver, pig head, pig lips, pig snout and pig ears . . .”

It was easy for me to decline when he offered me a fur-trimmed suede coat. “No thanks,” I said, suggesting he offer it to my sister. She happily accepted.

Sellout, I thought sourly, glaring at her prancing around. She pulled a face and danced away.

Years later, when tasked with clearing out my mother’s possessions, it was glaringly obvious that much of her glamazon style had persisted to age 93. She’d never parted with some of her favorite, sparkly heels (despite painful bunions), sequined handbags and, even, so help me, a boa. I couldn’t resist saving a pair of faux-fur trimmed denim jeans and bedazzled denim jacket as proof of Mama’s dramatic flair.

I paused, passing a hand across fur coats that grew ever larger on her as she shrank, long since relegated to the guest room closet. I emailed the family. No takers. Then my sister-in-law reevaluated. “I’ll take one,” she wrote. 

“Happy for you to have it!” I emailed back while spooning in a bite of lime Jell-O. 

And I meant it. 

Wandering Billy

WANDERING BILLY

How Great Thy Art

Not all masterpieces come mounted in museums

By Billy Ingram

“How lovely is Thy dwelling place, O Lord, mighty God.” – Psalm 84:1

As president of Jefferson Standard Life Insurance beginning in 1919, Julian Price was renowned in Greensboro as a paragon of philanthropy. In the early 1940s, Price set up a meeting with Most Reverend Vincent S. Waters, Bishop of the Roman Catholic Diocese of Raleigh, to propose funding the design and construction of a praiseworthy home for the Catholic faithful. Price wasn’t Catholic, but his beloved wife, Ethel, was. Her death in 1943 inspired his desire for establishing a glorious sanctuary to serve as an enduring tribute to her memory.

As Price and His Excellency pored over photographs of revered tabernacles from around the country, they kept coming back to the stunning Gothic Revival edifice belonging to Our Lady of Refuge in Brooklyn. It wasn’t long before that house of worship’s architect, Henry V. Murphy, was commissioned by the Bishop.

Two cataclysmic events forestalled their efforts. First, the 1942 outbreak of World War II led to a severe shortage of raw materials. That was followed by Julian Price’s own untimely demise in an automobile mishap in 1946. With only $400,000 set aside for this ambitious undertaking, it fell to the Price siblings and others to raise additional funds for what sacral architectural experts agree is one of the most majestic sacred sites in the nation. In 1952, it was dedicated as Our Lady of Grace, the Ethel Clay Price Memorial.

With an impressive seam-face, granite exterior, Murphy’s creation reflects that old-world, French Gothic verticality, as was his style, married immaculately with Art Deco detailing. Above the main chapel doors is a life-sized stone diorama of Mary holding the Divine Child, flanked by praying angels. Tympana atop entrances also pay tribute to the Blessed Virgin. A tower rises from the rear, crowned by a graceful copper flèche pointing heavenward. The largest Catholic Church in North Carolina at that time, the chapel’s interior, fused with blanched brick, granite, maple and marble, is quite simply breathtaking.

After blueprints were approved, there was the matter of engaging an artist to create the 14 predominant stained glass windows Murphy made ample accommodations for. When asked for a recommendation, it’s believed the architect already had the perfect candidate in mind, Guido Nincheri, despite the fact that few people outside of Canada and Upstate New York had ever heard of him.

Educated in Italy and a deeply devoted Catholic, Nincheri discovered his love for stained glass after immigrating to Canada in 1914. Over a nearly 60 year career, he became recognized as the most prolific religious artist in North America, painting frescos across church ceilings and crafting stained glass masterworks for over 200 churches until his 1973 death. Pope Pius XI declared Nincheri the Catholic Church’s greatest renderer of religious motifs in 1933.

Inspired by Botticelli, Michelangelo and Art Nouveau, Nincheri’s stained glass tableaux become translucent rather than transparent, eschewing the predominant style preferred by American churches. This method allowed for unprecedented depths of detail: flowing folds of fabric, glints in eyes, luminescent sacred crowns, starry nights, cascading ribbons of hair, a radiant heart. The portrait soaring above Our Lady of Grace’s altar, one modeled after his own wife, is only slightly smaller than the artist’s largest glass masterpieces that reached as high as 25 feet.

In all, 30,000 separate stained-glass elements were delivered to the corner of West Market and Chapman streets. It took Nincheri’s representative from Belgium and a couple of local craftsmen two years to assemble everything on site.

As an example, Nincheri’s Virgin Most Prudent, illustrating The Parable of the Ten Virgins from Matthew 25:1–13, which recounts the five “wise” virgins surrounding Mary with lamps burning, awaiting her son’s resurrection. Below, the five “foolish” are asleep. “This is a true gem,” notes parish photographer Gilbert Kolosieke. “But it is hidden from the human eye at ground level. As one ascends the spiral stairs to sing God’s praise with the angels, Virgin Most Prudent is the first stained glass window at eye level with the organ loft. It is here that the Queen of Heaven offers you a warm greeting at Heaven’s Gate.”

Among these spirited renderings are potent portrayals of The Ark of the Covenant, Seat of Wisdom, Mother Inviolate and Refuge of Sinners, where, if you look closely, you may detect what was then a recently deceased despot with a familiar mustache begging for God’s forgiveness, a reminder that all are offered salvation through the Holy Spirit. (I read that somewhere . . .)

Parishioners got their first good gander at the grandeur that Murphy and Nincheri wrought during the first Mass, celebrated on July 13, 1952, and again the following September on the day of dedication attended by the architect and other dignitaries, in particular Archbishop Amleto Cicognani, the Vatican’s apostolic delegate to the U.S.

Admittedly, most of my knowledge concerning the Catholic Church comes from observing the papal peregrinations of Sister Bertrille and the less aerodynamically inclined nuns of Convent San Tanco. And working on the movie poster for Sister Act. But I recognize fine art when I see it.

Trouble is, it’s been almost 75 years since these intricate visions of divinity were installed, so there’s a pressing need for cleaning and refurbishment for their continued posterity.

The church has recruited a consultant to circumnavigate which approach will be most effective for the windows’ preservation — whether they will require painstaking removal before trucking them up north for restoration or whether the task can be accomplished leaving most everything in place. Either way, the cost involves lots of zeros.

Demand for divine intervention is greatly outpacing supply this season, so Rebekah Zomberg has stepped up as fundraising coordinator for the stained glass window restoration. The church is taking a grassroots approach, hosting an evening gala on April 11 at Starmount Country Club, with a goal of raising money for restoration and awareness of these historically and spiritually significant works of art. “We’re going to have music, heavy hors d’oeuvres, a carving station, cocktails, just a lovely evening for fellowship, Zomberg says.” Plus, you’ll have an opportunity to marvel at a slideshow of Nincheri’s manifestations of holy scripture, lit from above — a fragile congregation of tiny shards and brushstrokes collectively representing redemption and adoration. And the chance for assisting in the continued illumination of these ecclesiastical exaltations of eternal life and liturgy for future generations. For more info go to olgchurch.org or call the church office at 336 274-6520.

I don’t attend church that often anymore. I suppose you could say I’m a lapsed Presbyterian, but my sentiments track with what Nincheri’s biographer Mélanie Grondin once stated: “I’ll never look at a church the same way. Now, whenever I happen to enter a church, I walk around and take the time to look at the windows and art that adorn it, even if it wasn’t decorated by Nincheri.” To that I say, Amen! 

Omnivorous Reader

OMNIVOURS READER

Storytelling at Its Best

A sweetly crafted tale of golf and life

By Stephen E. Smith

The best writers, those gifted beyond the ordinary, harbor obsessions, and when producing their finest work, they transform those obsessions into prose that they share communally with readers. That’s the case with Bill Fields’ A Quick Nine Before Dark. His obsession is golf — and anyone who’s been caught up in the intricacies of the game will want to read Fields’ memoir, front to back.

Fields is a North Carolina boy. Born in Pinehurst in 1959, he attended public schools in Moore County and graduated from the University of North Carolina. For 20 years, he was a senior editor for Golf World and is the recipient of the PGA Lifetime Achievement Award.

A Quick Nine Before Dark is for golfers of all skill levels. Even if you’ve never whacked a golf ball and you surf past reruns of Shell’s Wonderful World of Golf like it’s a Progressive commercial, you’ll likely find yourself swept up by Fields’ beautifully crafted prose, and the personal twists and turns of his life as a golf writer. He comes across as a gentle, earnest and thoughtful human being who has nevertheless tackled life head-on. You’ll find no scandals, no shocking moral shortcomings, no dark musing, no vilifications of former friends — just straight-ahead storytelling at its best.

Writers have tics and twitches of style that identify them as surely as their DNA, but Fields’ flaws are few, if any, and there’s nothing about his writing more rewarding than his efficient use of descriptive prose. When he feels the need to shine, he does precisely that, as with this excerpted Golf World description of Davis Love III as he captured a major title: “The conclusion to the ninety-seventh PGA Championship was soggy and sweet, like strawberries and sponge cake. As quickly as the late afternoon rain had come on Sunday to Winged Foot Golf Club in Mamaroneck, New York, it stopped, and the sun peeked through an angry sky. Two rainbows arched over the course at just the right moment, as if scripted by Frank Capra himself, and for Davis Love III, there wasn’t a burden in sight.”

Fields blends the elation of honest achievement with the whimsy of happenstance. In three carefully crafted sentences, he transports the reader to a significant moment in professional golf, evoking the sweetness of strawberries and sponge cake, and framing the moment of triumph with an allusion to a great filmmaker. Then he concludes with a pithy understatement: “. . . there wasn’t a burden in sight.” Could there be a more endearing description of earned exhilaration?

When the occasional somber moment intrudes, it’s handled with grace and thoughtful solemnity, as when Fields learned that his former wife, Marianne, had died. He was hundreds of miles away, talking with his mother by phone, when he heard the news: “It’s Marianne, Bill. She died. . . . Nothing in divorce-recovery books, the radio talk show advice, or the support of friends in the wake of a failed marriage had prepared me for those words.” The deaths of his mother and father are likewise handled unsentimentally but with a necessary touch of sentiment. “Life is ragged,” he writes. “Voids linger. Loose ends are everywhere.”

Fields’ obsession with sports began when he was a child, gravitating toward any game that involved a ball. When he failed to become a basketball star, he turned to golf after receiving a Spalding starter kit for Christmas in 1969. His focus on the game waxed and waned until he was a student at UNC, where he wrote for the Daily Tar Heel. After graduation, he knocked around the golf world, promoting the game, until he accepted a position with the Athens Banner-Herald, which would evolve into an associate editorship at Golf World. What followed was a series of positions that eventually led back to Golf World, the magazine that started in the same town where he was born.

Fields covered tournaments in the United States and overseas, which brought him into contact with the greatest golfers of our time. How many golfers can boast that they’ve played the game with Sam Snead and Tiger Woods?

But A Quick Nine Before Dark is more than another golf book — it’s also about becoming a writer and what it takes to remain ascendant in a field where technology advances at breakneck speed. From the moment Fields, an elementary school kid, put pencil to paper and wrote “I like to write,” his life had been about arranging the right words in the best possible order.

Fields’ work may require him to live in Connecticut, but he is as much a Southern writer as Faulkner and as romantic about his hometown as Thomas Wolfe was about Asheville.

At 13, Fields worked as a busboy at Russell’s Fish House in Carthage, which recently closed. Describing the restaurant in its heyday, he treats us to magical paragraphs that touch all the senses: “. . . Russell’s was the most clamorous place in creation — more deafening than any argument my sisters ever had, more ear-piercing than the hocking sounds made by my fifth-grade teacher, more thunderous than a Seaboard freight train when it trundled through town . . . Wooden chairs scraping angrily on cement floors. Customers’ animated conversations and guffaws reverberating off cinderblock walls . . . Flatware and platters clanging into busboys’ bins as they and the wait staff dashed about like running backs seeking holes in a defense.”

And like any good Southerner, Fields brings us home, mystified, as most of us are, by the relationship of the past to the present: “Stretches of U.S. 1 and U.S. 15-501 are now blighted by a sprawl of commercial establishments, stores and restaurants. Attempting a left turn without an illuminated green arrow can be risky business. Traffic planners debate solutions. Meanwhile, at certain times of day, dozens of cars idle, waiting to pass the busiest intersections.”

Fields’ writing is unfailingly lucid, exact, and engaging. What’s not obvious is that he’s worked over his prose until that “worked on” feeling is gone. His many readers will be the beneficiaries of that labor. 

Feast Your Eyes

FEAST YOUR EYES

Feast Your Eyes

Lettering artist Marley Soden serves up food for font

By Cassie Bustamante     Portraits by Amy Freeman

Mustard, spices, jam, cookie crumbs, sprinkles, honey, espresso powder, candy corn. Not necessarily ingredients you want in the same dish, but, for Marley Soden, they’re main ingredients in her recipe for creativity. On TikTok (marley.makes.things), where she dishes out a vibrant and colorful feast for the eyes, she describes herself as a “Letterer, Muralist, & Food Artist.” Sometimes sweet, sometimes nutty and sometimes spicy, this tactile artist has got something to say.

Scrolling through her posts, you’ll spy a lemon meringue tart on a bright-yellow backdrop with a whisk and lemons, the words “Easy Peasy” spelled out in meringue plus lemon curd accents. Or picture a breakfast scene, complete with golden bagels, a dusting of flour, an open tub of cream cheese and a smeared butter knife with the words “You Are My” written in flour. Then, to one side, the word “Everything” is spelled (and spills) out from a jar of Trader Joe’s Everything But the Bagel Sesame Seasoning Blend. And that’s just a small sampling to whet the appetite.

Has she always played with food? “Growing up, I was artsy, for sure,” says the 31-year-old Greensboro native. “But in middle school and high school, I was more into the music scene.” In fact, Soden graduated from downtown’s Weaver Academy in 2012, where she focused on music production. But, when she arrived at UNCG as a freshman, she wasn’t sure what she wanted to study. She hopped from English major to media studies major, but still felt unsettled.

On a whim, Soden made a leap into design. “I didn’t think it through whatsoever. And, thank God, it just kind of worked out and I really liked it.” The design aspect, however, came much later in her studies — after drawing, sculpting and other “really basic bare-bones stuff.” Little by little, she discovered she had a real love and knack for lettering, a small niche in the graphic design world.

After graduating in 2016 with a Bachelor of Fine Arts in New Media and Design, Soden was hired as a graphic designer locally for Pace Communications. She discovered that she was not made for office life, but, she says, she’s “so, so grateful for those years because it taught me so much about how to work with companies and how social media in general works.” After freelancing a bit on the side, she decided to bet on herself, going all-in on being self-employed.

Soden anticipated more freelance branding work, and that’s exactly what she did during that first year on her own. In the meantime, she’d post her creative work on Instagram. And, in December 2019, she posted her first video to TikTok, which, at the time, allowed a little bit of a longer video format than Instagram. In 2020, thanks to COVID, which found more and more people engaging with others through social media, TikTok really exploded on to the scene. “I just happened to be in the right place at the right time,” says Soden, “and a lot of my art videos took off.”

The result? “I pivoted from doing branding and logo design to doing more DIY content and educational art content online.” Think YouTube tutorials, but shorter. “I’m just not great at long-form content. Short form is where I really hit my stride and I’m great at telling stories quickly.” Which, it seems, is not something everyone can do as well as she does. And something increasingly in demand. The proof is in the pudding: Almost 550,000 followers agree, eating her content right up. Plus, Soden notes, as an introvert, finding community online suited her just fine — she found unexpected joy in teaching. “In a perfect world, that’s what I’ll do forever,” she muses.

While most of her social media following is similarly aged to Soden, she says those who actually engage with her on her posts are often Boomers. “I love those people for it. Yes, always comment because it makes my day,” she quips with a grin.

As for Gen Z? The word “depersonalization” is what comes to mind in describing their interactions on her posts. “When they do comment, they’re not commenting to me. They’re commenting to other commenters.” Instead of talking to Soden, “They’ll talk about ‘her.’ And I’m like, ‘Her?’ Me?”

Nonetheless, her vibrant, eye-catching and whimsical posts get people talking. This English-major-turned-design-major puts her love for wordplay to use regularly. “The fun thing about lettering in general is that you can really inject your personality into it, and you can quite literally say what you want to say through it, through your art.” A favorite video of her own features “Pop It Like It’s Hot,” the first two words spelled in popcorn kernels and the last word in spicy seasoning. And, of course, the song it’s paired with: Snoop Dogg’s “Drop It Like It’s Hot.” To celebrate the one year mark of being self-employed, she spelled out “one” in rainbow sprinkles.

“I won’t pretend to have invented it,” says Soden of food lettering. Detroit-based illustrator Lauren Hom (Hom Sweet Hom) served as big inspiration for her from the beginning, but, Soden notes, “from there, my style just took on a life of its own.”

Thanks to Soden’s instinctive talent for connecting with her social media audience through creating quirky, whimsical art, brand deals started rolling in. She’s worked with companies such as Owala, Adobe, Michaels Stores, Café Appliances, Shake Shack, Digiornio, Russell Stover and Aerie. On her wish list? Twizzlers, Starburst or Skittles. “Anything that’s really bright and colorful and interesting texturally would be fun.”

Even though brand deals provide her with income, it’s the making — and teaching how to make — art that fills her cup. For instance, Soden brought many of her passions together in one project when she created an entire series based on podcasts — “I love food, and I love music, and I love podcasts.” For Armchair Expert, cherries and pistachios were used to create a story, with crushed pistachios spelling out the title. In that Instagram post, Soden writes that she chose cherry because: “get it? chairy?” In another post, Conan O’Brien Needs a Friend is written in apricot preserves and surrounded by scattering of almonds as well as apricot-and-almond buns (“because that hair is iconic”) and almonds.

Liquid, she notes, is especially hard to work with but produces a silky look she can’t get enough of. “The letters want to morph together,” notes Soden, so time is of the essence. And, the moment you start a project with any kind of liquid or sticky food, there’s no going back. “Once it’s down, it’s down for sure. Ask my countertops.”

To cut down on waste, every work of tactile art she creates has to have a meticulous plan, beginning with a sketch. Or, if she’s working with a client, a series of sketches. That’s followed by making stencils and, lastly, she’s ready to move on to making — and shooting — the final product. The outcome generally reflects her signature style, which she refers to as “organized chaos.”

In the end, from a creative arrangement of plates and “things toppled over,” order arises, with artist-to-the-beholder communication emerging.

Is it something AI could reproduce? Maybe, but Soden notes that there’s something lacking in AI. Sure, these days “it’s looking more and more realistic. Realistic isn’t necessarily good. I’m still missing that little piece of soul within it that you can’t really get from anything other than a real person.”

Any artist, of course, loves to explore on various mediums, from digitally in iPad screens all the way to broad-brush work on walls. You just may have spied Soden’s Mural work locally in Local Honey Salon, the former Borough Market & Bar, King’s BBQ in Archdale, Lash & Blade in Winston-Salem and Inkvictus Studios in Raleigh.

In fact, Soden’s most popular TikTok video, viewed 7.2 million times and growing, has nothing to do with lettering. Instead, in under one minute, she teaches viewers how to paint the perfect arch on their wall, ending by telling them, “Follow me for more artsy-fartsy stuff.”

Over the past six years as she’s experienced explosive growth on social media, the platforms themselves have evolved and changed. TikTok, for example, now allows for 10-minute videos. Plus, the algorithm itself changes constantly, treating its content creators to a virtual roller coaster ride. One day, your video could garner 100,000 views. The next, 3,000. “You just have to ride the wave and keep putting stuff out.”

Soden’s life behind the grid has changed, too. In 2021, she married Zach Hunt, a logistics analytics manager for Ralph Lauren, and, a couple years later, they welcomed a son. Soden anticipated that after just a short time off, she’d be working at home, baby by her side. “I had this naive idea in my head that I’m a freelancer, I can do both,” she muses. “I can watch my kid and, while he’s sleeping, then I’ll do some work.” Turns out, juggling that schedule “on top of just healing in general, learning to be a mom and having a serious sleep deprivation” was utterly exhausting. Soden found herself backing off work.

“The thing that people don’t think about when women take time off for maternity leave is that you’re not only sacrificing your income,” says Soden, “but you’re sacrificing that time that you would have spent advancing in your career.” Plus, being home with a baby and away from colleagues can, as any parent who has done it could tell you, feel lonely. After their son’s first birthday, she and Zach made the decision to put him in daycare so that she could have the time “to work and continue exploring.” Still, some days, she asks herself, “Am I doing the right thing?”

Parenting aside, stepping back onto the career path comes with its own challenges. “While you’ve pressed the pause button, you come back and everything is different,” she says. “The real world doesn’t wait for you.”

Indeed, there were no new freelance jobs, she admits, waiting for her to once again press play. So, even though Soden is adept, brilliant actually, at communicating via social media, she’s changing her approach, focusing on growing her business locally, weaving herself into Greensboro’s cultural fabric. Still, she says, “I would love to continue in social media in some way without it being my primary source of income.” The next step? Perhaps selling her art — from prints to possibly even coloring books — locally. “In general, I think people are seeking community right now because we’re all so isolated,” she says. A local presence just might be what helps her expand her net of communication, but her hope is she can regain a healthy foothold in social media once again.

On her plate currently, she’s scheming and dreaming about a just-for-fun Harry Styles-themed piece based on the song “Golden” and inspired by her toddler. “My son is his number one fan.” So far, her plans include “golden pancakes and golden syrup spelling out ‘You’re so golden’ on a big, yellow background.”

Artist. Foodie. Muralist. Letterer. It’s obvious that Soden’s creative juices will keep on spilling and spelling out — onto pancakes, onto screens, onto paper, onto walls and into the hungry hearts and minds of her community.