Omnivorous Reader
The Skill of Perseverance
The remarkable second act of John Quincy Adams
By Jim Moriarty
If your American history IQ, like mine, falls somewhere between Animal House’s Flounder — “fat, drunk and stupid is no way to go through life, son” — and the great David McCullough, you’ll find America’s Founding Son both an enlightening and rewarding portrayal of our sixth president, John Quincy Adams.
It’s written by Bob Crawford, something of an oddity in itself given he’s the upright bass player for The Avett Brothers band. “For more than two decades, I’ve studied American history while rambling up and down the interstates, freeways, and back roads of America,” Crawford writes in his introduction. While not exactly an autodidact, his lifelong fascination, beginning as a kid collecting fliers about historic landmarks at highway welcome centers, places him in the company of another member of the band, Scott Avett, who has a side hustle as an admired visual artist.
With the recent passing of Ted Turner, one is reminded of the quote he often attributed to his father, “Be sure to set your goals so high that you can’t possibly accomplish them in one lifetime.” This is, in fact, the crux of Crawford’s thesis about Adams and the goal was, or became, the abolition of slavery. His primary source is Adams’ own diaries, written faithfully on a daily basis, that illuminate the arc of JQA’s understanding of how America must eventually, and tragically, cope with its most egregious and contradictory failing.
Jimmy Carter is often extolled as a man who, in the modern age at least, made the most of his post presidency, but he was a piker compared to John Quincy, who, after losing the presidential race of 1828, briefly considered retiring from public life but instead won election to the U.S. House of Representatives. He served the citizens of Massachusetts in that capacity from 1831 until his death in 1848, when he collapsed at his desk in the House chamber and died two days later on a couch in the Speaker’s Room in the Capitol building. During those 17 years, Adams became a formidable opponent of slavery, argued the Amistad case before the Supreme Court, defeated the “gag” rule designed to muffle anti-slavery petitions, and outmaneuvered efforts, led by representatives of the “slavocracy,” as Crawford calls it, to censure him.
“John Quincy Adams may not have been an extraordinary president like Washington and Lincoln, but he is our most extraordinary ex-president. A maverick. A public servant. An American hero,” Crawford concludes.
Adams’ opposition to slavery was never in question, but his theories on what exactly to do about it evolved over time, a transition Crawford illustrates through Adams’ diary and speeches. “America’s founding son had reached the end of his patience,” Crawford writes of an 1844 clash on the House floor. “He shuddered in 1820, when he prophesied a violent dissolution of the Union, but all he had experienced in the nearly twenty-five years since proved to him that the South would never, ever, voluntarily or otherwise, give up being the enslavers.”
Crawford’s fascination with the period of American history between the War of 1812 and the Civil War came into focus after reading Sean Wilentz’s The Rise of American Democracy: Jefferson to Lincoln. His own study of John Quincy is divided into three acts. The first begins with Adams’ appointment as secretary of state under James Monroe, covers his election to the presidency in the House of Representatives in 1824 (the second time the young republic picked a president in that manner), his loss to Andrew Jackson in their rematch in 1828 and concludes with the voters of Plymouth, Massachusetts, sending him to the House as their representative. In act two Crawford does an admirable job of setting the table. “In 1835, the slavery issue was tearing the fabric of the nation apart. Its threads tossed into a smoldering furnace of bigotry and hate. And there was Adams. A witness to all of it. Sitting on the fence. Waiting for his moment.” That moment builds to a crescendo in act three.
The political figures of the day — Jackson, Henry Clay, John C. Calhoun, Martin Van Buren — are carefully drawn, as are the central issues of nullification (What if the federal government says one thing and a state refuses?) and what to do about Texas. Of equal, or even greater, interest are the abolitionists: Benjamin Lundy, Charles Finney, Theodore Weld, Arthur Tappan (full disclosure, the square at my alma mater is named Tappan Square), William Lloyd Garrison and the writings of David Walker.
When Crawford first pitched the idea of America’s Founding Son to his agent, he thought he’d be paired with a writer to produce the final work. Instead, he was left to his own devices. The result is highly readable, no small feat when you’re bound to be leaning on quotes written in the first half of the 19th century. If there is any complaint — and it is admittedly minor — it’s that on a rare occasion or two he strays too far into the vernacular of his own day, seemingly trying a bit too hard to prove that history doesn’t have to be tedious and dense. This is, perhaps, an innocent byproduct of cohosting his history podcast, “The Road to Now.”
Where Crawford ends up is in praise of a historical figure most of us, I’d venture to say, don’t often associate with greatness. “Adams brought the issue of slavery out of the darkness and into the light of the center of politics in the United States — the People’s House. John Quincy Adams preserved and protected the American democracy established by the founding generation — his father’s generation,” writes Crawford. “As the man standing in the breach, Adams passed the aspirations of the Declaration of Independence on to the next generation. With one hand reaching back to the founding and the other reaching forward toward the Civil War, John Quincy Adams is a bridge and perhaps the best representation of America’s tortured adolescence.”
If, in reading Founding Son, you see traces of modern America — our deeply flawed and fractured America — so does Crawford. “I can’t say for sure whether history repeats or rhymes, but I do notice echoes from the past in our present. That’s because history is driven by people — and people haven’t changed since 1776,” he writes. “Truth be told, people haven’t changed since Adam and Eve, or however you signify the beginning of time (or should I say history?). Spend a little time reading about the 1830s and 1840s, and you’ll encounter figures who feel eerily familiar. They dressed differently, used different slang and communicated via what now seem like antiquated technologies — but in a very real sense, we are them and they are us.” OH
Jim Moriarty is the editor of PineStraw. He can be reached at jjmpinestraw@gmail.com.





If you have never owned a pooch, then visiting a dog owner’s home may seem a little strange to you. They don’t operate like houses without wagging-tail greetings. You’ll hear phrases or words yelled over and over again. And, if you neglect to use them while visiting, you might be met with fluffy ears cocked in confusion. Take it from us, you don’t want to be caught without the proper puppy parlance. Don’t fret, we’ve compiled a list of useful common phrases to know before you hit the homes of these happy hounds.
UNCG biology student Kayden Friddle knows that there’s an art to blazing a path forward. Born and raised in Summerfield, Friddle is an artist whose pyrographic work consists of burning wood and leather with sketches of bears, dogs, birds, cats and just about anything you can find in the wild — or at home with a wagging tail. “I use a really hot tool that burns the wood to make patterns,” says Friddle, “the same way you would draw with a pen.” While it may sound simple enough, woodburning requires precision and patience — oh, and, at the very least, an artistic hand. As a child, Friddle says all the content she consumed — documentaries and TV shows — and the toys she played with were, you guessed it, animal related. Inspired by traditional pyrography artists, she began experimenting beyond wood. With a steaming-hot pencil in hand, Friddle crafted her own method, discovering new techniques. “I had seen where people have done pyrography and wood burning but, at the time, I hadn’t seen anyone do it on leather.” So, she adds, “I crafted a method to do it.” Her love for animals extends far beyond her medium. Merging her creativity with compassion, she has auctioned her work and donated from 50%
If you haven’t yet wandered through The Marshall Muse Gallery’s newest exhibit, “Nature’s Kingdom,” take a cue from a curious deer and stop in to discover what animal-inspired artworks are waiting around the bend. For instance, Linda Reville’s Strength & Courage watercolor features three bucks and a bald eagle, and dips deeply into Mother Nature’s palette, from earth tones to indigo blues. Other works, says gallery owner Tracey Marshall-Becker, are “very diverse from pottery, wood, sculpture, fiber art, paintings, acrylic oil and watercolor,” July 1–25. Info: themarshallmusegallery.com.
A nosy Nelly knocks at our door: In my second year of college at UNCG, I went back home to Goldsboro during fall break, where I met our family’s newest addition, Nelly — or what I like to call her, Nosy Nelly. There she lay, bright-eyed and bushy-tailed, pulling the threads from the comforter on my bed. A bit shy and reserved — and occasionally snoopy — our white-furred cat with blue eyes isn’t the sweetest kitty on the block, but somehow she found a soft spot for my sister, Bre, and me. Our soon-to-be-Nelly was first found in a loved one’s garden, digging up more than just weeds, and had to be moved to a home that would accept her, claws and all. And if anyone will take in a stray, misbehaving cat who doesn’t listen, it’s my sister. We’d fostered many cats since moving to our latest house and, like the rest of them, our mother let us keep Nelly until we could find her a forever home — which turned out to be closer than we thought. A few months passed and my mother finally gave up the pretense. Nelly had settled in our house with no intention of leaving. When guests visit, she’ll peek out curiously from underneath our beds, ultimately deciding it’s not worth her time, and slide back into hiding. Sometimes considered rude or aloof, she just might surprise you. In fact, if you’re lucky enough — or shake a treat in your hand — she may find her merry way to your lap for an evening nap. A year ago, I asked my sister why she chose the name Nelly, half expecting it to have originated from the phrase “nosy Nelly,” fitting for a curious cat who’s torn up our blinds to sneak a peek outside, but that seems not to be the case. To this day, my question remains unanswered. All we know is that the name fits her all too well. 





Dear Diego: Elementary school plays a key role in a child’s development, but for shy and reserved Joi, who found it hard to make genuine friends, she spent most of it by herself. That was until I met Diego. “Joi, could you please stop that!” yells Mrs. Perkins, my fourth-grade teacher, during our class walk to the playground. I’m near the back of the line and have, unknowingly, slipped into a daydream, humming a tune the entire walk back — loud enough for her to hear me from the front of the line. A little embarrassed now that my classmates are staring at me, I walk the rest of the way back with my head down. “I thought it sounded good,” says a voice behind me. Diego. He has a Go, Diego, Go! backpack — fitting, isn’t it? — and light-up Skechers he wears everyday. From that moment on, Diego and I are two peas in a pod, never leaving the other’s side. He becomes my first best friend and later evolves into a crush. I am fascinated by his ability to climb the monkey bars just as he is fascinated by my swift running skills — so much so that he brags to all his male friends that I could beat them in a one-on-one race if they dared to challenge me. Sadly, a year later, his father, who is in the military, is stationed overseas, which means Diego has to leave. Now as an adult, I appreciate the love Diego showed little Joi when she needed it the most. I hope he has grown up to impact other people as much as he impacted me. And who knows? Maybe we’ll meet again one day. Until then, I’ll keep an eye out for light-up Skechers.
“Once I started doing film acting at the studio, I just fell in love with it,” exclaims Emi Curia — a Winston-Salem native and actress. A year after graduating from UNCG, Emi’s career continues to rise. At 22, she’s already a veteran of the hit TV series
Father’s Day is right around the corner and we’re bracing ourselves for a day where we hold back the eye rolling as the corniest puns ever, aka dad jokes, exit the mouths of our fathers. They’re a comical and fun play on words, but, if your father is like most, he probably feels unashamed when blurting out the same joke over again and again — on repeat forever and ever. And, if you’re not careful