There’s a Book Club for That

Even better than reading a book is reading a book with friends

By Ross Howell Jr.     Photograph by Bert VanderVeen

Want to find a local book club? A great resource is the Greensboro Public Library.

I did my snooping at the downtown Central Library, where I met Amy Bacon, 30-something library associate, book lover and avid reader.

“Book club participants, by nature, are voracious readers,” Bacon says.

“I’ll read a couple books a month, maybe three or four, maybe five in a good month,” Bacon continues. “But there are people in the clubs who read a book every day or so!”

Bacon acquired her reading appetite from her mother, Michelle Masters, an English teacher at Mendenhall Middle School.

“She encouraged reading early on,” Bacon says. “She wouldn’t say, ‘Now you have to read for 30 minutes.’ She’d say, ‘Now you get to read for 30 minutes.’”

J. K. Rowling was also a big influence. Given Bacon’s age when the Harry Potter novels were published and the fact that her mom was teaching in middle school, the books really resonated.

“When they did the midnight releases,” Bacon says, “there we’d be at Barnes & Noble bookstore, waiting. Mom always bought two copies, because neither of us could wait to read!”

Bacon’s a proud advocate for libraries and book clubs.

“Every time I meet someone new, I ask if they have a library card,” she laughs.

Bacon earned her bachelor’s degree at Appalachian State University in psychology, and her master’s degree in library and information science at UNCG. Shortly after she became a full-time librarian in 2018, Bacon was put in charge of the book club collection, curating it with two other staff librarians.

It’s a big job.

For starters, there’s the plethora of new releases each year.

Bacon consults places such as Oprah’s Book Club selections, reviews and lists in The New York Times, or Goodreads for new books. Sometimes the leaders of local clubs will email her about forthcoming titles in their particular focus areas.

And the library always tries
to spotlight local and North Carolina authors.

It’s not an exact science.

“Sometimes we have titles that get really popular out of nowhere,” Bacon says. When the novel Where the Crawdads Sing by Delia Owens was released, it checked several book club boxes — good summer read, North Carolina setting, nature, coming of age.

“I thought it would do well, but I didn’t anticipate its fantastic popularity,” Bacon says.

The library ended up ordering six book club sets of 12–15 copies per set, and they’re still circulating widely.

Then there’s the matter of branch locations.

There are book clubs that meet not only at the Central Library, but also at the Blanche S. Benjamin branch, the Glenn McNairy branch, the Glenwood branch, the Hemphill branch, the Kathleen Clay Edwards Family branch, the McGirt-Horton branch and the Vance H. Chavis Lifelong Learning branch.

There are about 20 library-sponsored book clubs with a branch library staff person facilitating meetings scattered among these locations. And there are dozens of independent book clubs that also need support, some through retirement homes and senior services, and many through neighborhood and church groups.

Bacon estimates that there are more than 250 book clubs using Greensboro Public Library collections. That’s a lot of serious readers!

“When someone requests a title for a book club set, staff members and I have to consider if other clubs might use it,” Bacon says. “We don’t want to order 15 copies of a book that might only be used once.” She passes along her buy list based on requests and recommendations, along with her own research and experience. The final decision, of course, is made based on consensus with library colleagues and budget allocations.

Library volunteers play a key role in getting book club sets out to readers.

“I don’t know what we’d do without our volunteers,” Bacon says.

Since the pandemic, Bacon has seen a rise in book club participation. While most clubs still meet in person, the library also developed a Zoom hybrid meeting format.

“We’re seeing a lot of people participating now who weren’t before,” Bacon says.

“Because we have such a diverse collection,” she adds, “there’s a book club for anybody.”

Bacon herself recently joined a new sci-fi/fantasy reading club. Other clubs focus on mystery, nature and environment, books by or about women, international, African American literature and history, young adult, literary fiction and more.

“And if there’s not a book club you want to join, you can start your own,” Bacon says. “I can help you either way.”  OH

For more information, visit www.library.greensboro-nc.gov/books-media/book-clubs or contact Amy Bacon, phone 336-373-7878, email Amy.Bacon@greensboro-nc.gov.

Ross Howell Jr. is a contributing writer. Email ross.howell1@gmail.com.

Almanac

By Ashley Walshe

The month of August had turned into a griddle where the days just lay there and sizzled.

— Sue Monk Kidd, The Secret Life of Bees

 

August is equal parts ecstasy and agony.

At dawn, a shimmer of hummingbirds dips and weaves among cascades of morning glories and a sweeping sea of hibiscus. In one day, the nectar of one thousand flowers will have sweetened their bellies and tongues. In one month, when the blossoms fade, the tiny birds will disappear, taking summer with them.

The honeybees have multiplied. They drift in dizzying circles, supping joe-pye weed and purple coneflower as if the future of the hive depends on it. And it does. The bees know that the season is slipping with each precious sip. They know not to waste it.

Swallowtails orbit goldenrod and lemon balm, ring around the butterfly bush, float like dreams from blossom to fragrant blossom. Soon they, too, will vanish.

Yet — for now — all is lush and dreamy. All is warm and sticky-sweet. Never mind that each kiss between bee and flower could be the last. The golden season always dims to black.

And so, you savor the last glorious slice of it. Absorb it with your whole body like the water snake sunning on the rock. Cradle it like a sipping spirit; inhale deeply, drink slowly, let the textures and flavors roll around on your tongue.

Sprawl out across the summer grass. Float from flower to flower. Drink the nectar of one thousand blossoms.

Harvest the fruits of the garden. Sink your teeth into them. At night, dance among the fireflies, here for a glittering moment, and then gone.

The cicadas know. As they scream out in rapturous longing — ecstasy and agony and nothing in-between — you soak up the sweetness of summer as if the future depends on it. As if it will carry you through the darkest days of winter. 

Sweet Morning Glory Late Summer Harvest

The morning glories have run wild. Twining vines with heart-shaped leaves and fragrant, tubular flowers, these late summer bloomers are hummingbird magnets. They thrive in full sun and, given a trellis or fence, will climb up to 20 feet.

Among the most common varieties are Heavenly Blue (sky-blue with white-and-yellow throats), Grandpa Ott (a royal purple heirloom from Germany), Fieldgrown (an amalgam of white, pink and purple blossoms) and Crimson Ramblers (a hummingbird favorite).

True to its name, the blossoms open in the morning, each lasting for just one glorious day.

Late Summer Harvest

The garden gives and gives. August offers eggplant, green beans and peppers. The last of the sweet corn. The earliest apples, pears and figs. And — oh, yes — an endless stream of plump tomatoes.

But what to do with them?

The ’Mater Sammich never fails (make mine with Cherokee Purple, balsamic glaze and pesto mayo — I’m no purist). Cook them down into sauces. Dice them for pico de gallo. Make bruschetta, pasta salad and summer quiche.

Better yet, pluck them straight off the vine, sprinkle with salt and enjoy.  PS

Wandering Billy

Intentional Working

Dr. Tomi White Bryan’s latest book helps organizations develop leaders

By Billy [Eye] Ingram

“You are a magical, creative ball of energy pretending you aren’t.” — Dr. Tomi White Bryan

Over the last few years, Tomi Llama (Dr. Tomi White Bryan, Ph.D, J.D) has written three self-help books that transcend the medium, definitely not the “I’m OK, You’re OK” type of navel-gazing that allows one permission to plow ahead and let the world adapt to whatever underlying, undiagnosed psychosis they may have in play. A quick search for “Karens destroying McDonald’s” on YouTube will show you where that’s led us.

Bryan’s first two books, The Toni Llama Purpose Guide: Emotional Maturity as a Path to Your Divine Purpose and What Is Your Superpower? are essential reading for anyone struggling with understanding why people respond to conflict — or even success — and react the way they do. Her third book, Hating Myself Every Step of the Way, no longer available, is undoubtedly one of the rawest, most honest assessments of a life lived that I’ve ever encountered. (Full disclosure: I typeset and formatted two of those books.)

Published by Houndstooth Press under her actual name, Bryan’s latest, Emotional Intelligence 3.0: How to Stop Playing Small in a Really Big Universe, is aimed toward helping organizations, coaching- and talent-development folks to better pinpoint potential and existing employees’ emotional maturity in order to fast track their way to a more satisfying and productive workplace experience, a mindful evolution benefitting everyone in the loop.

This blurb from the back cover of Emotional Intelligence 3.0 sums it up: “Every human being is born with unlimited creative energy — then life marks us up with red ink, teaching us who we’re supposed to be instead of who we really are. Before we know it, our greatest birthright has been crossed out, leaving most of us believing, ‘It’s not safe to be who I am.’”

I was fortunate to talk with Bryan over lunch about her groundbreaking new book, which is really more of a system, and this was one of the most illuminating conversations I’ve had in a decade. Since little of that brilliance was coming from my end of the table, let’s let the author speak for herself . . .

Dr. Tomi White Bryan: I left my corporate job in January of 2021 and started working on Emotional Intelligence 3.0, a condensation of everything I’ve ever read on abundance, self help, leadership, Western and Eastern philosophy. My dad was a university professor, I’ve taught at UNCG for a long time, North Carolina A&T and the University of Phoenix. So I approached this as an academician.

Life is getting more complex. Societal complexity is far outpacing human complexity right now. Yet we don’t have systems to deal with that because we, as people, need to become more complex to adapt to changing times. 

How well are we doing at that?

Dr. Tomi White Bryan: We have within us what I call an “emotional scrap heap.” When it’s full and you do something to me, you’re going to get the full force and effect of that whole scrap heap because I haven’t cleared any of it out. You have to process those experiences. It used to be that nine little annoyances would happen to you during the day — somebody’d cut you off in traffic or whatever. Now, there’s like 27 or 30 triggers every day. As a result, 70 percent of the population lives in what is called “Protection mode.” What happens when our power is challenged is we go to conflict. 

What affect does this have on the people around them in the workplace?

Dr. Tomi White Bryan: I love companies that say, “We have a values-based culture,” because right now toxic culture is rampant. Here’s the thing. If you, as an organization, want to live by your values, how do you get your people to do that if they don’t know how? So the first workshop we have is called “Aligning the Culture.”

And how does that work? 

Dr. Tomi White Bryan: For people to find a job fit, there has to be a culture fit, which means that each person knows their values and can live by them. If they are aligned, they’re going to be engaged every day. Only one in 10,000 people know their values. Less than that know their strengths and their purpose. If they don’t know their purpose and how to live by it, they certainly can’t do it for the organization. So they hide, they blame, and they shuck and jive. 

A couple years ago, there was a CEO round table where 250 of those Fortune 500 CEOs signed a statement saying, “We’re going to be Purpose Led.” Wonderful. Do your people know how to get there? Because if they don’t, that’s going to fail.

Basically, if someone is hiring a manager, director, vice president or C-suite, can organizations test the applicant’s emotional balance to determine what kind of leader they’re getting?

Dr. Tomi White Bryan: We’ve developed an activity called the Greatness Guide. According to leadership research by Dr. Zenger and Dr. Folkman, they’ve discovered the five fatal flaws that will derail effective leadership every time. One of those is not being accountable for your actions. Another one is not learning from your mistakes. Part of what I did is take those five fatal flaws and, instead of making them negative, I made them positive. That’s why it’s the Greatness Guide, the goal of which is disentangling from one’s adapted identity, but we have to do it in a certain way because, if you don’t, a person that is in Protection won’t hear me. 

What’s the upside of exploring these behavioral responses?

Dr. Tomi White Bryan: With a leadership pre-screening to assess employees, it’ll let you know whether or not this person gets stuck in the drama triangle, what emotional state the person is in and whether or not they’re a good, medium or bad fit for a leadership role. You’ll know what kind of leader you’re getting. 

So this manifests itself in the workplace how?

Dr. Tomi White Bryan: You’ve just had your annual review, a lot of organizations do this. What are you going to work on next year? How are you going to develop yourself? What we’ve done is, the organization can have all of their employees take this assessment and, based on where they are, build a five-year development plan. This is your current spot. Here’s your future spot. Here are the exact steps to get there. Here are the tools. 

The desired result being…?

Dr. Tomi White Bryan: What you’re left with is an employee that’s much more in tune with what’s going on, not only internally with his job and his place in that organization, but also they can take these tools and apply it [them] to the rest of their lives. Emotional Intelligence 3.0 needs to be ingrained in everything we do, bringing human complexity up to where the structural complexity is.

There’s an old story that circulates, it was IBM or somewhere. This young kid makes a $10 million mistake and he’s called into the CEO’s office. The young man asks, “Am I gonna get fired?” The CEO says, “No, I just spent $10 million on your education. You’re not going anywhere.” That’s the type of culture that is agile and progressive.  OH

Emotional Intelligence 3.0 : How to Stop Playing Small in a Really Big Universe will be available at Amazon and Barnes & Noble online on September 13.

Billy (Eye) Ingram has a new book out called EYE on GSO, a compendium of stories mostly taken from the pages of O.Henry magazine all about The Gate City’s rich history. For instance: When Greensboro, Charlton Heston with a cast of thousands and a camp filled with Nazis won World War II. Oh yeah!

Simple Life

Summer Twilight

The brief, magical time between day and night

By Jim Dodson

Not long ago as a beautiful summer evening settled around us, my wife and I were sitting with our friends, Joe and Liz, on the new deck facing over our backyard shade garden, enjoying cool drinks and the season’s first sliced peaches.

The fireflies had just come out. And birds were piping serene farewell notes to the long, hot day.

“I love summer twilight,” Joe was moved to say. “Everything in nature pauses and takes a breath.” He went on to remember how, growing up in a big family of nine children, “my mother would shoo us all outdoors after supper to play in the twilight until it was dark. It was a magical time between day and night. A glimpse of heaven.”

“We played Kick the Can and Red Light, Green Light,” Liz remembered. “The fading light made it so much fun.”

“And flashlight tag,” chimed Wendy, my wife, sipping her white wine and joining the memories. “We didn’t have to come in until the first stars appeared and my mother called us to come in for a bath and bed.”

In a world that increasingly seems so different from the quieter, simpler one we grew up in, we all agreed, something about twilight seems about as timeless as moments get in this harried and overscheduled life we all live. 

In truth, our ancient ancestors held much the same view of the changing light that occurs when the sun sinks just below the horizon, or rises to it just before dawn, softly stage-lighting the world with a diffusion of light and dust, heralding either the prospect of rest or awakening.

Like most rare things, the beauty seems to be in its brevity.

Back when I was a small boy in a large world, summer twilight was especially meaningful to me. During my father’s newspaper career, we lived in a succession of small towns across the sleepy, deep South where we rarely stayed in one place long enough for me to make friends or playmates. Because it was a time before mass air conditioning, I lived out of doors with adventure books and toy soldiers for companions, building forts and conducting Punic wars in the cool dirt I shared with our dog beneath the porch. The heat and brightness of midday made my eyes water and my head hurt.

In the rural South Carolina town where I attended first grade, a formidable Black woman named Miss Jesse restored my mother, a former Maryland beauty queen, to health following a pair of late-term miscarriages, and taught her how to properly cook collards and grits. Come midday, while my mother rested, Miss Jesse would haul me out from under the porch and make me put on sandals to accompany her to the Piggly Wiggly or to run other errands around town in her baby blue Dodge Dart.

Beneath a stunning dome of heat that lay over the town like a death ray from a martian spaceship, it was Miss Jesse who explained to me that daytime was when the world did its business and, therefore, shoes and good manners were necessary in public. Removing my sandals to feel the cool tile floors of the Piggly Wiggly beneath my bare feet — the only air conditioned place in town save for the newspaper office — was a tactical error I made only once, as Miss Jesse had complete authority over my person.

Yet it was also she who had me stand on her feet, dancing my skinny butt around the kitchen as she and my mother cooked supper to gospel music playing from the transistor radio propped in the kitchen window. Miss Jesse also informed me that both a good rain and twilight were two of the Almighty’s holiest moments, the former refreshing the earth, the latter replenishing the soul.

I often heard her singing a gospel tune I’ve since spent many years unsuccessfully trying to find, a single line of which embedded itself in my brain: “In the shadows of the evening trees, my lord and savior stands and waits for me.”

Miss Jesse was with us for only a single summer and autumn. She passed away shortly before we moved home to North Carolina. But I have her to thank for restoring my mom’s health and giving me a love of collards, a good rain and summer twilight.

The suggestion of that old hymn she loved speaks to another perspective on twilight.

Some poets and philosophers have used it as a metaphor, indicating the fading of the life force. Others view it as the end of life, a dying of the light that symbolizes the coming of permanent night, a prelude to death.

On the other hand, as I read in a science magazine not long ago, all living things would fade and die from too much light or darkness were it not for twilight, that in-between time of day when we see best.

For that reason, metaphorically speaking, it’s worth remembering that twilight also comes before the dawn breaks, marking the beginning of the day, the renewal of activity, a resumption of life’s purposes.

Tellingly, birds sing beautifully at both ends of the day — a robust greeting to the returning light of dawn and a solemn adieu as twilight slips into dusk.

As a lifelong fan of the twilight that exists fleetingly at both ends of the day — someone who is fast approaching his own so-called twilight of life — I take comfort in the words attributed to Saint John of the Cross who wrote, “In the twilight of life, God will not judge us on our earthly possessions and human success, but rather on how much we have loved.”

I also love what actress Marlene Dietrich famously said about the summer twilight — namely that it should be prescribed by doctors. It certainly heals something in me at day’s end.

A friend I mentioned this to not long ago sent me a short poem by a gifted Black poet named Joshua Henry Jones Jr., a son of South Carolina who passed away about the time Miss Jesse was teaching me to “feet dance” in my mama’s kitchen.

It’s called “In Summer Twilight” and nicely sums up my crepuscular passion.

Just a dash of lambent carmine

Shading into sky of gold;

Just a twitter of a song-bird

Ere the wings its head enfold;

Just a rustling sigh of parting

From the moon-kissed hill to breeze;

And a cheerful gentle, nodding

Adieu waving from the trees;

Just a friendly sunbeam’s flutter

Wishing all a night’s repose,

Ere the stars swing back the curtain

Bringing twilight’s dewy close.

Now, if I could only find that sweet gospel hymn that still plays in my head.  OH

Jim Dodson is the founding editor of O.Henry.

Tea Leaf Astrologer

Leo

(July 23 – August 22)

Here’s what the other signs struggle to understand about Leos: You’re not seeking the spotlight; you are the spotlight. Nothing delights you more than basking the ones you love most in your incomparable generosity and warmth. Unless it’s your birth month. They should know that one day is not enough to celebrate the vastness of your glory; it’s your turn to be pampered and spoiled. That said, if they happen to blow it — very likely — try channeling your wrath into something productive. Like making better friends.   

Tea leaf “fortunes” for the rest of you:

Virgo (August 23 – September 22) 

Digest this: It’s not your problem to fix.

Libra (September 23 – October 22)

Take your vitamins.

Scorpio (October 23 – November 21)

Just walk away.

Sagittarius (November 22 – December 21)

The miracle isn’t always obvious.

Capricorn (December 22 – January 19)

One word: moderation.

Aquarius (January 20 – February 18)

Try giving a tinker’s damn.

Pisces (February 19 – March 20)

Watch your step.

Aries (March 21 – April 19) 

Dust off your dancing shoes.

Taurus (April 20 – May 20) 

It’s all the same coin.

Gemini (May 21 – June 20)

You’re fooling no one.

Cancer (June 21 – July 22)

The drawing board is your friend.  OH

Zora Stellanova has been divining with tea leaves since Game of Thrones’ Starbucks cup mishap of 2019. While she’s not exactly a medium, she’s far from average. She lives in the N.C. foothills with her Sphynx cat, Lyla. 

O.Henry Ending

The Sunfish

It was too small to keep. Or maybe it wasn’t.

By Ashley Walshe

This isn’t a big fish story. Quite the opposite, actually. And it starts right here on Lake James, the massive hundred-year-old reservoir lapping the eastern edge of our state’s Blue Ridge Mountains.

It’s the pinnacle of summer. High on a red-clay ridge, the whippoorwill, whose incessant chanting often stretches well into the balmy morning, has gone silent. The red dog is weaving among windswept pines, and I am sitting on the wooden deck of a Coachmen RV, a sparkling sliver of lake visible one half-mile in the distance.

My grandparents used to live here. Not in this 32-foot travel trailer, home to my husband, the dog and me for a warm and watery season. But on down the meandering shoreline, in the brick-and-stucco home with the vaulted ceiling, lakeside gazebo and sweeping view of Shortoff Mountain.

Papaw kept his pontoon at a nearby marina. If I close my eyes, I can almost see two kids swinging their legs at the edge of his boat slip. I’m the little girl with the auburn curls and wild swath of freckles. My younger brother, all blue-eyes-and-dimples, is perched beside me. Neither of us have fished before.

On this day, Papaw is cradling a box of live crickets, and Dad is showing us to how to hook them. The black-and-silver schnauzer, whose feet and beard are permanently stained from the red earth, is barking at the wake as a neighboring boat glides up to dock.

Once we cover the basics (don’t snag your sibling or grandpa), we cast a few lines, jiggling the rod to make our crickets dance.

Papaw watches from the captain’s chair as Dad teaches us a ditty from his own childhood. The song changes based on who’s singing it. Mine goes like this:

Fishy, fishy in the lake, won’t you swim to Ashley’s bait?

I sing incessantly. And guess what? In no time, I feel the coveted tug of what must be a whopper at the end of my line.

I squeal. I reel. And up shimmies the smallest sunfish you’ve ever seen. A bluegill, I think. No bigger than my tiny, freckled hand.

“Can we keep it?” I ask, twitching with excitement. 

“If he’s long enough,” says Papaw. Gripping my whopper in his leathery hands, he gently slides out the hook then slips the fish into a shallow bucket of water. “We’ll measure him later.” 

My brother and I cast several more lines — first at the boat slip, then out in a quiet cove on the water. Although the song appears to have lost its magic, that doesn’t deter us from our fervent chanting. We sing until the crickets are spent, my sunfish our singular catch of the day.

I know now, 25 years later, that we had no business keeping that tiny sunfish. But it was never about the fish for Papaw.

Peering down into the bucket, my grandpa announces that the bluegill is “just big enough,” then gives me one of his signature winks. I wink back from my seat outside the camper, smiling through time at a proud little girl and her very first fish.

That night, while the rest of the family ate crappie from a previous haul, I savored every bite of my pan-fried sunfish. It didn’t look like much on the plate, but the memory has fed me for a lifetime.   OH

Ashley Walshe is a former editor of O.Henry magazine and a longtime contributor of PineStraw.

Short Stories & Ogi Sez

Food For Thought

This year’s Greensboro Food Truck Festival might just be the best thing since sliced bread — and so much more. Make your way downtown from 3–9 p.m. on August 28 to enjoy the festive celebration of all the revolutionary (and delicious) traveling food mobiles that 336 has to offer. From Queso Monster’s Mexican munchies to Smokiin Mac’s Southern fusion of Mac ‘N’ Cheese, stuff your face with local and international cuisine from over 50 different food trucks. After getting your sugar fix with personalized funnel cakes from Cherry on Top or the queen of ice cream sammiches from Ice Queen Parlor, dance away those calories — not that anyone’s counting —  while checking out the venue’s live music and craft vendors. Before the kiddos come crashing down from that sugar high, let them jump up and get down in bounce houses, or burn out on the festival’s fire truck rides. We know you have a lot on your plate this summer, so indulge in some food therapy sprinkled along Washington and Greene streets, as well as Federal Place. Info: greensborofoodtruckfestivals.com.

Wandering Eye

O.Henry’s very own contributing writer, Billy [Eye] Ingram, has recently gone to print with his book, Eye on GSO. The book’s collected essays engage readers in the historical happenings of our beloved city. Writing under the familiar sobriquet of “Wandering Billy,” Ingram reveals what lies beyond the naked eye. Dating back to 2016, Billy’s pieces have informed readers on everything from the epicenter of Greensboro’s underground music and skateboard scene, to the not so innocent happenings of State Street’s sin-ema. Flipping through the pages of Eye on GSO feels more like a comically vulnerable conversation between the past and present than your typical guide to all things Greensboro. Available anywhere books are sold.

Musical Madrigal 

After seeing Disney’s latest breakout musical motion picture Encanto, we can’t stop talking about Bruno! The Family Madrigal might just be the songbirds of the new generation, delivering record-breaking hits and a beloved soundtrack we’ve been belting out since last November. Give your kids the chance to finally channel their inner musical prodigy at the Encanto Sing-Along Film Concert at 7:30 p.m. on August 13. Who needs fancy surround sound equipment when you have a live band leading the crowd in a performance synced with the showing of the film on the big screen? Audience participation is inevitable and highly encouraged, so fill the White Oak Amphitheatre with the sounds of joyous voices, whether on key or not — we’re not judging you on your perfectly imperfect pitch. Info: www.greensborocoliseum.com.

Bringing the MCU to U

M’Baku certainly stays busy as one of the greatest warriors in Wakanda, but, lucky for us, he’s using one of his nine lives to visit the Triad for UNCG’s Concert and Lecture Series. Winston Duke kickstarts UNCG’s annual celebration of the arts at 8 p.m. on August 26 as the first of many renowned performers and guest speakers. The longest running series of its kind in North Carolina, its 110th season treats you to the sounds of talented musicians such as Joshua Bell and the Indigo Girls. Put on your dancing shoes and join the Urban Bush Women as they bust onto the contemporary dance scene. Music to our ears! Info: vpa.uncg.edu.

No ifs, ands or Putts

Bad at golf? Join the club. T.E.A. (Turning Everything Around) Time’s first Annual Charity Golf Tournament encourages all players with a love for the game and a heart for service to support the Serving Seniors Housing Initiative as they hit the Gillespie Golf Course on August 13, beginning at 9 a.m. All proceeds from the event will seek to repair the homes owned or occupied by senior citizens. Put your friend-chips to the test and register as a team of four for $200. Tackle the course solo for $65. The registration fee earns you an un-fore-getabble golfing experience followed by a lunch, plus the opportunity to bring back more than a nice tan in the form of bragging rights with awards and prizes. Sound like your cup of tee? Info: app.eventcaddy.com/events/t-e-a-time-charity-golf-tournament/register/.


Ogi Sez

Ogi Overman

I don’t know if the fish are jumpin’ or if the cotton balls are high, but I dang sure know it’s summertime. Our air conditioner’s been on the fritz for a month, and the livin’ sure ain’t been easy. My salvation, however, is the hundred or so music venues within driving distance, all air-conditioned. And that’s plenty for me.

• August 5, Greensboro Coliseum: When ZZ Top bassist Dusty Hill passed away last year, I, like everyone else, wondered if they would be able to carry on. Turns out, he and guitarist Billy Gibbons had prearranged for longtime guitar tech Elwood Francis to take his place. Somehow, that seems comforting.

• August 5, The Crown: Before COVID, I was the band-booker for Lucky 32’s “Music from a Southern Kitchen” series. Our most popular band, by far, was Graymatter. They had the SRO crowds singing along, standing on the seats and clapping in unison to “Peace Train.” If you’re of a certain age, you’ll love every single tune they play, guaranteed.

August 17, Ziggy’s.Space: If Michael Franti could make time among his dozens of musical, poetic, documentary and social-justice projects, I swear I’d vote for him for President. But, like most idealists, he’d never run. His endless variety of compositions, styles and genres have one thing in common: They leave you wide-eyed with wonderment at both his talent and brilliance.

August 20, Tanger Center: After, lo, these many years, the true legend that is Smokey Robinson is still touring, still has that unmistakable tenor and falsetto, and is still bringing crowds to their feet with both his rapport and repertoire. No wonder people say he’s the life of the party.

• August 21 & 22, Haw River Ballroom: For those of you who missed her opening for Bonnie Raitt at the Tanger, you have two chances this month to see the undisputed Queen of Americana, Lucinda Williams, as headliner. Her epic Car Wheels on a Gravel Road is considered one of the most perfectly constructed albums of all time. It’s still on constant rotation in my car, a quarter century later.

The Pleasures of Life Dept.

Baking Betty

Research, research, research

By Ruth Moose

Betty Crocker and I go back awhile, though I don’t go back as far as she goes. Betty Crocker, icon for General Mills, is 100 years old this year. One of the most recognized advertising symbols in the world, Betty has only gotten younger. Many up-to-date hairdos and wardrobe changes. She has kept up with the times. My relationship with her ended amiably enough and I have my little red spoon of confidence lapel pin to prove it.

Many years ago when I lived in Charlotte in a split-level house, carpooled in a wood-paneled station wagon and did all kinds of PTA and Boy Scout stuff, my family was a member of a very exclusive club. We were one of 500 General Mills test families across the country. I tested recipes that ended up on the backs of cereal boxes, flour packages, and General Mills products, excuse the expression, in general. I wasn’t paid but was reimbursed for the cost of recipe ingredients. I figured since I baked and cooked anyway, why not make it interesting? And I like to try new recipes.

Helen Moore, my good friend as well as neighbor, was at that time Food Editor for the Charlotte Observer. She invited me and serval other women of various ages and stations to a lunch with two home economists from General Mills. It was a lovely lunch in a nice restaurant, a real treat in the middle of the week. Good food, fun conversation and afterwards I was asked to be part of 500 families scattered across the country. The home economists explained that, though they tested recipes in their laboratory kitchens in Minneapolis, they wanted reactions from real people in real home kitchens. Where the pasta meets the road, so to speak.

During the years I tested a variety of recipes, everything from vegetable dishes (carrots cooked in frozen apple juice with fresh ginger was a good one) to cookies made with various cereals, to a whole series of recipes using wine. I saw many of these later in cookbooks. For the most part, my family was good natured about the whole thing. They were used to seeing different things on the table when they sat down to dinner.

After I tested a recipe, I filled out forms that included what I had paid for certain ingredients, whether I had them on hand, how difficult they were to find, how much they cost, and so on. Other forms asked if the instructions on the recipe were clear. Was it hard to follow? How much time did it take to make it? And there was always the question of my family’s reaction. They were the ultimate arbiters. Actual people eating real food in a home kitchen. Nothing complicated. Except the time I was sent a recipe for gumbo.

No, I did not have filé powder on hand.

No, I did not keep canned okra on my pantry shelf.

I didn’t know you could even CAN okra. And it surely didn’t sound appetizing. Breaded and fried okra is food of the gods! But okra in a can? In the South yet? Sacrilege.

So, I went in search of canned okra. In those days Amazon wasn’t even a twinkle in Jeff Bezos’ eye. Managers of the A&P, Kroger’s and Harris (before there was Teeter) laughed at me. Was I some kind of nut? Canned okra? I finally found a lonely can on the bottom shelf of a tiny exotic foods market. Exotic for North Carolina, certainly.

Then I made my first and only gumbo.

My family’s reaction, after a couple of mouthfuls, was to ask if we couldn’t go to MacDonalds.

We did, leaving plenty for the garbage disposal and a none too glowing report for Betty Crocker.

After that, whenever my sons sat down to something unfamiliar, their immediate reaction was, “Are we eating Betty Crocker?”

I probably tested recipes for Betty for six or eight years. The gumbo was the only unqualified disaster. A lot of the recipes I still make — a Wheaties cookie; many of the wine dishes, including a pot roast cooked with Burgundy.

The program was discontinued but, as a token of their appreciation, I was given a tiny version of Betty’s trademark, a small, enameled red spoon lapel pin — the Phi Beta Kappa of gumbo, I suppose — and a real conversation piece at dinner parties.  OH

Ruth Moose taught creative writing at the University of North Carolina-Chapel Hill for 15 years and tacked on 10 more at Carolina Central Community College.

The First Funeral

Fiction by Clyde Edgerton

Illustrations by David Stanley

 

1977, Hurt, Tennessee

A great big lady goes under the funeral tent in her high heels and sings “How Great Thou Art.” She just belts it out. She’s wearing glasses with thick, black rims. And she’s got on a brown hat with a black feather. It’s Mrs. Britt’s funeral and Mrs. Britt is a hundred years old. Or was a hundred years old.

This is my first funeral in the Funeral Militia, and I don’t want to do anything wrong.

Jimbo Summerlin is the captain and he graduated from high school last year and everybody else in the Funeral Militia is about the same age as him. I’m in the fourth grade. There are seven of us here today. The Quaker’s Son is the head of the Funeral Militia and he works at the nuclear bomb place and had to be there today. He’s the oldest one and his granddaddy was a famous Quaker.

The big lady is singing the song in a real big way.

If we join the Funeral Militia though we sign a contract about never joining the Army. Mama signed mine. This all started ten years ago, right after some people came home from Vietnam.

Jimbo calls cadence when the Funeral Militia marches. Hup, two, three, four. I want to be the caller when I get big enough.

A yellow lightning bolt is on the left sleeve of my uniform, like the others. There’s a plow on the right side. Then it says Funeral Militia in a curve on my front pocket. The uniform is dark blue and the writing and stuff is yellow.

We stand outside the tent while the funeral goes on underneath it — with the family sitting down. We are at Quaker Field. A lot of people stand around outside the tent listening to the song. The seats under the tent are filled up.

The sun is hot, and you can smell the cut grass from where Dennis Warton just finished mowing around the Quaker House and on out here. I will do a drum roll while Lonnie plays the Red River Valley on the trumpet at the very end of everything. Lonnie plays a trumpet instead of a bugle. Jimbo does the fold-up-and-present the flag part when it’s a man who has served in the armed forces.

The preacher is talking. Preacher Knight. He is almost all the way bald-headed and has this big Adam’s apple and is a little bit skinny. The whole funeral was at the Methodist church where we sat in the balcony, but they brought Mrs. Britt here to get buried. The pall bears loaded her into the back end of the hearse while we stood at attention right there close by. A lot of people get buried out here.

A man from Knoxville came to a funeral one time and said the Funeral Militia is against the law.

We stand in two rows just outside the tent. Today, it’s three in the front row and four in the second row. I get to stand at the end of the second row. The reason Jimbo is in the Funeral Militia is because his uncle got killed in World War Two and some other people got killed and the Quaker’s Son started the Funeral Militia like it had been started a long time ago but died out with Hitler and them. Everybody has to look straight ahead while we stand here, and I think about how Jimbo can run really fast and he throws a baseball side-armed when he pitches. Sometimes he chews tobacco. He’s kind of a buddy with the Quaker’s Son.

I hold my drumsticks in my left hand whether I’m at attention or at ease, and my right thumb has to hold tight against the seam on my pants when I’m at attention. My hands go behind me when it’s “at ease.” I have to keep my drum quiet by not hitting it or scraping against it and all that.

The singer lady is real big and like I said has got this brown hat that has a black feather up out of it. She is wearing a tan dress that kind of holds up her front end. She finishes the song. She sang a little bit like a opera singer. She is wearing high heel shoes that I wonder if they are going to stick in the ground. Mama has some shoes that are a little bit high.

This is the biggest funeral I’ve ever seen at Quaker Field.

Mr. Knight is reading a scripture.

When it’s over, Lonnie plays Red River Valley while I do the drum part. It’s not hard.

It’s the next day now and I can tell you what happened right after the funeral finished and we did Red River Valley. The opera lady walked right straight into this open grave that was not Mrs. Britt’s grave. That grave was covered up with a great big green rug that looked like grass. Somebody had covered up the open part of the grave instead of the dirt that came out of the grave. They was supposed to just cover up the dirt and put planks over the grave. It was a big mistake. It might have been Dennis or Tiny, or the Mustees.

I had just looked at her when she was kind of walking out from under the tent — because you kind of wanted to look at her with her big padded shoulders, and then I looked at something else, and was waiting for “attention,” and somebody hollered, and when I looked back I noticed that she had just disappeared from the earth.

Everybody started over toward the open grave, except not the people who were already down where the cars were parked. That’s where Mama was. I slid my drum strap off, put the drum down easy, and ran over to the grave where I got up right to the edge of it. The lady was down in there pretty covered up by the rug.

I had thought about how big she was when she was singing “How Great Thou Art.” She had these shoulder pads under her dress on her shoulders like Mama does when she dresses up. She had a big, you know, chest, too. The dress was tan, which I think I said.

Then she got part of the rug all moved back and she’s laying on her back looking up. Baby Jesus in swaddling clothes popped in my head. Her head was kind of rolling back and I figured she’d had the breath knocked out of her because she was looking like that, that look, and her hat was still on and it must have been pinned on or something. It is a brown hat with a black feather, if I didn’t say that. But her glasses were gone with the wind.

Everybody got quiet and I looked around. Preacher Knight was standing there, and Jimbo was kind of kneeling down across the grave from me. I was wondering about what he was thinking, about what he was going to do.

Preacher Knight said to me, “Son, don’t get too close to the edge.” He said it like he might be a little bit mad, so I backed up.

Jimbo didn’t say anything to me, though. He didn’t even look at me. He started talking to the lady. “Are you okay?” he says.

And she breathes kind of deep and says, “Hell, no. I’m not okay. Jesus God.”

With her talking like that, I looked up at Preacher Knight.

He said to her, “Can you stand up?”

“I wouldn’t be on my ass if I could stand up,” she says. She’s from Nashville, and that’s probably why she talks like that.

The preacher just said, “Well . . . “

Some other people were coming back up from down where the cars were parked. But I didn’t see Mama. All the Funeral Militia were standing around and I wondered what Jimbo was going to do.

The preacher says, “That was a wonderful rendition of ‘How Great Thou Art.’”

Floyd says, kind of quiet, “I’ll say how great thou art.”

More people were standing around now, and some more people were coming up.

Mr. Knight says, “Somebody needs to get down in there and get her out.”

I thought about me. I wondered if Jimbo thought about me or about hisself or somebody else.

Lonnie says, “There ain’t no room down there, man.” Lonnie is the biggest one in the Funeral Militia.

“We need a ladder,” said Kenny.

I thought about me going down in there, but I didn’t know if I wanted to or not. I might do something wrong. And I didn’t know the lady. Then I thought about Jimbo maybe choosing me to go down in there and help her out.

“Just pull her up with the tractor bucket,” said Lonnie.

“What?” said Jimbo.

“We can get one of those kids’ swings,” said Lonnie, “from behind the Quaker House and hang it on the bucket with some S hooks. She sits in it and we pull her up.”

“Go get the tractor,” said Jimbo. “The keys is in it.” He was getting to be in charge. I figured he would.

I looked at the preacher and wondered what he would say.

Jimbo said to Carl, “Go get a swing down off that swing set.”

Lonnie was walking on toward the tractor. It sits under a shed in the edge of the woods.

Preacher Knight said, “Can’t we just get a ladder?”

“We’re going to rig up a swing,” says Jimbo. “That way she don’t have to climb out.”

“Wouldn’t a ladder be simpler?” says Preacher Knight.

“I’d be nervous on a ladder,” says the lady up to the preacher. “I might be hurt.”

Everybody was quiet and we heard the tractor crank up down at the edge of the woods.

She was still on her back. I looked around. Some people still didn’t know about what happened because they weren’t coming over.

“This will be easy, ma’am,” said Jimbo. I was across the grave, watching him talk down to her. “We got a tractor coming with a bucket on the front, with hydraulics, and we are going to hang a swing set on it.”

“A bucket?” she says.

“Yes ma’am. Kind of like a big shovel. Like a bulldozer blade, sort of. We are going to hook a swing to it. So you can just sit in it and get lifted right up and out.”

Floyd quiet-like started singing, “Love lifted me.” Him and Lonnie get goofy sometimes.

Now the crowd is a little bigger and pretty close up to the grave.

“I think we better get somebody down in there and help you stand up. Is that okay?” said Jimbo. But he didn’t look across at me.

“It’s too bad she didn’t land sitting up,” said Lonnie.

“What?” said the lady.

“I was just talking to Floyd,” Lonnie says.

Then Mrs. Knight, the preacher’s wife, walks up from down where the family cars were — where Mama still was. “What happened?” she says. Then she sees and says, “Oh, my goodness.”

“She fell in the grave,” says Jimbo.

“Oh my goodness,” says Mrs. Knight again, and then she says down into the grave, “Are you okay, Myrtle?”

“I don’t know. I don’t know if I can get up. Is that you, Pauline?” says the lady. “I can’t half see. My glasses fell off. I hope to hell they’re not broke.”

“These boys will get you out,” says Mrs. Knight. “Lord knows they do everything else around here. Where is the Quaker’s Son?”

Lonnie said, “He’s at Oak Ridge today.”

“They’re getting a tractor,” said Mr. Knight. “The boys are getting a tractor.”

“A tractor?” says Mrs. Knight.

Jimbo says, “We’re going to drop down a swing, number one. She sits, number two. We lift her right out. Bingo.”

“Oh,” says Mrs. Knight. “The song was beautiful, Myrtle.”

“Well, thank you. Then I busted my ass.”

I looked up at Mr. Knight. I wondered why she kept saying bad words. I wondered who put the rug over the grave.

Mr. Knight said, “Maybe you could just turn over on your stomach and then get up on your knees and hands?”

Floyd said, “That’s easy for you to say.”

The tractor was coming up with the front-end bucket that you can lift up high. Then in the next minute or two they got it all rigged up so the bucket was up high and the swing was hanging from it.

“How about letting the boy down to help her get set, get that carpet off her?” said Mr. Knight.

Jimbo looked at me, and then at Mr. Knight. And I wondered what he was going to say. But he didn’t say anything. He was going to pick somebody else, I figured.

Then he looked straight at me and here’s what he said, “Go ahead, Gary.” Gary is my cousin’s name. He didn’t know who I was. He said, “Try to get that grass rug — carpet — off her first.”

“Okay,” I said. I wished he’d called me my name, Ozzie. I thought about what if I messed up. “Can I ride the swing down?” I said.

“Good idea,” said Kenny. “Get on there.”

I got in the seat and they let me down and I got off right beside her so I wasn’t standing on her, but I was on the grass rug, and I could smell the inside of the earth and it smelled like fishing worms down in there and mixed in was her perfume. They pulled the swing back up.

The top of the ground was up above my head. I started pulling back on the rug to get it from around her waist and around her feet, but I had to kind of go slow and keep my balance because the grave was so narrow.

“What’s your name, son?” she said.

“Ozzie,” I said. I looked at her and she had makeup on her eyes. I looked up for Jimbo, but he was over at the tractor, I guess. I could hear the tractor motor.

She was helping me kind of get the rug-carpet thing from around her and kind of working herself out of it, and she was on her side, starting to turn over. She stopped moving and looked at me and said, “Ozzie, where did you get that uniform?”

“I’m in the Funeral Militia,” I said.

“What is that?”

“We do military funerals but they ain’t military funerals. They are CC’s. Commemorative Ceremonies, but they are kind of like military funerals, except that’s not what they are.”

She got all the way out from under the rug thing, and while she was getting out, she said, “Did you know Mrs. Britt?”

“Yes ma’am.”

“She was my aunt. She was my daddy’s sister. She was one hundred years old.” Then she looked at her feet. “Can you pull off my damn shoes?”

“Yes ma’am.”

“Thank you, Ozzie. I hope I don’t last a hundred years,” she says. She was working herself up to a sit-up position. “Do you think you can find my glasses?” she said. “I think they might be under me. I hope they’re not broke. Hell, I could just go ahead and get buried now.” She was looking at me and smiled and I liked her even after she said those words.

I looked around, and there were her glasses in the corner nearest by. “Here they are,” I said. I got over to them and picked them up and handed them to her and all the while I was smelling the damp dirt and the perfume.

“Who the hell would dig a grave and then cover it up with a carpet?” she said.

“I don’t know,” I said.

Jimbo said down to her, “If you can sit in the swing, we’ll lift you right out.”

She reached out toward me and I grabbed her hand.

“Grab my elbow,” she said, and I did. She almost pulled me right down on top of her, but she got up to sitting, and then worked her way up to standing. She brushed off the bottom part of her dress.

Somebody up top said, “Can she maybe sing a song from down there?”

Somebody else said, “Sentimental Journey.”

“Ha, ha,” she said, but she wadn’t laughing. “I don’t think so,” she said. “I’ve got some pain in my shoulder,” and she gets in the swing, and is just sitting there. “Mercy, Lord,” she says. The swing starts up and it gets her feet almost up to my knees and one of them S hooks starts slipping up at the top of the bucket thing, sliding down the edge of it, and the swing goes crooked and she’s got one foot on the ground and one in the air and she starts turning in a little circle, holding on to the chains with that one foot on the ground. “Shit,” she says. “What the hell?” She looks up at the tractor.

“My fault, my fault,” yells Kenny. He was driving the tractor. He let the swing down and she slipped out of the swing and stood up there beside me up close, and I smelled the perfume and she turned toward me and I was sort of looking right at her chest, and I remember dancing with Mama at the Ruritan club one time.

Carl told us the S hook was fixed.

“I don’t think she’s going to get out for awhile,” said Lonnie.

They tried again and lifted her up slow with everybody quiet, and you could hear the seat make a tiny cracking sound, and I heard some crows, until she was up there clear of the grave. Then Kenny turned it and swung her slow over the ground and she did a odd thing right then. I could see her top half over the edge of the grave from where I was — she started swinging like you do in a swing, and then she started singing, “Gonna take a sentimental journey. Sentimental journey home.”

I kind of liked her, except she said those ugly words.

They dropped the swing back down and I got in and rode up and out. We didn’t march I formation back to the Quaker House because it was like a whole different day once we got her out. What happened was they got the rug out and we all started walking back to the Quaker House and just when we started, Jimbo walked over to me and didn’t say anything. He turned me around and put his hands under my armpits and lifted me up till I was on his shoulders and he walked me like that all the way to the Quaker House. I held onto his head under his chin. I felt like it was okay that he got my name wrong. I would ask Mama to tell him who I was. It was the end of my first day in the Funeral Militia.

It’s tonight, and all that happened yesterday, and tonight I take Addie out to pee. It’s kind of warm and cloudy. Addie is our dog that stays in the house. I sit on the steps and wonder about what would happen if Addie fell into an open grave. I wonder how many dogs have ever fell into open graves. I get to thinking about all the stars that I can’t see because of the low clouds that are covering up everything.  PS

Bookshelf

August Books

Compiled by Shannon Purdy Jones

Back to school? More like back to SCUP!

There’s something bittersweet about August. The heat and humidity aren’t budging, but life is definitely moving on from summer. Whether you’re getting the kids ready to go back to school, returning to one of our many amazing universities or rolling back into town from one last beach trip, it’s easy to feel wistful over the summer that got away.

Sometimes all you need to say goodbye to one chapter of life is a new chapter — or a new book —  to look forward to, and we’ve got you covered at Scuppernong Books. Our events calendar is already filling up with a stacked list of local and national authors. Summer may be drawing to an end, but a new season to come together over great books is just beginning.

Down the Wild Cape Fear by Philip Gerard (appearing at Scup August 7 at 2 p.m.)

In Down the Wild Cape Fear, novelist and nonfiction writer Philip Gerard invites readers onto the fabled waters of the Cape Fear River, guiding them on the 200-mile voyage from the confluence of the Deep and Haw Rivers at Mermaid Point all the way to the Cape of Fear on Bald Head Island. Accompanying the author by canoe and powerboat are a cadre of people passionate about the river: a river guide, a photographer, a biologist, a river keeper and a boat captain. Historical voices also lend their wisdom to our understanding of this river, which has been a main artery of commerce, culture, settlement, and war for the entire region since it was first discovered by Verrazzano in 1524.

Antipodes: Stories by Holly Goddard Jones (appearing at Scup September 1 at 6 p.m.)

A harried and depressed mother of three young children serves on a committee that watches over the bottomless sinkhole that has appeared in her Kentucky town. During COVID lockdown, a 34-year-old gamer moves back home with his parents and is revisited by his long-forgotten childhood imaginary friend. A politician running for a state congressional seat and a young mother, who share the same set of fears about the future, cross paths but don’t fully understand one another. A woman attends a party at the home of a fellow church parishioner and discovers she is on the receiving end of a sales pitch for a doomsday prepper.

These stories and more contemplate our current reality with both frankness and hard-earned hopefulness, realism and fabulism, tackling parenthood, environment and the absurd-but-unavoidable daily toil of worrying about mundane matters when we’ve entered “an era of unknowability, of persistent strangeness.”

American Refuge: True Stories of the Refugee Experience by Diya Abdo (appearing at Scup September 8 at 6 p.m.)

In this intimate and eye-opening book, Diya Abdo — U.S. immigrant, English professor, activist and daughter of refugees — shares the stories of seven refugees. Coming from around the world, they’re welcomed by Every Campus A Refuge (ECAR), an organization Diya founded to leverage existing resources at colleges to provide temporary shelter to refugee families.

The lives explored in American Refuge include the artist who, before he created the illustration on the cover of this book, narrowly escaped two assassination attempts in Iraq and now works at Tyson cutting chicken.

We learn that these refugees from Burma, Burundi, Iraq, Palestine, Syria and Uganda lived in homes they loved, left against their will and moved to countries without access or rights. They were among the 1 percent of the “lucky” few to resettle after a long wait, almost certain never to return to the homes they never wanted to leave. We learn that anybody, at any time, can become a refugee.

Shadowselves by Jason Ockert (appearing at Scup September 15 at 6 p.m.)

Speculative and darkly surreal, the stories in Shadowselves examine characters who have stepped dangerously close to an edge they cannot see. A snow plow driver stranded on the roadside during a blizzard finds himself trapped in a riddled memory. A middle-aged man wakes up one morning to find he’s gained 400 pounds overnight. A lonely child sets off to prove the existence of a mythic bird, but uncovers an ugly secret on the other side of town. A comatose teenage outcast traverses the liminal space between life and death. With a sometimes-tenuous grip on reality, and often haunted by mistakes, repressions and alternate versions of who they might have been, the characters in Shadowselves struggle to find meaningful human connections in a world where the most important things always seem just out of their reach.

Circa MMXX by Dan Albergotti (appearing at Scup September 15 at 6 p.m.)

Dan Albergotti’s third poetry chapbook, Circa MMXX, examines American life in 2020 and provides a terrifying report on our collective experience of illness, destruction and death. In his startling imagery, the reader may recognize the varieties of ecological, political and personal collapse that came to be associated with that year, but these poems also insist that the trials were not new then and have not gone away now. Circa MMXX is a portrait of how we are and have been that shows a better future is possible if we can find the way.

Nermina’s Chance by Dina Greenberg (appearing at Scup August 7 at 2 p.m.)

War sears its imprint on the human spirit in infinite ways.

After her family is murdered and her body ravaged by Serbian soldiers, Nermina Beganovic’s only chance of survival is to flee her Bosnian homeland during the Balkan War, circa 1992.

Nermina’s Chance by Dina Greenberg is realistic fiction that reimagines the essence of family and plumbs the depths of a mother’s ardent connection to her daughter.   OH

Shannon Purdy Jones is co-owner of Scuppernong Books.