Tag: Department

Birdwatch

BIRDWATCH

Harbingers of Spring

Return of the swooping swallows

By Susan Campbell

As the days lengthen and the air begins to warm, many of us look forward to the return of migrant songbirds. Dozens of species that breed here spend their winters far to the south, and dozens more spend time feeding here as they migrate to summer haunts in New England and points farther north. Of these, the first to return in central North Carolina are the swallows. In early April, it’s possible to see six different species: barn, rough-winged, tree, bank and cliff, as well as the more familiar purple martin. And since swallows move in mixed flocks at this time of year, encountering three or four kinds in close proximity is not unusual.

Swallows are almost exclusively insectivorous and are built to catch their prey on the wing. They have strong pointed wings and forked tails, which allow for excellent aerial maneuverability. Except for adult male martins, they are all dark on top and light colored below. But each species has a characteristic flight pattern that can be used to identify it even if field marks cannot be discerned. Modern field guides include descriptions of the patterns — where a species flies and how it flies (the combination of flapping and soaring) are unique. This is very helpful, since swallows spend most of their time on the wing and tend to be quite high in the air, so plumage is difficult, if not impossible, to see.

Without a doubt, the best place to find swallows is around water, where insects are most abundant during the warmer months. If one is lucky and there is a snag or wire adjacent to a wet area, the birds may be perched at close range, which should make for ideal viewing conditions. Except for purple martins, sexes are identical. To the human eye, male and female size, coloration and behavior are the same. However, you may be able to pick out the drabber plumage of a juvenile in late summer if you have a pair of binoculars — and a good bit of patience.

Purple martins are the largest of the group and have the darkest feathering. Adult males are a distinctive bluish-black. Females and second-year males have some blue feathering on the back and head but are mainly a dingy gray. Juveniles will be a paler gray with little or no blue feathers in late summer.

Barn swallows have a dark-bluish back, orange face and yellowish underparts. They also have a deeply forked tail. Given this superior rudder, they are capable of low and erratic flight, scooping up insects close to water level or over large grassy expanses such as horse pastures or golf course fairways.

By comparison, rough-winged swallows are stocky and brown above, whitish below with a drab, buffy throat. They spend a lot of time soaring high in the air and, therefore, have a more squared-off tail.

Bank, tree and cliff swallows are less likely to be encountered in central North Carolina. All three have less distinct plumage and short, forked tails. Bank swallows, which may be found in the western part of the state, have light brown backs, thinner wings and quick wing beats. Tree swallows have dark-green backs, broad, long wings and more direct flight behavior with less wheeling involved. Increasingly, they can be found using tree cavities or nest boxes near large bodies of water in the northern Piedmont. And they are quite common in the coastal plain. Cliff swallows, which resemble barn swallows with a short tail and a pale rump patch, fly more deliberately, with slightly slower, more powerful strokes. They favor the protection of overhangs associated with man-made structures such as bridges and overpasses to affix their unique mud nests. Interestingly, for reasons we are not sure of, cliffs are being found in more locations across the state each season.

Although these little birds are well-engineered for flight, they are not known for their song. In fact, their vocalizations consist of short raspy or mechanical calls. Nevertheless, swallows can be quite noisy, whether they are migrating as a flock or in pairs defending a breeding territory. Try to remember to listen and look up this spring; you might just spot some fancy fliers.

Wandering Billy

WANDERING BILLY

A Multi-Storied House

If these walls could talk . . . occasionally, they do

By Billy Ingram

“How cruelly sweet are the echoes that start, when memory plays an old tune on the heart!” – Eliza Cook

Rarely do time, temperature and opportunity coalesce to create conditions rife for recapturing carefree memories of sunshiny, youthful afternoons. In this instance, it’s an unplanned springtime saunter through Fisher Park — a frequent footpath in my teenage meanderings when hoofing it from Latham Park to First Presbyterian or onward Downtown, sketchbook and graphite at hand for rendering fascinations like that bulbous Weeping Willow billowing at the entrance (long since withered away), those cobblestone arches crossing creeks, masonry stairways and hardwood hickory trees.

Only once did I attempt drawing any of the surrounding houses, and that was 106 Fisher Park Circle, a majestic, two-story Neoclassical Revival with inviting slate steps that lead to a grand portico canopied by a tympanum accented with a whimsical lunette window that, even then, I suspected had witnessed its share of illustrious people and familial felicity. This graceful home is a centerpiece of Greensboro’s very first residential development, one that broke ground in the 1890s then grew exponentially throughout the Roaring ’20s.

If every picture is worth a thousand words, then, surely, every vintage home has potential to inspire an entire novel. In theory, one could select randomly any period property and undoubtedly uncover countless intriguing untold — or untoward — tales, walls eagerly awaiting listening ears. That recent midday wandering into wistfulness led to wondering: Why not honor 106 Fisher Park Circle for this “novel” experiment?

Knowing little more than that 106 had been dubbed “R. D. Douglas House,” I began researching in my own library of local lore. Tucked into unread recesses was a nondescript paperback inscribed to my mother on her birthday in 2005 entitled The Best 90 Years of My Life, written and self-published two years earlier by Robert Dick Douglas Jr. Born in 1912, the author’s chronicle commences with recollections of growing up with his three siblings at . . . 106 Fisher Park Circle. In his opening paragraph, Douglas Jr. describes the stately five-bedroom manor his parents had built back in 1906: “The house was high above the street and had four large cement two-story columns in the front. On the north side of the house was a concrete driveway leading from the street up the hill to a red wooden barn at the back of the lot.”

That barn originally housed a horse that pulled the family’s four-wheeled carriage. Before long, the Douglases were motoring in touring cars (with Eisenglass curtains, no less) east down North Park Drive to arrive at 480 Church St., where the children’s great-grandmother lived in the estate known as Dunleith. The striking three-story mansion had been built around 1858 by her husband, N.C. Supreme Court Justice Robert P. Dick. One of the nation’s earliest examples of Italianate architecture, it was briefly requisitioned for Union Headquarters as the Civil War drew to a close. Descending into disrepair, that elegant dwelling was demolished in the late 1960s. More recently, the former Aycock neighborhood was renamed Dunleath (close enough, right?) in its honor.

In the 1910s, public transportation was incredibly convenient for citizens of the newly-named Gate City. “We had electric trolleys running on rails in the street and getting electric power from overhead trolley wires,” Douglas Jr. writes. “Streetcars ran from downtown out North Elm Street to about where Wendover crosses now. Later, they went all the way out to Sunset Drive where you could walk to the Greensboro Country Club.”

Douglas Jr.’s youth revolved around the single Catholic Church in town, St. Benedict, within easy walking distance. “Father Vincent was a great golfer and a member of the Greensboro Country Club,” he writes. “I think a lot of anti-Catholic prejudice was dispelled by his charm and golfing ability.” The Parish’s Sunday School was taught by the Sisters of Charity, who established St. Leo’s, Greensboro’s first hospital in 1906.

As an Eagle Scout, Douglas Jr. spent a summer hunting big game alongside Serengeti natives, about which he wrote a book, Three Boy Scouts in Africa: On Safari with Martin Johnson, published by Putman. He followed that up with a second memoir published one year later in 1929 about bear hunting on Kodiak Island, A Boy Scout in the Grizzly Country. He later returned to Alaska, exploring steaming volcanos, graduated Georgetown Law School and, by 1941, was rounding up Axis collaborators as an FBI agent. In 1945, he resettled with his wife and toddler son in Greensboro to specialize in labor law. Multiple cases he argued were heard before the Supreme Court. Douglas Jr. passed away in 2015 at age 103, remarkable in itself. The Best 90 Years of My Life was republished in 2007 by Vantage Press but remains elusive to locate.

In 1936, 106 Fisher Park Circle welcomed Dr. Luther L. Gobbel, the same year he was appointed president of Greensboro College, where, two years later, he presided over the school’s centennial commencement. My mother was an undergrad there during his tenure, her 1945 sophomore yearbook fronted by an appropriately placid portrait of Gobbel as an archetypical, armchair-seated academic doyen projecting an air of professorial steadfastness.

Gobbel relocated around 1941, when this Fisher Park landmark was purchased by Dr. Samuel F. Ravenel, founder of one of North Carolina’s first pediatric practices in 1925, positioned on the third floor of the Jefferson Standard Building.

In 1948, Ravenel rallied city leaders to raise $100,000 (roughly $1,350,000 today) in just 12 days. The funds were needed to convert a former rec hall on the recently-vacated Army Air Corps base, located off Bessemer, into an emergency, M.A.S.H.-like triage infirmary where he and new associate, Dr. Jean McAlister (pioneer female physician), risked their lives combating — and promptly conquering — a polio outbreak crippling Guilford County’s children by the hundreds.

“Dr. Jean” was our beloved family pediatrician in the ’60s. When she was away, it was Dr. Ravenel’s stethoscope pressed to our chests in their modest, rectangular office suite on East Northwood Street (improbably still standing among Cone’s expansions). What those well-healed patients’ parents likely didn’t know was that Dr. Ravenel spent spare hours at Children’s Home Society charitably attending to some 9,000 infants that would otherwise have gone untreated. Revered across every community, his 51-year devotion to the health and wellbeing of Greensboro’s most vulnerable ended tragically with a 1976 car accident.

A mere three chapters in, if we do indeed have elements necessary for an intriguing historical novel, it’s going to need a satisfying wrap-up. Turns out my old pal, Bill Baites, along with Stephen Dull, restored this gem to shine anew while residing there in the 2000s, undertaking a million-dollar renovation recognized with a Preservation Greensboro Award for excellence in 2006. I had no idea!

Then again, many casual readers crave conclusions couched in cloying profundity. The epitaph engraved on Dr. Jean McAlister’s monument at Green Hill Cemetery could decisively serve as a suitable swan song for those selfless souls once resting their heads at 106 Fisher Park Circle:

Good and faithful servant of God

Well done

Rest from thy loved employ

The Battle fought, the victory won

Enter thy Master’s joy.

2026 Department Wandering Billy

Simple Life

SIMPLE LIFE

Garden Reborn

And just maybe, ready for prime time

By Jim Dodson

On a warm and dry afternoon last October, as I mulched and watered my front yard’s 35 parched azaleas in the middle of the most punishing drought in memory, a shiny, white Volvo eased into my driveway.

A pair of well-dressed women emerged.

They introduced themselves as Candy Gessner and Lorraine Neill, committee members from the Greensboro Council of Garden Clubs. They had something to discuss.

For an instant, I wondered what crime against nature I might have unwittingly committed. Unnecessary strain on municipal water supplies? Had neighbors complained about my loud (and entirely inappropriate) oaths issued at a rainless sky?

Instead, Candy smiled and reached for my grubby hand.

“We understand you have a lovely garden,” she said. “We’ve come hoping to view it and ask if you would be interested in having your garden featured on the 2026 garden tour in June.”

Between us, they could have knocked me over with a packet of Burpee seeds. In my time on this Earth, I’ve built three ambitious landscape gardens and never given a passing thought that somebody might wish to see them. Especially a lot of serious gardening somebodies.

My first garden was built on a heavily forested hilltop in Maine, a classic New England woodland garden created on the remains of a vanished 19th-century farm that my cheeky Scottish mother-in-law nicknamed “Slightly Off in the Woods.” It was the perfect name because the only people who ever saw it were the FedEx guy and tourists who’d taken a wrong turn onto our dirt road.

“Nice layout,” the FedEx guy once remarked with a smirk. “But why build a garden like this that nobody will ever see?”

“Because I see it,” I said. “It keeps me sane in a crazy world.”

He thought I was joking. But any serious gardener will tell you that time spent in their garden is a cure for whatever ails the spirit. Most of us, in fact, never imagine that others will desire to see our gardens. We create them for us. The closest we can get to playing God, as a famous English gardener named Mirabel Osler once said to me.

My second garden belonged to a cute little cottage in Pinehurst that my wife, Wendy, and I rented in hopes of eventually buying. The previous owner had been an elderly gardener who let his 2-acre garden run amok. I spent a year cutting back overgrown azalea bushes and battling wicked wisteria vines and even recovered a “lost” serpentine brick fence that had been swallowed whole by English ivy. I also built a beautiful wooden fence around the fully restored garden — just in time for disaster to hit.

The week we planned to officially buy the place, the kitchen floor collapsed, and we discovered that black mold was running like a medieval plague through the walls and floors. We moved out that same afternoon. At least the garden looked fantastic.

Finally, there is the garden where the women from the garden council and I stood on that afternoon. It is, without question, my final garden and, therefore, a serious labor of love.

A decade ago, we moved back to my hometown, taking possession of a charming mid-century bungalow that the Corry family built in 1951. I grew up two doors away from this lovely old house and always admired it. Al and Merle Corry were my parents’ best friends. Their grown children were thrilled when they learned that a pair of Dodsons would be their childhood home’s second owners.

And so, we set off to fully restore the property.

As Wendy got to work on the interior, I confronted “Miss Merle’s” long-neglected garden. It took a year of weekends just to clear dying trees and dead shrubs from the front yard before I could turn my attention to the backyard so wildly overgrown, I nicknamed it “The Lost Kingdom.”

Over the next decade, neighbors and friends got used to the sight of me getting gloriously dirty every weekend, rain or shine — digging holes, building beds, hauling in new soil and manure, eventually planting a dozen flowering trees in the front yard alone, with banks of hydrangeas and 30-plus azalea bushes, inspired by a former neighbor who did the same during my childhood years.

In due course, our “east” garden became a flowering space with a tiered stone pathway and lush beds that are home to autumn sage, Mexican sunflowers, purple salvia, society garlic, Mexican petunias, Gerbera daisies and red-hot pokers. Knock Out and old-garden rose varieties preside over a trio of butterfly bushes that monarchs swarm upon on late-summer days.

In the former Lost Kingdom out back, I built an Asian-themed shade garden that’s home to nine Japanese maples, scores of autumn ferns and monster-sized hosta plants (I imported from my Maine garden). The final touch was a stone pathway that winds through this tranquil, hidden space, though only I and our three dogs have ever followed it.

Which brings me back to the lovely women from the council.

I thanked them for considering my garden for their June tour but pointed out that drought had taken an alarming toll. Moreover, mine was still a young garden, a mere decade old. It needed time to heal and find its way.

“Another year perhaps?” I suggested.

They wouldn’t hear of it. “Everyone’s garden has been beaten up,” Candy reminded me. “But come spring, they always bounce back like a miracle. Yours will, too.”

So now, friends, April is here and I’m a man in constant motion, fussing, fixing, weeding, mulching, trimming, planting new things and getting gloriously dirty. A garden, of course, is never finished. There is always something to do, to change, to add or subtract, or simply fix. Nature abides no slackers.

Nothing could make me happier than to welcome folks to my reborn garden come June 6-7.

Don’t mind my grubby hands, though. A gardener’s job is never done.

2026 Department Simple Life

Tea Leaf Astrologer

TEA LEAF ASTROLOGER

Aries

(March 21 – April 19)

This month, you’re giving theatrical bravado — and we’re lapping it up. Mars in your sign from April 9 through mid-May is the energy shot you didn’t need but surely won’t squander. Just don’t move so fast you miss a stellar career opportunity that aligns with yourlong-term goals. A friendly tip: Passion and impulse aren’t always synonymous. Now, channel your inner Freddie Mercury and watch the world respond.

Tea leaf “fortunes” for the rest of you:

Taurus (April 20 – May 20)

Taste as you go.

Gemini (May 21 – June 20)

Double the recipe.

Cancer (June 21 – July 22)

Best not to overextend yourself.

Leo (July 23 – August 22)

Slow down and proceed with wonder.

Virgo (August 23 – September 22)

Go waffles-for-dinner wild.

Libra (September 23 – October 22)

Check the expiration date.

Scorpio (October 23 – November 21)

Try changing the lens.

Sagittarius (November 22 – December 21)

Two words: flameless candles.

Capricorn (December 22 – January 19)

It’s time to turn the compost.

Aquarius (January 20 – February 18)

Read the room, Darling.

Pisces (February 19 – March 20)

Schedule the oil change.

2026 Department Tea Leaf Astrologer

Chaos Theory

CHAOS THEORY

Why DIY today what you can DIY tomorrow?

Ceilings and other unfinished projects

By Cassie Bustamante

When it comes to house projects, my husband, Chris, and I have an unspoken motto: Why do today what you can put off until right before you need to sell your home?

Just before we moved to Greensboro, our project procrastination caught up with us. I kneel atop a 5-foot-tall, mint-green, vintage shelving unit in our kitchen, my neck craned toward the ceiling I’m painting. Tiny, white droplets fleck my dark-brown hair. Nearby, Chris feeds our infant son, Wilder, stuffing lukewarm spoonfuls of mushy, Gerber oatmeal with a touch of homemade applesauce into the little guy’s hungry, gummy, baby-bird maw.

In our house, painting is a tag-team endeavor. Chris is the roller, while I am the cutter-inner. After many years spent creating content for my DIY blog — mostly paint projects — and refinishing furniture for my vintage-furniture storefront, I’ve got a steady hand, one that requires no blue tape. Chris, on the other hand, is more like a bull in a paint-your-own-pottery shop — not so good with the details but great with the brute force required for rolling. So, as soon as I swipe paint on the last of the kitchen ceiling edges, I hop down and swap places with him. He douses a roller in white paint while I take over with Wilder.

“Why do we do this to ourselves?” I say, exasperated. “All of these projects we let pile up over the seven years we’ve lived here and now we’re cramming them into seven weeks!” Light fixtures to replace, countertops to update, a half-dead maple tree along the driveway to chop down and, obviously, ceilings to paint.

“And, you know,” says Chris, “none of these projects are that bad. It’s the getting them all done in rapid succession that’s killer.” He pauses and I can practically read the thought bubble that’s forming over his head. “Let’s not do this in our next house.”

I nod enthusiastically. “Let’s get things done over time so that we can actually enjoy the results of our own blood, sweat and tears,” I say, rubbing 6-month-old Wilder’s button nose with my own. “That’s right, Mommy and Daddy are not going to procrastinate in our new house!”

A couple short months later, we say goodbye to that home and its freshly-painted ceilings, and make our way to Greensboro, where a 1966 Starmount Forest ranch home waits for us. Sure, it needs some updating, but it ticks so many of our boxes as a family of five — four bedrooms, three bathrooms and a great location.

The kitchen, however, is never going to work for us. While I am a huge fan of reusing what you can, the original cabinetry only allows space for a 24-inch oven. A baking sheet full of dino-shaped chicken nuggets? Forget it. And I can stop fantasizing about hosting Thanksgiving with an oven like that. So, just months after moving in, we hire a contractor to renovate our kitchen, updating it with new cabinetry, new flooring and fixtures, a hammered-brass sink from locally-owned Thompson Traders, and, of course, new appliances, including a gorgeous, white-and-gold, 30-inch Café oven.

As the renovation crawls closer to its completion many months later, I tell the contractor, “We’ll take care of all the painting.” We just want our house back — no more workers tromping around, no more plastic sheeting, no more construction dust. “Trust me, we can handle that part.”

“OK, if you’re sure,” he says.

“Oh, I’m sure.”

Once the contractor and his accoutrements have quite literally left the building, we spend a weekend coating the walls in white. I give the new built-in banquette and molding a touch of easy-to-clean sheen with semigloss in the same shade. And it looks fresh and finished — as long as you don’t look up. “We’ll save the ceiling for next weekend,” I say to Chris as I scrub my brush clean. “I’m too tired to think about it right now.”

Approximately 150 weekends — or three years — later, our ceiling finally has its moment with paint. While we’ve grown so tired of looking at the dull, drab ceiling in its primed state, apparently we haven’t been tired enough to actually push up our sleeves and do it ourselves. Nope, the first thing we do when I go back to work full-time is hire out the work. All I have to do is select the color: Sherwin Williams’ Romance at 75% saturation, a lovely, warm shade of blush. No argument from Chris, who’s just happy to have it done.

Well, almost done. You see, the painters arrive on a sweltering July day and our AC is working overtime. The two vents in the kitchen ceiling are dripping with condensation, making it impossible for paint to stick to them.

“Don’t worry about it,” I tell the concerned painter as he shows me the issue. “We can easily get to it when the weather cools this fall.”

It’s been almost four years and, as I sit at my kitchen banquette writing, I steal an upwards glance at the vent closest to me, stark white against the soft-pink ceiling. Really, how hard could it be to just slap some paint on it when I’m done writing? Not hard at all, but we’re not ready to list our home anytime soon.

2026 Chaos Theory Department

In Good Taste

IN GOOD TASTE

Sweet Spring Layers

A strawberry cheesecake parfait

Story and Photograph by Jasmine Comer

I’m currently in a full-blown parfait phase. While they’re traditionally served as a dessert using ice cream, health-conscious millennials now think of them as yogurt bowls, and they’ve become my breakfast staple. But really, they’re good any time of day. I usually start with a Greek yogurt base and layer in seasonal fruits — it was apples all winter — plus granola, nuts or a drizzle of nut butter. Once you add a sweetener of your choice, something like honey or natural maple syrup, you are all set. The real draw for me is the texture and flavor play: You get that perfect mix of creamy, crunchy, salty and sweet. But the best part? How little effort it actually takes. Of course, you can go full-on indulgence and make it a true, rich and decadent dessert. Though I’m not suggesting you eat that for breakfast.

This recipe is a love letter to effortless kitchen adventures. Even for those of us who find peace in cooking, there are days when standing by the stove feels like a chore — especially as the temperature rises and the last thing you want to be is tethered to a hot oven.

Enter the strawberry cheesecake parfait: Think of it as cheesecake’s laid-back, sophisticated cousin. It’s a deconstructed masterpiece that layers silky cheesecake mousse with the bright, macerated sweetness of seasonal strawberries and the salty-sweet crunch of buttery graham cracker crumbs. This may be your first foray into dessert parfaits, but given the high-reward, low-effort ratio, it certainly won’t be your last.

Strawberry Cheesecake Parfait

Ingredients

Cheesecake Filling

14-ounce can sweetened condensed milk not skim, please

Two 8-ounce blocks cream cheese, room temperature

1 teaspoon vanilla extract or paste

Graham Cracker “Crust”

1 1/2 cups graham cracker crumbs

1/4 cup melted butter

2 tablespoons sugar

Pinch of salt

Cinnamon to taste, optional

Strawberry Topping

1 pound strawberries, sliced

1/4 cup sugar

1 tablespoon lemon juice

Zest of half a lemon

Directions

For the cheesecake filling: In a large bowl, using a hand or stand mixer, blend ingredients until smooth and creamy. Refrigerate for at least 30 minutes, or overnight; the longer the better.

For the graham cracker layer: Right before you are ready to assemble your parfait, using a spoon, mix ingredients until combined in a medium bowl.

For the strawberry topping: Just as you are ready to assemble your parfait, mix the strawberries with the sugar, lemon juice and zest together until combined in a medium bowl. Let sit for 20 minutes so the strawberries can release their natural juices.

Using a glass of your choice, start with a layer of graham cracker crumbs, followed by a layer of the cream cheese mixture and then the strawberries, using approximately 3 tablespoons of for each layer.

2026 Department In Good Taste

Life’s Funny

LIFE'S FUNNY

Holy Mole-y

Coping with tunnel vision

By Maria Johnson

A woman dressed in gardening boots, jeans and a hoodie, her hair stuffed under a ball cap, walks across her backyard gingerly, dousing the grass with the sudsy contents of a gallon sprayer.

Her cell phone rings in her pocket.

She puts down the sprayer and checks her phone. It’s her mom. She answers.

“What are you doing?” her mom asks brightly.

“Do you really want to know?” Gardening Woman asks.

“Mmhmm,” her mom says.

“I’m spraying the yard with castor oil,” Gardening Woman says.

Silence.

“For moles,” Gardening Woman adds, for context.

“I’ll talk to you later,” her mom says.

It’s late winter. The snow has melted.

The Gardening Couple’s backyard is bursting with promise.

The grass they sowed last fall is coming on, bright green, even in the shady spots.

The maples tease them with ruddy buds.

The crocuses are croaking. Not in a morbid way. No, rather in the tree frog way: cheerfully chirping notes of yellow and purple on the fringes of the natural area, which is landscape-talk for “places they don’t even try to grow things any more.”

Finally, the Gardening Couple has almost finished renovating their raised-bed garden, which had fallen prey to a cycle that many gardeners will recognize: wood rot, which draws bugs, which draw bug-eating critters, which draws a Gardening Dog, who tears the ever-living snot out of the frames.

Board by board, the couple’s Gardening Dog dismantles the frames so thoroughly and so quickly, the Gardening Couple conjectures later, that she must have a YouTube channel on the subject.

“Hi, everyone,” she would say merrily. “Gardening Dog here. Today, we’re gonna take down these raised beds in just a few hours.”

All this happens while the Gardening Couple “works” inside.

“Where is Gardening Dog?” one of them asks blithely.

“Oh, she’s dogging around in the backyard,” the other says.

“Oh, good,” comes the reply.

Lalalala.

This is how society crumbles. Good people tend to their daily lives while the paws of destruction dig away under their noses.

This is also why the Gardening Couple is very familiar with people who work at Lowe’s.

“How’s the family?” the Gardening Woman asks someone in a red vest.

“Good. You back for more cedar boards?” her vested friend asks.

“Yep. Hey, can we have some of these doughnuts meant for contractors?” Gardening Woman asks.

“Sure! You paid for them!”

Hahaha.

Like that.

Anyway, the Gardening Couple’s new, improved raised beds, made with slotted concrete blocks at the joints — burrow into that, critters — is almost finished and ready for the planting of cool-weather greens, flowers and veggies.

Proudly, the Gardening Couple walks outside laden with shovels and dreams. They anticipate the spring day, just a couple of months away, when they will host a small gathering to celebrate the marriage of their older son and his wife. Guests will stroll through the yard, marveling at the peacefulness of their little Eden, the beauty of springtime in the Piedmont, the craftsmanship of the raised beds.

“Did you see the slotted blocks on the corners?” they’ll whisper over their plates.

“And the way they chiseled the cedar planks — which were a tad too wide — to fit the slots snugly?”

“In all my days, I’ve never seen such arugula.”

“Breathtaking.”

These are the thoughts that fill the heads of the Gardening Couple as they walk outside one sunny afternoon to finish their project.

Suddenly, the reverie is shattered.

[CLANK] “OOOOOHHHHH-NOOOOOOOOO!!! ARGGGHHHHHHH!”

The Gardening Woman drops her shovel, grips her head in her hands, falls to her knees, and screams to the heavens.

Half the yard looks like a munitions-testing ground.

Craters yawn with freshly churned dirt.

Patches of new turf lie asunder.

Muddy trenches meander like . . . molehills.

Gardening Dog bounds up, tongue lolling, tail wagging, nose crusted with dirt.

“Yo, family, check it out!” she seems to say. “I took care of those moles for ya!”

Gardening Man looks crestfallen. According to his telling, his life has been one protracted battle with moles.

He retells his war stories: how, as a kid, he helped the maintenance man at his Catholic grade school dispense of moles in the lawn with poisoned peanuts, smoke bombs and pitchforks.

Gardening Woman frowns. She is not a poisoned peanuts, smoke bombs and pitchfork sort of person. Gardening Man knows this.

He continues his epic poem, telling how the moles found him again, early in his marriage to Gardening Woman.

Fortunately, their dog at the time turned out to be a “moler” who brought family members dead moles as gifts. Gardening Man rewarded the dog with bites of steak to reinforce the habit.

Soon, the tunnels and trenches disappeared.

If the current Gardening Dog has ever unearthed a mole, which she must have, she has never shared the bounty.

The thought occurs to Gardening Woman that the mole might have gone into another dark tunnel — Gardening Dog’s digestive system — only to be reintroduced to the yard as fertilizer.

Gardening Woman thinks of mole holes, in every sense of the term. She thinks of how Gardening Dog loves to lick people’s arms and legs.

Ew, she thinks.

There must be a better way.

Gardening Woman reads up on moles. They eat grubs and worms.

Yuck.

But OK.

She looks at galleries of mole pics, absorbing the details of their faces. They have bright red button noses, which sounds cute except the rest of them look like Freddie Krueger plushies, with knife-like fingernails and scrunched-up eyes.

Mole huggers says they’re helpful creatures that aerate your lawn.

Mole haters says they’re destructive pests that ruin lawns.

Gardening Woman thinks they are both.

She is fine with moles being moles, just not where she wants people to mingle, on level ground, and praise her arugula.

She is willing to coexist.

She reads about battery-powered lawn spikes that emit a low-frequency hum, supposedly repelling moles. The problem is, they don’t work very well. Like parents who don’t love, but get used to, their children’s music rattling the walls, it appears that moles don’t love, but learn to live with, vibrating ground.

The safest and most effective way to discourage them — moles, not children — seems to be by soaking the lawn with a solution of castor oil, liquid soap and water.

Like many creatures, it seems, moles do not like the taste of castor oil.

Gardening Woman wonders why any animal that eats grubs would be put off by castor oil, but she accepts the premise and orders a gallon of pure castor oil, enough to purge the city in preparation for a world-record attempt at Most Colonoscopies in a Metro Area in a 24-hour Period. But no. According to Amazon, this is “landscaping” castor oil, a mole and vole deterrent.

Whatevs, Gardening Woman decides. Either way, we’re talking mole runs.

She mixes the oil with lavender-scented Castile soap and water and applies the concoction to the tilled up earth. Never has so much laxative smelled so lovely.

It rains for two days.

On the third day, Gardening Woman ventures out. Gardening Dog follows her to inspect the moonscape.

No new hills.

No new trenches.

Gardening Dog seems uninterested in the wasteland.

Gardening Woman makes a note to buy top soil and grass seed and start over at ground zero. There’s just enough time for grass to sprout before the gathering.

She goes to the “natural area” to check on spring buds.

When she turns around, Gardening Dog is digging again, this time in the un-oiled part of the yard.

What’s that sound? A muffled, maniacal Freddie Krueger laugh coming from under the sod?

The castor oil has worked. Sort of.

Gardening Woman scolds Gardening Dog, marches inside, finds the sprayer and silences her phone.

2026 Department Life's Funny

O.Henry Ending

O.HENRY ENDING

Farm to Fable

A handmade bench sings its story

By John Adamcik

Our family’s kitchen bench sings. Farm songs, mostly. Warm and friendly tunes, passed down through generations.

Some might think it’s the old wood and nails, creaking in protest after decades of heavy use.

Or North Carolina heat and humidity working on the wood Grandpa chose when he built the plank bench for his family of 11 to use in their Michigan farmhouse.

I know better. It’s what’s inside the bench that makes it serenade.

My mother was an upholsterer. When I was young, she’d pay me to remove fabric from heirloom sofas, loveseats and armchairs. By 10, I’d learned how to pull rusty staples and tacks from a frame without damaging the antique, hand-carved wood. I could look at a piece in Mom’s shop and tell you whether the innards were foam, straw or horsehair.

Just as I can tell you what’s in almost any upholstered furniture, I know what’s in our family’s bench.

It’s stuffed with memories from family gatherings, where Grandma kept court at the dining room table. Her encouraging smile remains in my mind’s eye, a reminder of her unconditional love for all of us in her family. There’s residue from orange Kool-Aid she kept in the fridge for frequent visits by us grandkids. Dregs of the beer Dad and my uncles drank, the kind advertised on TV during Detroit Tigers games in the ’70s. Smoke from cigars the guys enjoyed while playing pinochle in the living room (once the farm granary, before the grandparents moved the family there in the 1940s).

There are echoes of laughter and prayers. Grandpa’s jokes, told in half-Polish/half-English. Silhouettes of the tornado of 1951. An undecipherable howl from an uncle struck by lightning as a boy (he lived). A soft groan of shock from another uncle when he got skunked as a youth.

My grandparents were humble people whose lives reflected their faith, love of family and commitment to our mid-Michigan community. The city’s main employer — Dow Chemical, at the time the world’s largest single chemical plant — emerged in the 1800s to mine and transform the area’s subterranean salt deposits into useful components. Grandpa worked there. Dad and my uncles, too. Salt of the Earth, some said. The area. The people. My grandparents.

The bench is packed with testimonies of their farm life.

Early in Mom’s career she lovingly reupholstered the bench for Grandma with embossed, golden polyvinyl chloride fabric jokingly advertised as the shed “hyde” of a mythical creature (but which came from a factory much like our town’s). Ornamental brass tacks still hold the fabric on the bench’s scuffed brown paint.

When Mom moved to Florida years later, she grew as an artisan. Her skill and work ethic built a client list of the retired, the wealthy and the famous. When a fashion model’s Siesta Key home was featured in a national design magazine, Mom’s work filled every page of that spread.

My wife and I inherited the bench. I’m keeping it “as-is.” No repainting or recovering it. My kids can do that someday, if they want.

Mom stays with us now. She enjoys sitting on the bench, visiting with family and friends or keeping watch on the stove. The bench sings to her more than anyone.

I understand, because I know the song.

2026 Department O.Henry Ending

Sazerac April 2026

SAZERAC

Art to Heart

“What I’ve realized, regarding how long I’ve been doing it, is that you don’t get better, you just change,” says artist Matthew Micca, whose work will be featured at GreenHill Center for NC Art beginning April 10. Micca, an Asheville resident and contemporary abstract artist who breaks the mold, strives to always produce art that he’s proud of — even if it’s something that has completely strayed away from his norm. From drawing illustrations in his earlier years to falling in love with abstract art, Micca has decided to set aside his panel paintings and, instead, try out three-dimensional cubes that encapsulate his contemporary artist mind. “About a year and a half ago, I figured out how to merge my paintings and bring it to the 3D realm in a way,” he says. He found the switch from 2D to 3D to be easier than expected. His technique involves painting his design on one flat surface of the cube while the excess paint drips down its sides. Asked what he thinks about his previous work, he says: “I recognize that it’s good, but I can’t do that now because I’m past that.” Art, Micca says, is ever changing and constantly moving. He wishes more artists would take risks and evolve their art, which, if you can pluck up the courage to do so, can pull you out of your comfort zone and into daring and bold expression. “I think I’ve gotten braver through the years,” he muses. While his work has changed over time, one thing has remained the same: “My work has always been a mix of geometric and organic forms.” While his shapes, patterns and evolving mediums allow him to express himself, he’s fascinated by viewer interpretations as well. “I love to hear what people see in my work,” he says. So when you catch Micca’s solo exhibition of his 3D-cube work at GreenHill Center for NC Art through June 20, be sure to let him know what you see. Info: greenhillnc.org/exhibitions.

Just One Thing

Art is many things to Greensboro artist Jonathan Vizcuña, but quiet isn’t one of them. Vizcuña believes art should speak for itself — and loudly, at that. With its shiny, eye-catching embellishments, his art illustrates his feelings. “As an artist, that’s one of your goals. I want to have the opportunity to, through my art, fill with joy, touch with emotion and communicate many things to many people,” he says. Years ago, while working as a web designer, he started expressing himself through a hobby he didn’t expect to take off the way it did. “I’ve gone through every single title in web design. That has always been my world. Now, sculpting has become a more personal expression, much slower,” Vizcuña explains. For him, sculpting is a much more intentional process than working on paper. He describes himself as having quiet confidence, unassuming and never boasting but, instead, letting his art toot its own horn. He’s been often told by others that he “should be proud” of his art. “I’m not saying I’m not proud of it, but I never thought I would get so much exposure with my sculptures,” he says. From getting his first exhibition in Deep Roots to now exhibiting at The Center for Visual Artists, Vizcuña has put hours upon hours into sculpting because he believes in the power of his art. If you’re a sucker for art that speaks to — or, in this case, roars at — you, check out Vizcuña’s Apex Noir, seen here, at The Center of Visual Artists exhibit, We Art GSO, through April 18. Info: mycvagreensboro.org/WE-ART-GSO.

Window on the Past

For National Poetry Month, we wanted to highlight the work of a not-so-ancient poet — and no, we’re not talking about Shakespeare. Douglas Cartland, a Gate City resident in the early 1900s, wrote a poem about renowned Greensboro-born writer William Sidney Porter, better known as O. Henry. Cartland calls him “Greensboro’s hero, Greensboro’s star, Greensboro’s outstanding light, Greensboro’s sun in the darkest night.” With words like these, Cartland may have just fancied himself the ‘Boro Bard.

Welcome to the Wordshop

Wanna shake up your reading and writing? Greensboro Bound Book Festival returns April 9–11, celebrating diverse voices and stories with American Kaleidoscope as its theme. Three days of literary activities culminating in one full day of downtown events include perspective-shifting author chats, a palette of poetry, a collage of kiddo content and, of course, reflective — and perhaps refractive — writing workshops. That’s where O.Henry comes in to play.

We’ve teamed up with the festival to lead a few of Saturday’s workshops at the Greensboro Public Library’s Central Library. First, from 10–11:15 a.m., O.Henry editors Cassie Bustamante and David Claude Bailey will reflect on their own path of bringing back to life their personal experience. In a session entitled “That’s My Story,” they’ll offer tips and caveats about coaxing memory into words. Got a memoir ’bout to bust out of your brain? Chapter one starts here.

Then, from 11:30 a.m.–12:45 p.m., O.Henry contributor, author and TVparty! creator Billy Ingram takes you on a journey to your next career with “Writing as a Second or Third Act.” Billy’s worked in big-time advertising as well as entertainment. These days, he spends his time unearthing Greensboro gems in his monthly “Wandering Billy” column and writing gritty features for O.Henry. An actor at heart, he knows something about entering the scene stage, whoops, write after a completely different career

Do you panic when you have to interview a subject? Book your sesh from 1:30–2:45 p.m. with O.Henry founding editor and New York Times-bestselling author Jim Dodson, who leads “The Art of the Research Interview.” After spending years traveling, researching and interviewing along the the Great Wagon Road for his 2025 release, The Road That Made America, Jim’s more than got the chops to teach you how to ask the right questions that allow the conversation to flow freely from your interviewee. We’ve always found that free-flowing whiskey helps, but we’re sure Jim’s got better methods.

Putting a cap on the workshops, Erica Miriam Fabri, author of the 2025 Jack McCarthy Book Prize winner, Morphology, leads “Making the Public Personal: Writing Autobiographical Poetry Inspired by Current Events” from 3–4:15 p.m. Curious how you can use your own autobiography to provide future generations with the true — and poetic — story of the cultural movements or social and political conditions shaping your life? Learn to use your voice as a measure for the times.

No matter what skill it is you’re shooting to sharpen, we’re here to help you find and cultivate your story. After all, we’re writing prose.

And don’t miss out on a full line-up of talented authors, beginning on April 9 with No. 1 New York Times-bestselling author Casey McQuiston, whose book, Red, White & Royal Blue, was made into a 2023 film. Find the schedule of events here: greensborobound.com/2026-festival.

Unsolicited Advice

For the lot of us, 2016 was an era in itself. Groovy, new music albums and the upsurge of pop-culture references, thanks to rising social media, made the year nostalgic. And though it’s worth a scroll through our camera rolls, there is one part of 2016 we keep coming back to — the fashion trends. Some were iconic and some were not so much, but, you’ve got to admit it, no one was rocking ripped, high-rise jeans better than us. It was an experimental year to say the least and we’ve grown through our choices in clothing since then, but it’s hard to focus on current ‘fit picks when we’re mentally stuck a decade before. So we’ve provided a list of trends we advise you to stay away from this time around.

Skinny jeans? More like leg traps — bonus points if they looked like they’d been run over by a lawnmower. Hard to get into and even harder to get out of, these infamously tight jeans have burned a hole — bigger than the purposefully placed one on their knees — in our memory forever. Luckily, we’ve evolved to clothing with a little flare. Never again will we let skinny jeans reemerge from our bin in the attic and never again will we let our legs suffer in a vacuum-seal fit.

Fried, dyed and laid to the side, our hair was nothing more than a rainbow experiment. Arguably one of the most tedious trends — thanks to grown-out roots — ombré hair was a trend of self-expression and individuality. It’s not ridiculous to say that every once in a while we have the urge to grab some hair dye and bring the hot-and-hued hairdo back, but lest we forget the clumps of hair and the big chop that followed.

Paired with a denim jacket and a snapback, thigh-high boots were a sign of the times. Leather, suede or pointed, these boots were versatile and everywhere. We saw them on celebrities, family and even friends. What’s the downside, you say? These boots, turns out, were not made for walking — sure to bring blisters and callouses, but, luckily for us, this 2016 trend didn’t stick to us as tightly as these boots did.

2026 Department Sazerac

Home Grown

HOME GROWN

Dial M for Miss You

A local wind phone welcomes users to call their lost loved ones

By Cynthia Adams

Dana White doesn’t know exactly what captivated her when she learned about wind phones on National Public Radio. Was it longing to reach out to a dearly departed relative?

Was it a call to connect?

White, a woman with healthy boundaries, isn’t saying.

Yet many also feel a mysterious attraction to wind phones, a concept originating in Otsuchi, Japan.

Since the first wind phone appeared 15 years ago on a windswept mountain, created by a grieving man, Smithsonian magazine estimates more than 200 wind phones have been installed in the U.S. alone. A wind phone — a disconnected phone perfect for expressing deeply held feelings of loss or grief — may seem outmoded in a digital age of instant connectivity.

Here, the wind alone bears the message.

The premise is basic. A vintage phone, often with a rotary dial, is typically placed in some remote, sometimes haunting location, though it’s not unheard of to find them in cities. Walkers on a nature trail may happen upon an old phone mounted to a tree.

According to a CBS News Sunday Morning segment, people hiked to such a phone within a California forest, there for the purpose of unburdening themselves.

The bereaved used the phone to leave messages borne away by the wind without a trace — hence the name.

But sometimes wind phones are installed in built structures or phone booths.

Simple or elaborate, the wind phone becomes the receiver of longing, for reconnection with a deeply missed someone or something.

In White’s case, however, her wind phone seems to have evolved like a highly personalized art project; one long mulled over. In her spare time, she likes making art in a home studio. So, when White spotted what she believed could become the raw materials for such a project, she set about creating one.

“In February 2022, I was hanging out with friends at Fishers Grille and saw a large crate next to a dumpster and thought, That could be a phone booth!”

Fishers Grille co-owner Doug Jones said the shipping container was free for the taking. White’s boyfriend, Steve Dabbs, collected the crate in his truck and thus began her new project.

“No telling what my friends, family and neighbors thought as they listened to me going on and on about it, but none of them discouraged me,” she says four years later.

Since White’s phone was created, wind phones began popping up throughout the state, more recently in Charlotte, Oak Island and Sunset Beach. Ian Dunn placed a wind phone at historic Oakwood Cemetery in Raleigh. (At this writing, there is at least one other in Raleigh.)

Having now lost several family members without the opportunity to say goodbye, I instantly connected with the concept.

White fashioned the phone and booth from upcycled materials, just like the crate, painting the open booth barn red. After mounting an old rotary wall phone inside, she placed a “Phone” sign on the top.

“I finally set it out next to the sidewalk in May 2022 with a note explaining what it is, and pens and paper for people to leave notes.”

Well satisfied, White says, “It gets a lot of traffic and feels pretty private, considering the location.”

“While some [who use her phone] are aural, others are more visual and prefer to write/read,” she explains.

White also gets a kick out of watching adults explain the concept of the wind phone to children. From her perch on a kitchen stool, she notices some users come often. At times, she meets people who are deeply curious about the phone. White smiles. “When I’m asked, ‘Does it work?’ I always respond ‘Of course, it does.’” Disappointingly, the vintage phones occasionally disappear.

“As we’re now on our third phone, I welcome anyone’s old phone for which they no longer have a use,” she writes later — not a terrible average given it has been four years since the wind phone’s installation.

On a whim, I dial my childhood phone number: Tuxedo 8-2372. A throwback to when the prefixes were actually mnemonic devices, they related to the letters and numbers on a rotary dial. Naturally, the number is no longer in service. My voice, too, simply drifts away on the wind.

In the silence, I imagine my father’s singular way of answering: “Yell-o! This is Warren!” and my heart does a little twist. I have not heard his voice since his sudden death in 1990.

Since, I’ve discovered what’s called a “Goodbye Line,” which allows users to bid farewell to people, places and things. Once connected, a recording reflects that: “This payphone, like us, is here now but won’t be forever.”

2026 Department Home Grown